Thanks to Donna for noticing my deliberate mistake! I thought I had fixed
the direction of the Lasso... I have reworded A1, hopefully to avoid
confusion!
The Alabama Rang Tang and the Mountain Dosido were both originally known in
their communities as just "Dosido" (spelt anyway you like, but sounding the
same, apart from vagaries of accent). The names, and the Do Paso, were
changed to avoid confusion as mass communication brought dance communities
together. So this dance is basically a series of Dosidos!
Alabama Rang Tang: Partner Allemande Left, men cross the set, passing back
to back, reaching out with their other hand to the other lady, Neighbour
Allemande Right, men cross the set, passing back to back reaching, out with
their other hand to their Partner. Usually repeated twice then turning into
a Promenade. The lady's job is to stay on the spot, allemanding whichever
man comes towards her and sending him back.
Mountain Dosido: The man raises his right hand (holding the lady's left
hand) and the lady walks forwards around him (CCW) while he stands
still; the lady finishes where she started. The call is now often "DoSi the
Lady" to differentiate, and is normally followed by You Swing Mine and I'll
Swing Yours" as in this dance. "DoSi" is pronounced doe-sigh. I usually say
"Lasso the Lady" though, to avoid confusion and to help to remind them of
what the move is.
DosiWhat? (by John Sweeney)
Contra; Becket (CW)
A1: Men Dosido; Ladies Dosido 1 & 1/2 - all face New Neighbours up and down
the hall: as the ladies pass by the right shoulder for the second time they
take their partner's right hand in their left hand, so that the man turns
1/4 to his left, and she puts her back to her Old Neighbour
You have progressed. The lady keeps walking forwards into the next move...
A2: Men Lasso your Partner CCW around yourself and along to the other Man;
Neighbour Swing
B1: Open Ladies' Chain: Ladies Pull by Right; Partner Allemande Left 1 & 1/4
- continue into an Alabama Rang Tang: Men pass B-to-B; Neighbour Allemande
Right; Men pass B-to-B, weave into a
B2: Partner Gypsy Meltdown
Notes: Teach the Ladies' Dosido as "Dosido and Pass Thru", otherwise they
may spin and face where they think they are going.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802
940 574
http://www.modernjive.com for Modern Jive Events & DVDs
http://www.contrafusion.co.uk for Dancing in Kent
Here's a few with a difference;
Cumberland Contra is here:
http://www.contrafusion.co.uk/Dances/CumberlandContra.html
The Slithy Dance is at:
http://www.contrafusion.co.uk/Dances/SlithyDance.html
Note: You can change the Two Hand Turn in B1 into a Swing; you can teach B2
as a Whole Set Petronella
Still working on this one:
DosiWhat? (by John Sweeney)
Contra; Becket (CW)
A1: Men Dosido; Ladies Dosido 1 & 1/2 - Men turn to the Left and take
Man's' Right Hand to Partner's Left Hand to face a New Couple
A2: Mountain Dosido ("DoSi the Ladies"): Lasso Partner CW around self
and along to the other Man; Neighbour Swing
B1: Open Ladies' Chain: Ladies Pull by Right; Partner Allemande Left 1
& 1/4 - continue into an Alabama Rang Tang: Men pass B-to-B; Neighbour
Allemande Right; Men pass B-to-B, weave into a
B2: Partner Gypsy Meltdown
Notes: Teach the Ladies' Dosido as "Dosido and Pass Thru", otherwise they
will spin and face where they think they are going.
The Alabama Rang Tang and the Mountain Dosido were both
originally known in their communities as just "Dosido". The names were
changed to avoid confusion as mass communication brought dance communities
together. So the dance is basically a series of Dosidos!
"DoSi" is pronounced dose-eye. I usually say "Lasso the Lady"
though, to avoid confusion and remind them of what the move is. The man
raises his right hand and the lady walks forwards around him while he stands
still. Then "You Swing Mine and I'll Swing Yours".
