"Corner" does not appear to be well defined from the ending position of that
Dosido - normally for a Corner the Lady would look Right.
In Give & Take it specifies Dosido 1 & 1/4 which makes it clearer - the
person now beside you who you did not Dosido, i.e. the one on your left is
the one you Allemande.
I would just say Allemande Left on the Left Diagonal.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802
940 574
http://www.modernjive.com for Modern Jive Events & DVDs
http://www.contrafusion.co.uk for Dancing in Kent
From: Tony Parkes via Callers [mailto:callers@lists.sharedweight.net]
Sent: 11 March 2017 21:33
To: Richard Hopkins <hopkinsrs(a)comcast.net>; callers
<callers(a)lists.sharedweight.net>
Cc: Beth Parkes <beth(a)hands4.com>
Subject: Re: [Callers] Name and author for circle mixer?
Esmeralda's Revenge by Beth Parkes (in Larry Jennings' Give and Take),
adapted from Esperanza by Eric Zorn (in Larry's Zesty Contras).
Tony Parkes
Billerica, Mass.
<http://www.hands4.com> www.hands4.com
New book! Square Dance Calling: An Old Art for a New Century
(to be published Spring 2017)
From: Callers [mailto:callers-bounces@lists.sharedweight.net] On Behalf Of
Richard Hopkins via Callers
Sent: Saturday, March 11, 2017 4:27 PM
To: callers(a)lists.sharedweight.net <mailto:callers@lists.sharedweight.net> ;
callers-request(a)lists.sharedweight.net
<mailto:callers-request@lists.sharedweight.net>
Subject: [Callers] Name and author for circle mixer?
Dear colleagues,
I have had this circle mixer in my box since before 1990, and have long ago
lost its name or origin. Could any of you help? It has served me well many
many times.
Formation: Circle of couples
A1 Forward and Back
Forward again, just the gents come back (ladies turn to face out)
A2 All turn right, promenade single file (ladies clockwise, gents CCW)
Return
B1 Partner (the last one you swung) dosido
Corner Allemande left, pass partner by the right
B2 New Partner B and S
Richard
``````````````````````````````````````````````````````````
Richard Hopkins
Tallahassee, FL
850-544-7614
hopkinsrs(a)comcast.net <mailto:hopkinsrs@comcast.net>
Dear colleagues,
I have had this circle mixer in my box since before 1990, and have long ago lost its name or origin. Could any of you help? It has served me well many many times.
Formation: Circle of couples
A1 Forward and Back
Forward again, just the gents come back (ladies turn to face out)
A2 All turn right, promenade single file (ladies clockwise, gents CCW)
Return
B1 Partner (the last one you swung) dosido
Corner Allemande left, pass partner by the right
B2 New Partner B and S
Richard
``````````````````````````````````````````````````````````
Richard Hopkins
Tallahassee, FL
850-544-7614
hopkinsrs(a)comcast.net
Please re-read my post. I'm not talking about a missing a "hot groove" or the "hotshots" not having fun. I didn't say to take their money and not allow them to dance. Please don't minimize my suggestion. We're brainstorming here and giving opinions. Nothing stops productive discussion like an "I'm amazed some people would..." statement.
If a dancer fits my criteria, they can still be part of the dance community and visit with friends by being a greeter/door sitter/volunteer and dance with partners who are willing to support them. Likewise if someone fits your description of twirling folks up and down the line without concern for their well being and that person should be counseled and educated by the dance committee. Any regular member of a dance community is capable of recognizing those who enjoy being twirled. If they don't recognize someone then consent should be obtained prior to twirling.
I've been dancing for 30 years. When I'm not able to dance due to an injury, I take the door slots and greet people. There are several folks in our dance community who have voluntarily done that over the past 10 years. It allows folks to productively give back and be part of the evening, enjoy music and friends.
Donna Hunt
-----Original Message-----
From: Jim Thaxter <jathaxter47(a)gmail.com>
To: Donna Hunt <dhuntdancer(a)aol.com>; callers <callers(a)sharedweight.net>
Sent: Fri, Mar 10, 2017 11:16 am
Subject: Re: [Callers] Difficult dancers - Decision to ask not to return
Wow! I am amazed that some people would ask people not to dance after they've paid their admission fee, have come expecting to dance, and have been dancing for months, or perhaps years in some cases. Asking them to help out by sitting at the door or putting chairs away or other tasks done by volunteers (who have been dancing) seems patronizing to me. This doesn't seem like the inclusive atmosphere I've come to expect at dances I attend.
