Yes, we do take out a different dollar amount depending on attendance for
the hall expenses, sound, and performers.  I know it's unusual, but our
hall does not charge a fixed amount, but instead charges a percentage (plus
the $0.25 fee per dancer, which I don't entirely understand).  So it makes
sense to do everything as a percentage of our gross revenue, rather than
taking out all the guarantees, etc, then divvying the remainder up.  I
would not recommend this method for dances whose hall charges a fixed fee,
since it ends up being a somewhat complicated calculation at the end of the
night.
-Dave
On Thu, Oct 25, 2012 at 12:17 PM, Chrissy Fowler <ktaadn_me(a)hotmail.com>wrote;wrote:
 
 So, Dave, are you saying that you take out a different dollar amount each
 dance for all of these categories based on what comes in the door on a
 given night?
 If so, I'm having a mind-blowing accounting experience here.  Does anyone
 else do this sort of thing?
 We take out a flat amount each dance for dance organization expenses
 (which just about covers all annual expenses for insurance, promo,
 supplies, etc), the actual amounts for hall-sound-stipends-guarantees, then
 divvy the rest up between performers (80%) and series kitty (20%).  Kitty
 is our safety net in case attendance income fails to cover our expenses on
 a given night.
 Chrissy Fowler
  -----------------------------
 Ok, here's how our dance calculates performer and hall pay.
 Hall is 30%, Performers: 53%, Sound 9.5%, which leaves 7.5% for our dance
 organization.  Out of that 7.5%, we pay all of our other expenses (ASCAP
 fees, an extra 25 cents per person that goes out to the organization that
 runs the hall, insurance).  We also have a performer minimum of, I 
 believe,
  $125 each, and a sound tech maximum, but I
don't know what that max is.
  The hall has a minimum take as well, but we never have low enough
 attendance to trigger that. 
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