trad-callers

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352 discussions

by tod1950＠yahoo.com

Recently a school contacted me about calling a dance in their gym. After it was all set up I received this message: One last thing I forget to ask you to send us a copy of your certificate of Insurance naming Hitchcock for the March 26th dance. Most insurance companies just email it to us. This is the first such request I have received as caller hired by an institution. Any suggestions on how to handle this request? Is this becoming common? Is this an appropriate topic for this group? Thank you!

9 years, 1 month

Contras for One Nighters

by Rich Sbardella

I rarely call a contra at a One Night Party Dance, but occasionally I am asked to. I have a few in my cards, but can anyone make some sure fire recommendations. Assume 95%-100% non dancers. Thanks, Rich Stafford, CT

9 years, 1 month

Re: Community and One Nighter dances: Book and CDSS article

by Paul Rosenberg

Thanks for the feedback, Doug Paul Rosenberg Albany, NY www.homespun.biz <http://www.homespun.biz/> 518-482-9255 > On Mar 14, 2016, at 11:59 AM, 2doug(a)dougplummer.com <mailto:2doug@dougplummer.com> [trad-dance-callers] <trad-dance-callers(a)yahoogroups.com <mailto:trad-dance-callers@yahoogroups.com>> wrote: > > > I think this is exactly on target with CDSS's educational mission. CDSS has an active publications program, which I think would be a fabulous ultimate destination for your project, and they do have funding. An article for the CDSS News would be a good way to start and organize your thinking, and they’re always open to submissions. > > > > Doug Plummer > > Seattle, WA > > CDSS board member > > > Paul Rosenberg www.homespun.biz 518-482-9255

9 years, 1 month

Community and One Nighter dances

by Marian Rose

Hello again Jim let me know that the attachment didn't go through. Here is a DropBox link to my article on Community and Family Dances. https://dl.dropboxusercontent.com/u/72493124/Calling%20Community%20Dances.p… Thank-you! --- Marian Marian Rose CP 8162, 150 rue Racine Est Chicoutimi, QC G7H 5B7 (418) 545-6603 (maison) (581) 234-1614 (cellulaire) www.marianrose.com

9 years, 1 month

Caller and musicians in Virginia in July?

by chandler.dr＠gmail.com

Passing on a request... I'd like to request recommendations for a caller and musicians (at least a fiddler) for a 200 person wedding July 9th at Smith Mountain Lake in the south western corner of Virginia. Ideally, this would include an experienced caller from the region who is skilled at introducing CD to the uninitiated and enthusiastic. Any help appreciated. Thanks! David Chandler (New Jersey)

9 years, 1 month

Re: Community and One Nighter dances: Book and CDSS article

by Marian Rose

Hello Paul You are always full of good ideas and good energy. Just to let you know - I did a similar thing in 1999 - wrote an article for the CDSS News which resulted in the publication of a CDSS-produced pamphlet entitled 'Family and Community Dances' with contributions from Dudley, Andy Davis, Bob Dalsemer, Joan Shimer and myself. That article, now entitled 'Calling for Community and Family Groups: A Primer for Contradance Callers' has been revised many times since (including today) and I have attached it for your reading pleasure. Also, all the books put out by the Community Dance Project (me), the New England Dancing Masters, Sanna Longden, Dudley Laufman, Bob Dalsemer, Bob Walser, Dina Blade, and others are in fact 'community dancing' repertoire. I offer this information as background for your laudable project. I think it would be important to first determine what existing resources are out there and then see what would be most useful for contra dance callers. I have many ideas along those lines and would be happy to help in any way that I can. Thanks, Paul! --- Marian Marian Rose CP 8162, 150 rue Racine Est Chicoutimi, QC G7H 5B7 (418) 545-6603 (maison) (581) 234-1614 (cellulaire) www.marianrose.com

9 years, 1 month

6th Annual Spring Callers Workshop (mini-Pourparler) - April 2-3, 2016

by Patricia Campbell

Dear friends and colleagues, For the past 5 years, I've been hosting an annual Spring gathering of callers and musicians who primarily call (or play) for Community or school dances. Most of the attendees have been local caller friends and musicians and some of the people who attend the annual Pourparler Conference ("Pourparler is a yearly gathering of dance and music educators from North America who are dedicated to teaching folk/ethnic/world/traditional dance in schools and/or community events." see http://nfo-usa.org/pourparler.htm). After reading some of the last set of posts on the trad-dance-callers list about ONS and Community dances, I thought I would open it up to invite any of you who would like to attend. Consider "KISS" (keep it simple, s...) to be the organizational theme - friendly, casual, fun, with minimal cost. The main focus of the workshops is *dance sharing* and discussions of a variety of topics. There are not a lot of opportunities for callers to spend time with each other in this way, so we created one. The dates are Saturday and Sunday, April 2nd and 3rd, with a Community Dance at the Cornwall, CT Town Hall on Saturday evening (they hold a monthly Community Dance there). Sunday's workshop is held in Newtown, CT at our Barn. If you are interested in more information, please contact me *off-list* (please use countrydancecaller (at) gmail.com). Warmly, Patricia Patricia Campbell Newtown, CT