If putting other dancers at risk is the criteria for asking someone not to participate, would that include people who insist on twirling nearly everyone they meet down the line? People with shoulder problems, balance problems, other physical conditions that make it uncomfortable or even dangerous to be twirled are at risk.
Our Columbia, MO group has more than one person who has had a brain injury, stroke, hearing difficulty, MS, and we all happily dance with them and are glad to have them attend. We accommodate their "condition" and welcome them into the dance. Sure, you don't get that hot groove going when you dance with them. I like the groove when it happens, but that's not why I dance and I like it better when even those who aren't hotshots are having a great time.
Jim Thaxter
On Thu, Mar 9, 2017 at 1:48 PM Donna Hunt via Callers <callers(a)lists.sharedweight.net> wrote:
Would you ever (or have you ever) asked someone not to return based on their inability to dance?
Is there some point at which you as organizers would consider and ultimately such a decision?
Personally I think it's appropriate to ask someone not to dance if their inability puts other dancers at risk. For example, someone with poor balance (or inability to move fast enough) who hangs on their partners or grasps them tightly (and painfully) for support. If repeated intervention from the organizers cannot help, I would suggest that person be invited to be formal door sitter/greeter and perhaps dance with only a select few folks who understand and are willing to modify the dance for the individual and give them the support they need.
Donna Hunt
-----Original Message-----
From: Yoyo Zhou via Callers <callers(a)lists.sharedweight.net>
To: Mark Hillegonds <mark.hillegonds(a)gmail.com>
Cc: Caller's discussion list <callers(a)sharedweight.net>
Sent: Wed, Mar 8, 2017 4:28 pm
Subject: Re: [Callers] Difficult dancers - Decision to ask not to return
On Wed, Mar 8, 2017 at 10:26 AM, Mark Hillegonds via Callers <callers(a)lists.sharedweight.net> wrote:
So...what happens if all of the attempts to shepherd and coach and "angel" the difficult dancer do not work and their skills and abilities continue to be a significant negative impact when they're dancing.
Would you ever (or have you ever) asked someone not to return based on their inability to dance?
I realize "inability" is a broad term and I intended it to be so for this question. There are lots of reasons why someone may not be able to know what to do and/or to be able to keep up when dancing and may not even be able to improve.
Is there some point at which you as organizers would consider and ultimately such a decision?
Here in the SF Bay Area, I know of one dancer who's no longer welcome back at their local dance because of mobility issues related to aging, and another who's no longer welcome back because of general behavioral issues related to Alzheimer's.
As far as I know, these dancers have simply been informed that their impairments preclude them from dancing with us. (This is different from being banned for bad behavior - they can still come but would be discouraged from dancing. By whom, I do not know.) I wasn't involved with the discussions that led to these decisions, so unfortunately I can't provide more background, but perhaps other people lurking on this list may be able to shed more light.
However, we have increased our attention on dancer safety in general, and it's worth thinking about whether someone's inability to dance actually affects how safe it is on the floor for them and others around them.
Yoyo Zhou
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It's not about being the best dancers, or putting on the best show. For
that, go watch "Dancing With the Stars" or better yet a performance by your
local ballet troupe It's about a community getting together to enjoy each
others company. Dancing happens along the way. Tolerance should happen,
too.
- So being a "poor" dancer (whatever the cause) is never a reason to ask
someone to leave -- although it may prompt some very careful, very friendly
advice, to try to help the person improve.
- Being a "dangerous" dancer should trigger a stronger response. Make
the person aware that certain activities are unacceptable (for example at
our dances lifting a partner off the ground is forbidden) and other
activities frowned upon (for example forcing a partner to go beyond their
abilities or desires.)
Even then the response should not be to ban the offender. Just to educate
them firmly and stop the problem behavior. Of course if the problem
doesn't stop further action may be necessary, but still it is unlikely to
require a ban.
- Having unfortunate personal habits (two much perfume, too little
bathing, or showing up chemically impaired) should also trigger a firm, but
kindly-intended response.
The most serious case is a "predatory" dancer who takes advantage of
other's weaknesses. A dancer who sees the occasion as a meat market or an
opportunity to "get a little." A dancer who uses the occasion to
intimidate or harrass other dancers. For those cases, a ban may be the
appropriate response. Fortunately these cases seem to be rare.
Dale
--
There are only two hard things in computer science: cache invalidation,
naming things, and off-by-one errors.
