I have some questions for callers. Now that it's hot, I wanted to know if
callers think it's a good idea to call a less active program when the
temperatures are high? I'd like to suggest that some moves require more
expenditure of energy than other moves. So, my second question is, do you have
any dances that are active but at the same time don't drain the energy from the
dancers? Would you share these dances?
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> 1. Re: Cordless handheld microphones (Chris Weiler)
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sat, 23 Jul 2005 11:17:20 -0400
> From: Chris Weiler <chris.weiler(a)weirdtable.org>
> Subject: Re: [Callers] Cordless handheld microphones
> To: callers(a)sharedweight.net
> Message-ID: <42E25F80.5020709(a)weirdtable.org>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
> I did my research, both online and at the Shure website. I decided to
> get the PGX24/Beta 58A set. It retails for $638, but almost everyone on
> the web is selling it for $449. With some serious hunting, I found one
> site that is selling it for $349 with free shipping. Not even eBay could
> match that.
>
> A few more gigs (A couple of which are already scheduled) and I'll be there!
>
> Off to Pinewoods! See some of you there!
>
> Chris
>
> http://www.fortytwo.ws/~weiler/caller
>
> Chris Weiler wrote:
>
> > Hi all,
> >
> > I have been thinking about getting a handheld cordless microphone and
> > was wondering which ones were the best for calling and why.
> >
> > I am looking to get prices. I have decided that when I earn (gross,
> > not net) the price of the microphone from calling, that I'll be ready
> > for one. (Or maybe not, but it works as a goal.)
> >
> > Thanks for your help!
> >
> > Chris
> >
> >
>
> ------------------------------
>
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> End of Callers Digest, Vol 11, Issue 10
> ***************************************
This came only to me - I think David meant to post it to the discussion.
Thanks David!
I would add the tip for teaching that Doug Protsik gave me. On the B1 when
they have formed the lines of four, remind the folks on the inside to take
tiny little steps, and the folks on the outside to take long steps. That
makes the fan work. The fan is about twelve counts, the duck under about
four. If it's REALLY hot, or you are working with more beginners, you can
skip the ladies chain, make the fan run longer and go directly from the duck
under to the next A1.
Also, for the four-in-line, the MCDO used to call "Fan the Band", as I
recall (it was about twenty years ago!)
-cynthia
-----Original Message-----
From: David Millstone [mailto:David.Millstone@valley.net]
Sent: Thursday, July 28, 2005 7:02 PM
To: online(a)starleft.org
Subject: Fairfield Fancy
It's published in Legacy (CDSS), where it appears as a duple improper contra
but
could easily be turned into Sicilian circle as Cynthia suggests.
Fairfield Fancy
Dick Forscher
duple improper contra
Suggested tune: Paddy on the Turnpike
A1 Neighbors do-si-do
Partners do-si-do
A2 Circle left; circle right
B1 Down the center four in line, actives in the middle; ends turn in, duck
under
the artch formed by the actives and lead up the set, while the actives back
up
the set. All are now "automatically" facing a new couple.
B2 Ladies chain with the new couple, up and down the hall
Also published in Community Dance Manual, Book 6
Written about 1954 for the author's Fairfield, CT, dance group. Recorded in
the
1950s by Folkcraft Records with Bob Bryundage calling. It's now available on
CD
(with calls) and the tune on Vol. 6 of the Let's Dance! series.
Hi all,
I have been thinking about getting a handheld cordless microphone and
was wondering which ones were the best for calling and why.
I am looking to get prices. I have decided that when I earn (gross,
not net) the price of the microphone from calling, that I'll be ready
for one. (Or maybe not, but it works as a goal.)
Thanks for your help!
Chris
Hey Everyone:
A friend and I were thinking about starting a contra dance in Chesterfield,
New Hampshire. Chesterfield is about 10-15 minutes West of Keene, New
Hampshire and about 10-15 minutes East of Brattleboro, Vermont. We were
thinking about having the dance on Thursday nights at the Chesterfield Town
Hall. We were thinking that Thursday nights would be a good time, because we
would not have to compete with the Friday and Saturday night dances, and the
only other contra dance would be Cambridge. As anyone who does not live in
the Greater Boston Area knows that the trip to Cambridge can be a long one,
especially on a Thursday night.
I would hope that we could gear the dance so that it would have a nice balance
of traditional and modern contra dance styles, to appeal to the more
traditional dances in New Hampshire and also the more modern dances of
Greenfield, MA.
Any comments or feedback would be very helpful.
Thanks,
Jeff
Jeffrey M. Petrovitch
jeffrey.m.petrovitch(a)usa.net
“Five night of contra dancing... through ‘top-notch’ style and
technique, with the love and passion for the dance, the title above all other
was awarded. I am an ‘Iron Dancer’. Two times the dancing, two times an
‘Iron Dancer’.” – J. M. Petrovitch
A year or two ago at Pinewoods, my buddy Rick Barrows was doing sound and the
question of which mic to use came up in a callers' class led by Scott Higgs.
Rick suggested that they try out a bunch of different mics to see how they
sounded. I wrote him and his report follows. Note: this covers not just wireless
but wired mics as well
David Millstone
-------
What we learned is that, in general, the basic Shure SM-58 sounded best for
*most* callers. We weren't sure if it was what we were familiar
with, or what. The hard wired EV 757 (?)(current model 767) at Pinewoods were
second, followed by our wireless (15 year old Samson with
EV 757 head) and then the Shure Beta 58, with Scott's cheap wireless from Audio
Technica coming in dead last.
