These French terms were more likely adopted from the prompts used by the
numerous French dancing masters who taught the latest French dances
throughout North America during the first half of the nineteenth century.
One of these was John James Audubon (1785–1851), who had a dancing school
in what is now Louisville, Kentucky.
Phil Jamison
On Sun, Jun 25, 2017 at 10:23 AM, Fred Feild screamnj(a)msn.com
[trad-dance-callers] <trad-dance-callers(a)yahoogroups.com> wrote:
How did French prompts like Promenade, Allemande, and Dos-a-Dos get into
American dancing?
From Morrison Foster (Stephen's older brother): "When Stephen was a
child, my father had a mulatto bound girl named Olivia Pise, the
illegitimate daughter of a West Indian Frenchman, who taught dancing to the
upper circles of Pittsburgh society early in the nineteenth century.
"Lieve," as she was called, was a devout Christian and a member of a church
of shouting colored people. the little boy was fond of their singing and
boisterous devotions. She was permitted to often take Stephen to church
with her . . . . A number of strains heard there, and which, he said to me,
were too good to be lost, have been preserved by him, short scraps of which
were incorporated in two of his songs, "Hard Times Come Again No More" and
"Oh, Boys, Carry Me 'Long.""
This passage was taken from Biography, Songs and Musical Compositions of
Stephen C. Foster, published privately by his brother in 1896.
It seems clear that French holdings in the West Indies had less
suppressive relations between plantation owner and slave than in the U.S.
There would have been many opportunities for Africans to imitate and
emulate French dancing (imitation such as this also occurred later in the
cakewalk). It would have been necessary in that culture. As there were many
African languages present, French would have been used for this invention
of prompting as it was the common tongue there.
After the Haitian Revolution which started in 1791 some of these Creoles
migrated to the states, mostly to New Orleans at first. They had middle and
upper class status during the French and Spanish periods until the
Louisiana Purchase brought U.S. attitudes there. In that early period
French would have been used in dancing.
Fred Feild
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Phil Jamison
Professor of Mathematics/Appalachian Music/Appalachian Studies
Warren Wilson College
CPO 6211, PO Box 9000
Asheville, NC 28815
Office phone: (828) 771-3722
Cell phone: (828) 450-0780
Email: pjamison(a)warren-wilson.edu
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