Would you ever (or have you ever) asked someone not to return based on their inability to dance?
Is there some point at which you as organizers would consider and ultimately such a decision?
Personally I think it's appropriate to ask someone not to dance if their inability puts other dancers at risk. For example, someone with poor balance (or inability to move fast enough) who hangs on their partners or grasps them tightly (and painfully) for support. If repeated intervention from the organizers cannot help, I would suggest that person be invited to be formal door sitter/greeter and perhaps dance with only a select few folks who understand and are willing to modify the dance for the individual and give them the support they need.
Donna Hunt
-----Original Message-----
From: Yoyo Zhou via Callers <callers(a)lists.sharedweight.net>
To: Mark Hillegonds <mark.hillegonds(a)gmail.com>
Cc: Caller's discussion list <callers(a)sharedweight.net>
Sent: Wed, Mar 8, 2017 4:28 pm
Subject: Re: [Callers] Difficult dancers - Decision to ask not to return
On Wed, Mar 8, 2017 at 10:26 AM, Mark Hillegonds via Callers <callers(a)lists.sharedweight.net> wrote:
So...what happens if all of the attempts to shepherd and coach and "angel" the difficult dancer do not work and their skills and abilities continue to be a significant negative impact when they're dancing.
Would you ever (or have you ever) asked someone not to return based on their inability to dance?
I realize "inability" is a broad term and I intended it to be so for this question. There are lots of reasons why someone may not be able to know what to do and/or to be able to keep up when dancing and may not even be able to improve.
Is there some point at which you as organizers would consider and ultimately such a decision?
Here in the SF Bay Area, I know of one dancer who's no longer welcome back at their local dance because of mobility issues related to aging, and another who's no longer welcome back because of general behavioral issues related to Alzheimer's.
As far as I know, these dancers have simply been informed that their impairments preclude them from dancing with us. (This is different from being banned for bad behavior - they can still come but would be discouraged from dancing. By whom, I do not know.) I wasn't involved with the discussions that led to these decisions, so unfortunately I can't provide more background, but perhaps other people lurking on this list may be able to shed more light.
However, we have increased our attention on dancer safety in general, and it's worth thinking about whether someone's inability to dance actually affects how safe it is on the floor for them and others around them.
Yoyo Zhou
_______________________________________________
Callers mailing list
Callers(a)lists.sharedweight.net
http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
I wonder if anyone has considered assigning some more hindered dancers a
role that is not dancing? Could even make up roles for them. They could
help make sure sound is ok. Could help refill water. Could make sure
people's stuff isn't left. Other roles? Helping to set up. It wouldn't have
to be a real job, just something where they could feel welcomed and useful.
I think it's sad for someone to hear they are not welcome, and if they
could be 'reassigned,' something like "We feel you may create hazardous
circumstances on the dance floor both for you and for others, and in
addition we really need________ role filled. Could we recruit you?"
I did this in the after-school orchestra I used to lead, and though the
scenario is different it may still prove somewhat relevant. The orchestra's
goal was to get kids off the street, so turning them away could mean that
they ended up somewhere much less safe than with a violin. There were some
kids who just didn't fit in the box. One I recall was significantly
younger, and one was particularly advanced. One was really hyper-active and
sitting for an entire 1.5 hours was not a posability. I used their
abilities differently than I did the other kids, and they not only took
their roles very seriously, but added to the quality of the experience for
the other kids. It also provided a way for the other kids to see how being
out of the box could actually help them out.
That gives them an out and does not ostracize.
Just a thought maybe someone could use.
On Wed, Mar 8, 2017 at 4:49 PM, Rich Sbardella via Callers <
callers(a)lists.sharedweight.net> wrote:
> I want to be clear that when I suggest other dance venues, I have never
> suggested that dancers stop attending a series. My suggestion of other
> (additional) venues is so that the dancer finds a user friendly place to
> hone his/her skills.
> Like Don, I believe that our communities should be inclusive.
> Sorry for any misunderstanding.
> Rich
> Stafford, CT
>
> On Wed, Mar 8, 2017 at 5:34 PM, Don Veino via Callers <
> callers(a)lists.sharedweight.net> wrote:
>
>> On Wed, Mar 8, 2017 at 1:26 PM, Mark Hillegonds via Callers <
>> callers(a)lists.sharedweight.net> wrote:
>>
>>> Would you ever (or have you ever) asked someone not to return based on
>>> their inability to dance?