In general,other well-regarded vocal mic's include Sennheiser (835 and up),
Audix (OM series - some are flat EQ, some have a presence peak), Shure Beta 57
for male vocals
For those who care, some of these mics (Shure Beta, Audix OM, Senn 845/855, and
EV) are "hyper" or "super" cardiod - which means a tighter pattern, less
susceptible to feedback and you put your monitor, if you have one, at a 45
degree angle to the butt-end of the mic.
The Shure SM-58, Senn 835 are cardioid mics - bigger pattern, and the monitor,
if you have one, should point directly at the butt-end of the mic.
Some of these mics (Shure, and some Audix, perhaps EV) had a "presence peak" in
the EQ, which boosts the signal at a particular range of frequencies - usually
above 2K in the voice range. Others have a "flat" frequency response. The peak
is supposed to provide vocal clarity. You decide.
And remember, talk into the *top* of the mic - point it directly at you, not
"hold upright and talk into the side..."
Happy to answer any other questions.
adios,
Rick
<rbarrows(a)cs.dartmouth.edu>
For all of you out there who want to get in touch with accessible
old time music, there is a good CD recently put out
by The Percolators (CW Abbott, Larry Edelman, Joe Herrmann,
Joe Fallon and David Cahn), called, "Alive in Prague!"
These are all dance musicians (plus one
caller, Larry Edelman, who plays a mean mandolin), and the CD was
made with dancing, calling and fiddle playing in mind.
The tunes are clearly presented,
and it's an excellent intro to anyone who wants to call squares
or contras to old time but isn't familiar with the genre.
The CD was recorded in Czechoslovakia while the
group was on tour there. It also has some French Canadian tunes,
believe it or not; it seems David Cahn, who is known for his bass
playing, has also taken up the button accordion, and he's really good.
So it's a fine CD for practicing any kind of calling.
The Percolators will be at American Week at Pinewoods, so you can get
the
CD there, or by contacting CW Abbott
cwabbott(a)aol.com
or from
home.earthlink.net/~thepercolators
It costs $17 , which includes postage.
Nope, they didn't ask me to do this. I worked with them down In
Florida and
had such a good time with their music (calling squares with Larry in
the band
was GREAT--I just told him the figures and he picked the tune!). Then
I listened
to the CD and realized it would be a good tool for callers of all
levels.
Enjoy,
Lisa Greenleaf
-- Lisa
Hi all,
I'm curious about this comment Sue Rosen made to Chris Weiler:
>But, before you spend your caller's earnings on a mic, please, please,
>please sign up for caller's insurance through CDSS if you haven't already.
>And may none of us ever need it!
I actually wasn't aware (until now) that such insurance existed, and I've
been calling for a while and have also been thinking about buying a cordless
mic. I'm looking at the CDSS website right now, at the note about this
coverage but am finding it somewhat confusing. I don't know whether Toronto
Country Dancers (TCD) has "group insurance" but I'll check that out. But if
they do, does that mean that I would be covered, and would I only be covered
if I was calling specifically at the TCD hall ?? The second line in the
first paragraph says :
"...but if you only need to insure your caller and hall, consider this
option. The policy provides for general liability, bodily injury and
property damage in the combined amount of $2,000,000."
Does anyone know if this insurance covers me if I'm calling in other halls,
meaning if I'm on tour ? Does this even extend to callers living in Canada,
calling in and outside of the home country ? Does anyone know of a caller
that's been named in a lawsuit ? While I have insurance for my home and
car, I must admit that it's never occurred to me to have insurance for
calling. Should I be setting this up a.s.a.p ?? I have requested an
application from CDSS but would appreciate any info from callers out there.
Thanks,
Bev
*****************************************
The Witful Turnip wturnip(a)sympatico.ca
"I'm 40-fucking-5, and I've got nothing to hide !"
- Samantha Jones (Sex in the City)
*****************************************
I asked Sue Rosen about microphones when I saw her on Thursday. She sent
me this note the next day:
Sue Rosen wrote:
>Hi Chris,
>
>I hunted through old emails and found this from Kathy Anderson in 1998:
>"My mic is the Shure vocal artist mic, and I love it."
>
>But, before you spend your caller's earnings on a mic, please, please,
>please sign up for caller's insurance through CDSS if you haven't already.
>And may none of us ever need it!
>
-snip-
AMEN!
I sent an e-mail to office(a)cdss.org with a request for an application form. It's only $34 per year.
Chris
Hello Everyone:
Just wondering if everyone could help me with the authors and names of some
dances.
Improper
A1:
Neighbors do-si-do
Neighbors allemende right 3/4
Gents allemende left 1
A2:
Hey
B1:
Neighbors gypsy and swing
B2:
Circle left 1
Active couples swing
____
Improper
A1:
Star left
Neighbors allemende left 1 1/2
A2:
Ladies allemende right 1 1/2
Partners swing
B1:
Circle left 3/4
Neighbors swing
B2:
Long line forward and back
Star right
____
Thanks,
Jeff
Jeffrey M. Petrovitch
jeffrey.m.petrovitch(a)usa.net
“Five night of contra dancing... through ‘top-notch’ style and
technique, with the love and passion for the dance, the title above all other
was awarded. I am an ‘Iron Dancer’. Two times the dancing, two times an
‘Iron Dancer’.” – J. M. Petrovitch
Okay, I've got:
"Hello My Baby" and "The Baby Rose" and "Crumbs in the Diaper". Possibly
"Rant and Roar".
What other baby/infant/child/sleep/diaper/nappy/crib/etc themed contra
(square, circle, sicillian) dance names can you come up with?
I'd love to call a baby themed program. Suggestions welcome.
seth
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