Please let me know if you try it.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
Hello all! I've been meaning to chime in. Don't think anyone has mentioned this one. I would consider Beneficial Tradition by Dan Pearl has having an unusual sequence. A friend used the exact same words, gimmicky, when I called it. That term hadn't occurred to me until he mentioned it. Anyway, here it is and a youtube link:
Becket, double progression
A1 Ladies alle L 1.0 to form a wavy line; Bal wave, swing PA2 Circle L 3/4, N swingB1 Ladies chain, LLFBB2 straight across with opposite sex, pull by left, face in (4)on slight right diagonal, with same sex, pull by right, face in (4)straight across, with opposite sex pull by left, face in (4)on slight right diagonal with same sex, pull by right, face in (4)
The author advises: This one needs strong, clear four-beat phrases in B2. More driving or exuberant and not mysterious or in a minor key.
I think Brian Hamshar did an excellent job teaching this dance.
https://www.youtube.com/watch?v=VvB0RCB-QIw From: Bob Green via Callers <callers(a)lists.sharedweight.net>
To: "trad-dance-callers(a)yahoogroups.com" <trad-dance-callers(a)yahoogroups.com>
Cc: Caller's discussion list <callers(a)sharedweight.net>
Sent: Saturday, March 19, 2016 12:48 PM
Subject: Re: [Callers] [trad-dance-callers] Novelty & Gimmick Contras
Here are a few....
Unusual Formations:
Missionary Men ("proper Becket") by Jim Hemphill - http://dancevideos.childgrove.org/contra/contra-modern/443-mission-men
Maple & Cedar (partners at the corners) by Bob Green - https://www.youtube.com/watch?v=ZQBj-zyKjnA
Wes Side Story (Becket mixer) by Bob Green - http://dancevideos.childgrove.org/contra/contra-modern/445-wes-side-story
Unusual moves:
Shaker Buddha (double back dip) by Norm Stewart & Bob Green - http://dancevideos.childgrove.org/contra/contra-modern/444-shaker-buddha
Seesaw Surfer (courtesy fling) by Jim Hwnphill - http://dancevideos.childgrove.org/contra/contra-modern/206-seesaw-surfer
Enjoy!
Bob Green
On Wed, Mar 16, 2016 at 1:13 PM, Rich Sbardella richsbardella(a)gmail.com [trad-dance-callers] <trad-dance-callers(a)yahoogroups.com> wrote:
Here I am with another question. I learn so much from these threads.
What are some easy, but good, novelty, or gimmick contras. To elaborate, I mean contras that have unusual moves, or contras that use basic moves in unusual ways.
Maybe Ovals, Wholeset Promenades, Old-Timey square dance moves?Two of my favorites are "Hot Buttered Rolls" and "Roll Over Johannes"
Rich SbardellaStafford, CT __._,_.___ Posted by: Rich Sbardella <richsbardella(a)gmail.com>
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Very Correct, Bree, about not turning around! The 3/4 starts back to back, but ends in the usual way in the wave; this made me incorrectly think there was a turnaround. Thanks for catching that mistake of mine! And describing that ones always face down, and twos always face up also helps a lot.
Linda
On Mar 18, 2016, at 10:16 AM, Bree Kalb <bree(a)mindspring.com> wrote:
> Hi Linda,
>
> Yes, I forgot to note that it is double progression. And you are right, the solo part of the dosido is actually 3/4. But I'm not sure what you mean by '...and must turn around." The 1s are facing down, the 2s facing up during all of A1. Did I misunderstand your question?
> Regards,
>
> Bree
>
>
>
> -----Original Message-----
> From: Linda Leslie
> Sent: Mar 17, 2016 1:40 PM
> To: Bree Kalb
> Cc: "callers(a)lists.sharedweight.net"
> Subject: Re: [Callers] Novelty & Gimmick Contras
>
> Hi, Bree!
> That is a very novel way to get into a short wave Balance! and not al tall gimmicky, in my view. I watched the video…thanks for including the link. I have two questions for you:
> It seems the dance is double progression, correct?
> For the single do si do: the dancers stay back to back with their Neighbors to start, and actually do a 3/4 dosido into the wave, and must turn around (neighbor now in right hand), right? This means that each dancer is facing their original direction of travel once in the wave. The link really helped with this move; when I read the dance, in my head I was picturing the dancers moving very differently.
>
> Thanks for the dance!