>>>
>>
>> No. If we want to consider ourselves open and welcoming then, IMO, I
>> believe we need to model that. There are venues that have a different
>> mission and objective (the limited set of "experienced" dances) where this
>> might be appropriate but for a general dance I'm uncomfortable with the
>> idea of sending someone away because they struggle to perform as others
>> might expect.
>>
>> In the dance series I help run we have several folks with challenges whom
>> dance with us regularly. These include blindness, some memory impairment,
>> perceptual/developmental issues, physical impairment and just plain slowing
>> down. They are all welcome, even though that may cause others to have to
>> adjust - and that's just what we do. Callers adjust their material and
>> timing/calls. Dancers find ways collaboratively to surpass the challenges
>> presented.
>>
>> We strive to keep the hall well mixed, or the dancers will naturally
>> segment themselves such that the difficulties multiply rather than get
>> mitigated. A lot of that has to do with material selection - fidgety
>> fast-action dances will not encourage the mixing. Well constructed dances
>> with great flow (and some space for flourishes/recovery) will. We also have
>> generous experienced dancers who help in partnering.
>>
>> Is it easy to continue this way? Maybe not. It may cost us attendance.
>> There are times I (and others) get frustrated. But then I take a deep
>> breath and move on from the temporary issue knowing the bigger goal. I feel
>> you need to set a view of what you want the culture of your series to be
>> and act in accord. My dance strives to be a real community where we dance
>> and engage *with* people and not just dance *next* to them.
>>
>> Of course there's a difference between lesser capability and
>> inappropriate behavior. We don't tolerate the latter but fortunately we've
>> had few issues in that regard.
>>
>> -Don
>>
>> _______________________________________________
>> Callers mailing list
>> Callers(a)lists.sharedweight.net
>> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>>
>>
>
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>
--
Cara V. Sawyer
M.M. French Horn
~~
I want to be clear that when I suggest other dance venues, I have never
suggested that dancers stop attending a series. My suggestion of other
(additional) venues is so that the dancer finds a user friendly place to
hone his/her skills.
Like Don, I believe that our communities should be inclusive.
Sorry for any misunderstanding.
Rich
Stafford, CT
On Wed, Mar 8, 2017 at 5:34 PM, Don Veino via Callers <
callers(a)lists.sharedweight.net> wrote:
> On Wed, Mar 8, 2017 at 1:26 PM, Mark Hillegonds via Callers <
> callers(a)lists.sharedweight.net> wrote:
>
>> Would you ever (or have you ever) asked someone not to return based on
>> their inability to dance?
>>
>
> No. If we want to consider ourselves open and welcoming then, IMO, I
> believe we need to model that. There are venues that have a different
> mission and objective (the limited set of "experienced" dances) where this
> might be appropriate but for a general dance I'm uncomfortable with the
> idea of sending someone away because they struggle to perform as others
> might expect.
>
> In the dance series I help run we have several folks with challenges whom
> dance with us regularly. These include blindness, some memory impairment,
> perceptual/developmental issues, physical impairment and just plain slowing
> down. They are all welcome, even though that may cause others to have to
> adjust - and that's just what we do. Callers adjust their material and
> timing/calls. Dancers find ways collaboratively to surpass the challenges
> presented.
>
> We strive to keep the hall well mixed, or the dancers will naturally
> segment themselves such that the difficulties multiply rather than get
> mitigated. A lot of that has to do with material selection - fidgety
> fast-action dances will not encourage the mixing. Well constructed dances
> with great flow (and some space for flourishes/recovery) will. We also have
> generous experienced dancers who help in partnering.
>
> Is it easy to continue this way? Maybe not. It may cost us attendance.
> There are times I (and others) get frustrated. But then I take a deep
> breath and move on from the temporary issue knowing the bigger goal. I feel
> you need to set a view of what you want the culture of your series to be
> and act in accord. My dance strives to be a real community where we dance
> and engage *with* people and not just dance *next* to them.
>
> Of course there's a difference between lesser capability and inappropriate
> behavior. We don't tolerate the latter but fortunately we've had few issues
> in that regard.
>
> -Don
>
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>
On Wed, Mar 8, 2017 at 1:26 PM, Mark Hillegonds via Callers <
callers(a)lists.sharedweight.net> wrote:
> Would you ever (or have you ever) asked someone not to return based on
> their inability to dance?
