Dear All,
I've noted before that I do this dance every year for a lakeside community
(dancers arrive in boats) where we do dances form the 40s and 50s. Hinky
Dinkey, Hot time, Marching thru Georgia, Nelly Bly and -- the "must do"
dance of the first half -- The Farmer.
I'm interested in finding and dances from that era that Would be good to
trot out for the group.
I've added Right Hand High, Left Hand Low to Camptown Races. I have Life
on the Ocean Wave. We do My Little Girl with the tilt-a-whirl figure I
posted recently.
I've thought I should come up with a good Pistol Packin Mamma figure but
have not found one I like.
Any other thoughts ideas or "stuff" re: this kind of really, really easy
singers -- I'd like to hear your thoughts.
Thanks,
Ridge (still in New Joisey)
.
--
Ridge Kennedy [Exit 145]
When you stumble, make it part of the dance. - Anonymous
And we should consider every day lost on which we have not danced at least
once. And we should call every truth false which was not accompanied by at
least one laugh. - Friedrich Nietzsche
Here is a square with MWSD roots. I am wondering if is too much for an
experienced contra crowd? Is there a similar square in the trad circles?
Hds DSD and face sides (8)
Star R with the sides (8)
Hds to Center Star L (8)
With same outside two R&L Thru (6)
Rollaway with Half Sashay (4)
Box Gnat (4)
Pull By (2)
Allemande Left (4)
New Partner Swg (4)
Promenade (16)
Any thoughts?
Rich Sbardella
Stafford, CT
Hi Rich,
Nice sequence. I could envision programming this dance in the second half
of an evening at our regular contra series. However, whether or not I would
actually call it would depend quite a lot on the crowd that I get that
night, how well the first square of the evening went (because I would never
call this square as the first one), how many newcomers stick around after
the break, and even the actual personnel of the squares that form up. I'd
guess that the likelihood I would shift to an easier backup dance would be
around 60 percent.
I agree with Tom that the most likely source of confusion is the right and
left through. I might try replacing it with a circle left 1/2, which I
suspect would feel unusual but not actually awkward following the left hand
star. Extra time gained could be added to the swing. (But I think the right
and left through is more aesthetically satisfying.)
David
__________________________________________________________
> 1a. Question about a square
> Posted by: "Rich Sbardella" richsbardella(a)gmail.com
> Date: Wed Jun 28, 2017 10:55 am ((PDT))
>
> Here is a square with MWSD roots. I am wondering if is too much for an
> experienced contra crowd? Is there a similar square in the trad circles?
>
> Hds DSD and face sides (8)
> Star R with the sides (8)
> Hds to Center Star L (8)
> With same outside two R&L Thru (6)
> Rollaway with Half Sashay (4)
> Box Gnat (4)
> Pull By (2)
> Allemande Left (4)
> New Partner Swg (4)
> Promenade (16)
>
> Any thoughts?
>
> Rich Sbardella
> Stafford, CT
>
>
Do you love traditional dance and music? Contribute now to support this exciting project.
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The Dancingmaster is a whimsical musical portrait of the legendary contra dance caller, Dudley Laufman. Dudley almost single-handedly provided the link between the old days of rural contradancing in the hamlets of New England, and the vibrant network of dances taking place every week throughout the United States and beyond. The Dancingmaster tells his story in his own words, adapted by composer Lawrence Siegel from his interview with Dudley in 2011. The character “Dudley” is played by the great traditional musician, Keith Murphy. Becky Tracy and Larry Siegel provide the musical accompaniment. Mary DesRosiers, a dancingmaster in her own right, creates original choreography performed by a group of traditional dancers from the Monadnock Region of New Hampshire.
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One source for singing calls that has recently become available is the Sets
In Order Year Books. All 8 of them have recently become available on the
SDFNE.Org web site. In the indexes of each the dances are listed by name.
Jim Mayo
In a message dated 6/12/2017 10:47:44 A.M. Eastern Daylight Time,
trad-dance-callers(a)yahoogroups.com writes:
Bob,
I found this clip online but I could not make out your calls. Would you
transcribe them?
https://squaredancehistory.org/items/show/1200
Thanks,
Rich
On Sun, Jun 11, 2017 at 11:41 PM, Robert Livingston rlivngstn(a)yahoo.com
[trad-dance-callers] <trad-dance-callers(a)yahoogroups.com> wrote:
Absolutely, among those dancing on a regular basis (and those who drop in)
4Poster-Soldiers Joy is #1. Can't go home without calling it (just
fancy goal posting)
Next is Engine #9..."1st couple round the hollow, 2 & 3 will follow, 4
make an arch and come on thru."
Down in the Caribbean Great beat, Hank Snow song. These tunes are not
that difficult and if I start calling
a cappella someone picks up the rhythm. From the Falltown String Band
and we'll do it Saturday at Chesterfield. (MA)
These are the favorites not found in your usual searches. So many
American tunes were used for squares and are old enough
(1800s early 1900s) to be out of copyright.
Find Tod Whittemore's "San Antonio Rose" figure on line - it's a different
figure and should be brought back..
Bob Livingston
Middletown, CT
____________________________________
From: "Rich Sbardella richsbardella(a)gmail.com [trad-dance-callers]"
<trad-dance-callers@trad-dance-call>
To: trad-dance-callers@trad-dance-call
Sent: Sunday, June 11, 2017 10:12 PM
Subject: [trad-dance-callers] Singing Squares
Hello folks,
I am curious what singing calls, if any, are being called nowadays. I am
hoping to build a traditional"singing square dance locally, and hope to use
tunes that bands might have heard or been exposed to.
I am familiar with the ones on Ralph Sweet's CD and Bob Dalsemer's two
collections.
Thanks,
Rich Sbardella
Stafford, CT
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Hello folks,
I am curious what singing calls, if any, are being called nowadays. I am
hoping to build a traditional"singing square dance locally, and hope to use
tunes that bands might have heard or been exposed to.
I am familiar with the ones on Ralph Sweet's CD and Bob Dalsemer's two
collections.
Thanks,
Rich Sbardella
Stafford, CT
There are a few spaces left for the caller's week, June 18-24, at the
John C. Campbell Folk School, in beautiful Western North Carolina (just
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can also include calling squares and English country dances, as well as
calling for family dances, schools, camps, weddings, etc.
Two daily practice sessions with a group of dancers (and live music!)
and nightly public dances ensure plenty of microphone time.
https://classes.folkschool.org/class_details.aspx?pk=19632
Please spread the word to developing callers in your community!
Thanks!
Diane
dance(a)diane-silver.com
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The job profile and application is in the link below. Please share it among your networks, and help spread the word of this opportunity.
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