> warmly, Linda
>
> On Mar 17, 2016, at 1:00 PM, Bree Kalb via Callers <callers(a)lists.sharedweight.net> wrote:
>
>> I wrote a dance that has a move I've not seen in a dance before. Although I'd rather not call it a gimmick. The 'reviews' so far have been good. There’s a video of Jack Mitchell calling the dance here: https://www.youtube.com/watch?v=eEp2vlYq1Nc&feature=youtu.be
>>
>> This is My Brain on Buddha Imp
>>
>>
>>
>> A1 Partners DoSiSo as a couple just ½ way until back-to-back with these Neighbors.
>>
>> Drop hands with your Ptr, and complete the DosiDo solo with the N you have your back to,
>>
>> until the women can take L hands, Rt to N, in a wavy line of 4.
>>
>> Balance the wave, walk forward to next Ns in a new wave of 4.
>>
>>
>>
>> A2 Balance this wave; with this new N, Swg.
>>
>>
>>
>> B1 Face across, Mad Robin (Gents sliding in front to the right to start)
>>
>> Men keep moving to cross the set to your Ptr; Swg.
>>
>>
>>
>> B2 Circle L ¾; Balance the Ring, Calif Twirl
>>
>>
>>
>>
>>
>>
>>
>> A dancer suggested naming the move in A1 “Double Dose.” I like it, but another caller, Jack Mitchell, discouraged me from making up a new name when just explaining the move will do. I’m curious what others think.
>>
>>
>>
>>
>>
>>
>>
>>
>> _______________________________________________
>> Callers mailing list
>> Callers(a)lists.sharedweight.net
>> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>
> Bree Kalb, LCSW
> 301 W. Weaver St.
> Carrboro, NC 27510
> 919-932-6262 ext 216
> http://www.thewellnessalliance.com/BreeKalb.html
> https://www.facebook.com/carrborokorumindfulness
>
> Regarding the Use of Email -- Please Note: Although I use a firewall and my computer is password protected, my emails are not encrypted. Therefore, I cannot guarantee confidentiality of email communication. If you choose to communicate confidential information with me via email, I will assume that you have made an informed decision and I will view it as your agreement to take the risk that email may be intercepted. Please be aware that email is never an appropriate vehicle for emergency communication. If you are canceling an appointment less than 48 hours in advance, please also leave me a voice mail message at my office.
> This is one I wrote that I’ve called a couple of times and people liked it. It is unequal in that the ones swing, but you can easily alternate between ones and twos if the dancers are more experienced. If you look at the link it will make the move clear, in case my explanation doesn’t quite get the idea across.
>
San Diego Sleigh Ride <>
Martha Wild
Duple improper August 1, 2014
A1 Balance and swing your neighbor
A2 Down the set four in line, turn as couples
Up the set, bend the line, and all face up taking inside hands with partners (facing up two by two)
B1 Ones (below) arch and over, twos back up under the ones arch (4)
Twos arch and over, ones back up (4)
Ones arch and over, twos back up (4)
Twos arch and over, ones back up (4)
B2 Twos face ones at end, circle left once around
Ones swing and face down (can alternate with twos swing and face up with more experienced dancers)
This dance was written after I saw a Youtube video of Nantucket Sleigh Ride <https://www.youtube.com/watch?v=DVwNiszdVNg> https://www.youtube.com/watch?v=DVwNiszdVNg <https://www.youtube.com/watch?v=DVwNiszdVNg> (by Kirsten Koths), which has this arch and under figure. The people doing it looked like they were having a very good time, but the rest of the dance had no partner swing. I have modified this to include one, or at best an alternating partner swing. Feedback was positive.
> On Mar 17, 2016, at 11:41 AM, Rich Sbardella via Callers <callers(a)lists.sharedweight.net> wrote:
>
> Hello Tavi,
>
> You are correct, gimmick was a bad choice of words. Gimmick is a term used in MWSD publications to describe surprise or unusual choreography.
>
> The type of dances I am looking for are dances that have an unusual element, whether it be a different move like rip 'n snort, an unusual application as in Bree's "couple to solo" Dosido, or an unusual progression. These dances are easy enough for a floor with many beginners but novel (?) enough for most dancers to enjoy.