>
No. If we want to consider ourselves open and welcoming then, IMO, I
believe we need to model that. There are venues that have a different
mission and objective (the limited set of "experienced" dances) where this
might be appropriate but for a general dance I'm uncomfortable with the
idea of sending someone away because they struggle to perform as others
might expect.
In the dance series I help run we have several folks with challenges whom
dance with us regularly. These include blindness, some memory impairment,
perceptual/developmental issues, physical impairment and just plain slowing
down. They are all welcome, even though that may cause others to have to
adjust - and that's just what we do. Callers adjust their material and
timing/calls. Dancers find ways collaboratively to surpass the challenges
presented.
We strive to keep the hall well mixed, or the dancers will naturally
segment themselves such that the difficulties multiply rather than get
mitigated. A lot of that has to do with material selection - fidgety
fast-action dances will not encourage the mixing. Well constructed dances
with great flow (and some space for flourishes/recovery) will. We also have
generous experienced dancers who help in partnering.
Is it easy to continue this way? Maybe not. It may cost us attendance.
There are times I (and others) get frustrated. But then I take a deep
breath and move on from the temporary issue knowing the bigger goal. I feel
you need to set a view of what you want the culture of your series to be
and act in accord. My dance strives to be a real community where we dance
and engage *with* people and not just dance *next* to them.
Of course there's a difference between lesser capability and inappropriate
behavior. We don't tolerate the latter but fortunately we've had few issues
in that regard.
-Don
On Wed, Mar 8, 2017 at 10:26 AM, Mark Hillegonds via Callers <
callers(a)lists.sharedweight.net> wrote:
> So...what happens if all of the attempts to shepherd and coach and "angel"
> the difficult dancer do not work and their skills and abilities continue to
> be a significant negative impact when they're dancing.
>
> Would you ever (or have you ever) asked someone not to return based on
> their inability to dance?
>
> I realize "inability" is a broad term and I intended it to be so for this
> question. There are lots of reasons why someone may not be able to know
> what to do and/or to be able to keep up when dancing and may not even be
> able to improve.
>
> Is there some point at which you as organizers would consider and
> ultimately such a decision?
>
Here in the SF Bay Area, I know of one dancer who's no longer welcome back
at their local dance because of mobility issues related to aging, and
another who's no longer welcome back because of general behavioral issues
related to Alzheimer's.
As far as I know, these dancers have simply been informed that their
impairments preclude them from dancing with us. (This is different from
being banned for bad behavior - they can still come but would be
discouraged from dancing. By whom, I do not know.) I wasn't involved with
the discussions that led to these decisions, so unfortunately I can't
provide more background, but perhaps other people lurking on this list may
be able to shed more light.
However, we have increased our attention on dancer safety in general, and
it's worth thinking about whether someone's inability to dance actually
affects how safe it is on the floor for them and others around them.
Yoyo Zhou
In St Louis we have had our share of very challenged dancer and have never considered this possibility. We take the removal of anyone from the community to be a very serious step. It has been limited to a very few cases of inappropriate contact or other relationship issues.
Mac McKeever
From: Mark Hillegonds via Callers <callers(a)lists.sharedweight.net>
To: Alexandra Deis-Lauby <adeislauby(a)gmail.com>
Cc: Caller's discussion list <callers(a)sharedweight.net>
Sent: Wednesday, March 8, 2017 12:26 PM
Subject: Re: [Callers] Difficult dancers - Decision to ask not to return
Lots of thoughtful discussion and ideas about how to incorporate difficult dancers.
Splitting this into another variant of this discussion...
So...what happens if all of the attempts to shepherd and coach and "angel" the difficult dancer do not work and their skills and abilities continue to be a significant negative impact when they're dancing.
Would you ever (or have you ever) asked someone not to return based on their inability to dance?
I realize "inability" is a broad term and I intended it to be so for this question. There are lots of reasons why someone may not be able to know what to do and/or to be able to keep up when dancing and may not even be able to improve.
Is there some point at which you as organizers would consider and ultimately such a decision?
On Mar 6, 2017 6:46 PM, "Alexandra Deis-Lauby via Callers" <callers(a)lists.sharedweight.net> wrote:
Inspired by Marie's other thread, I wonder what tools callers use when they encounter a dance floor with such a dancer, especially if there is only one who is having so much difficulty but who leaves confused dancers in their wake. Do you call to that dancer? Do you call earlier? Do you adjust your program accordingly? Something else?
Thanks,Alex
Sent from my iPhone
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