Tony,
I wasn't going to respond, but I have changed my mind. For some reason the words
"square dance" carry a negative connotation in my area. When asked by a client
what should they call their event, most often I replyan "Old Fashion Barn
Dance."
The turn out will almost double and the dancers will most often, be dressed western. I
don't call for clubs or continuing series. They are always dance parties or ONS. I do
keep good records of what style of dances I use, their names and the music. My dance
parties include: Trios, lines, mixers, contras, no partner required dances and some
squares.
Otto WartemanTrinity, Texas
From: "Tony Parkes tony(a)hands4.com [trad-dance-callers]"
<trad-dance-callers(a)yahoogroups.com>
To: "trad-dance-callers(a)yahoogroups.com"
<trad-dance-callers(a)yahoogroups.com>
Sent: Friday, August 12, 2016 7:51 AM
Subject: [trad-dance-callers] Re: Is there an emerging SD style? Has it a name?
I’m tickled that so many of you are participating in this discussion. After reading
posts from eight people at once (I get this list in digest form), I realize that we’re
getting close to that age-old (and probably unanswerable) question, “What is
tradition/what is folk?” Before we go on, let me assure you that I have no intention of
trying to create a new form of square dancing, or even codifying an existing form. I would
hate to see a rigid structure grow up around the points I’m making in my book. (I would
hate even more to be given lip service while something grew up that was radically
different from what I have in mind, as happened with Lloyd Shaw & modern SD and with
Larry Jennings and “zesty contras”.) My aim is to document the type of dancing and calling
that I see emerging across the continent, and to offer some suggestions for making one’s
calling as effective as possible and some technical help in doing so. My favorite name
so far is “neo-traditional,” which Jim Saxe included in a list of possibilities and was
also suggested to me in a private communication. The names I’ve heard used by dancers and
callers in the “real world” (i.e. offline) are “fast squares” and “Southern squares,” both
of which I dislike – “fast squares” because “fast” is a relative term and may scare some
folks into staying away, “Southern squares” because it’s inaccurate when used to describe
grid-type (modern New England & transitional Western) squares done to Southern music,
which is how I’ve been hearing it used. There’s already something called “Southern
squares”; let’s not confuse things. If I do start using a name, whether “neo-trad” or
something else, I don’t expect everyone in the square & contra dance world to adopt it
– though they’re welcome to. But I’ve often thought it would be handy to have such a name
for my own use, so that I can define my terms when I write for publication.
Incidentally, I welcome input as I put my square book together. What would you like to see
in a book on calling squares? (As envisioned, it will probably have a short section on
dance philosophy, history, and ethics; a medium-length section on technique; and a fairly
large collection of actual dances, with call charts showing the actual wording and timing
I use. I don’t plan to hold back any trade secrets; given my age and the lucky breaks I’ve
had, I feel it’s time to start paying it forward.) Tony Parkes Billerica, Mass.
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