>
> Rich
>
>
>
>
>
> On Thu, Mar 17, 2016 at 1:46 PM, tavi merrill via Callers <callers(a)lists.sharedweight.net <mailto:callers@lists.sharedweight.net>> wrote:
> I take issue with the term "gimmick." Using familiar moves in new ways is IMO called "good choreography." If one defines using existing moves in novel ways as "gimmick," basically every use of petronella turns and waves after "Petronella" and "Rory O'Moore" is a gimmick.
>
> Originally had a long list of dances, but then i saw "easy" in Rich's original ask, so pared down:
>
> "Anthem to a Pet Ferret" by Sargon de Jesus may be of interest
>
> "A Sure Thing" by Chris Page is challenging to teach but not actually challenging to dance
>
> also do si do and swing the one behind offers a simple but fun twist. U can find it in Tom Hinds' "Python Reel" and Rick Mohr's "Leave the Wine"
>
>
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>
>
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Hello Tavi,
You are correct, gimmick was a bad choice of words. Gimmick is a term used
in MWSD publications to describe surprise or unusual choreography.
The type of dances I am looking for are dances that have an unusual
element, whether it be a different move like rip 'n snort, an unusual
application as in Bree's "couple to solo" Dosido, or an unusual
progression. These dances are easy enough for a floor with many beginners
but novel (?) enough for most dancers to enjoy.
Rich
On Thu, Mar 17, 2016 at 1:46 PM, tavi merrill via Callers <
callers(a)lists.sharedweight.net> wrote:
> I take issue with the term "gimmick." Using familiar moves in new ways is
> IMO called "good choreography." If one defines using existing moves in
> novel ways as "gimmick," basically every use of petronella turns and waves
> after "Petronella" and "Rory O'Moore" is a gimmick.
>
> Originally had a long list of dances, but then i saw "easy" in Rich's
> original ask, so pared down:
>
> "Anthem to a Pet Ferret" by Sargon de Jesus may be of interest
>
> "A Sure Thing" by Chris Page is challenging to teach but not actually
> challenging to dance
>
> also do si do and swing the one behind offers a simple but fun twist. U
> can find it in Tom Hinds' "Python Reel" and Rick Mohr's "Leave the Wine"
>
>
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>
tavi said: also do si do and swing the one behind offers a simple but fun twist. U can find it in Tom Hinds' "Python Reel" and Rick Mohr's "Leave the Wine"
I agree and... actually this comes up (originally I believe) in "another nice combination" also by Tom..
bill
Date: Thu, 17 Mar 2016 10:46:24 -0700
To: callers(a)lists.sharedweight.net; callers-request(a)lists.sharedweight.net
Subject: Re: [Callers] Novelty & Gimmick Contras
From: callers(a)lists.sharedweight.net
I take issue with the term "gimmick." Using familiar moves in new ways is IMO called "good choreography." If one defines using existing moves in novel ways as "gimmick," basically every use of petronella turns and waves after "Petronella" and "Rory O'Moore" is a gimmick.
Originally had a long list of dances, but then i saw "easy" in Rich's original ask, so pared down:
"Anthem to a Pet Ferret" by Sargon de Jesus may be of interest
"A Sure Thing" by Chris Page is challenging to teach but not actually challenging to dance
also do si do and swing the one behind offers a simple but fun twist. U can find it in Tom Hinds' "Python Reel" and Rick Mohr's "Leave the Wine"
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Callers mailing list
Callers(a)lists.sharedweight.net
http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
I take issue with the term "gimmick." Using familiar moves in new ways is
IMO called "good choreography." If one defines using existing moves in
novel ways as "gimmick," basically every use of petronella turns and waves
after "Petronella" and "Rory O'Moore" is a gimmick.
Originally had a long list of dances, but then i saw "easy" in Rich's
original ask, so pared down:
"Anthem to a Pet Ferret" by Sargon de Jesus may be of interest
"A Sure Thing" by Chris Page is challenging to teach but not actually
challenging to dance
also do si do and swing the one behind offers a simple but fun twist. U can
find it in Tom Hinds' "Python Reel" and Rick Mohr's "Leave the Wine"