9 years, 1 month

Appeal to restore historic folk music headquarters in Primrose Hill

by Chris J Brady

A BID to raise £200,000 to restore the main hall at the Primrose Hill home of the English Folk Dance and Song Society has been launched. Cecil Sharp House, in Regents Park Road, has been the headquarters for the society since it moved into the purpose-built building in 1930. But its principal room, Kennedy Hall, designed by architects Godfrey Pinkerton and Henry Fletcher, is in desperate need of a major overhaul to return it to its former glory. Half of the total cost of £400,000 has already been met through a grant from the Arts Council, but now the society hopes to raise the rest through individual donations. http://www.camdennewjournal.com/folkmusicappeal Painted by the celebrated English artist Ivon Hitchens, today this historic, 60ft X 20ft piece is being restored. Jim Dimond is leading the team of conservators, who are painstakingly repairing the paint and the canvas using a range of techniques. Despite hanging for nearly 70 years, sections have survived well. It has previously been cleaned to take off years of cigarette smoke and tar from its surface. Now the main dangers are dust and car pollution. http://www.camdenreview.com/reviews/features/restoring-the-cecil-sharp-mural CJB

9 years, 1 month

Teaching time vs. dancing time (was: Dances for One Nighters)

by Tony Parkes

Otto wrote: << and if a dance takes longer than one minute to show or teach, I don't use it. >> Don Armstrong (one of my chief role models) wrote in his column in American Squares in the 1950s that a dance should take less time to teach than to dance. He gave examples: If a square dance figure lasts about 30 seconds (once through an AABB tune) and is done four times, the walkthrough should take no more than two minutes. If you're teaching a break which will be done three times, the walkthrough should take 90 seconds or less. A contra figure, because it's repeated ad infinitum, doesn't have an obvious benchmark, but I try to keep the walkthrough down to a couple of minutes. Don was talking about the sort of event that was then widely known as an "open dance," as opposed to a workshop. In a daytime session at a dance camp I won't necessarily follow Don's guideline; there are many figures and breaks that require careful teaching and repetition but are very satisfying to do once learned. But at a one-nighter or an ordinary series dance (or an evening dance at a camp) I try to stick to that rule - except perhaps for one or two dances near the middle of the evening. At one-nighters Beth and I both enjoy using the harder version of Duck for the Oyster (where on "Duck through the hole in the old tin can" the dancers invert the circle without dropping hands; the move is also known as "Roll the barrel"). But we make sure we've gained the dancers' confidence first, by giving them several dances that they can do with no trouble after a walkthrough of 30 or 60 seconds - or no walkthrough at all. Tony Parkes Billerica, Mass. www.hands4.com<http://www.hands4.com>

9 years, 1 month

Re: Contras for One Nighters

by Kalia Kliban

On 3/9/2016 6:48 AM, Tony Parkes tony(a)hands4.com [trad-dance-callers] wrote: > When I was a very young and unseasoned caller, I fell in love with > contras and tried to include them in my one-nighters. In order to get a > majority of people to understand the progression, I had to make the > walkthrough longer than the dance. It didn’t help that I was using > dances like Haymakers’ Jig, which has a ladies chain and needs a decent > swing to avoid falling flat. People were giving up and sitting down > before the music stopped. After a year or two I gave up on using contras > with groups of all first-timers. > > At one-nighters these days I always do a Sicilian circle as the second > dance of the evening, usually the first figure of Ed Durlacher’s Sanita > Hill Circle: circles, do-si-dos, stars, forward & back and pass through. I've had some difficulties getting ONS dancers into position for Sicilian circles, especially if there's alcohol at the event. My usual strategy has been to get everyone into a big circle with their partner, then scoot quickly around the circle moving the couples so they're face to face. There tends to be a fair bit of driftage and wandering, though, and often by the time i get round the circle the first folks have fallen out of place or other couples have drifted in and need to be corralled. Nonetheless, Sicilians seem like a really good way to approach progressive longways dances for a ONS group. I'd welcome any proven strategies for forming the circle. Perhaps avoiding those winery party gigs...:>) Kalia in the wine country, CA

9 years, 1 month

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