A regular column might be helpful for the genre of MUCD callers who *have to have a card
of prompts in front of them, have to call the exact dance that's on said card, set up
an "open mic" program three weeks in advance, and can't/won't adjust
their programming to accommodate who's walked in the door.
Might include a unit on how to work with recorded music; not every gig has the bandwidth
that supports live musicians.
Community dances are loads of fun once you get past the "I need a partner
swing!" expectation, and the "if you want to attend a REAL dance" mindset.
Also, they pay much better than your average dance society.
--Karen D.