3 Feb
2016
3 Feb
'16
3:55 p.m.
correction ---
Cotton Eye Joe -- that's what I meant to say, really -- Cotton Eye Joe.
Sorry, Joe. R
On Wed, Feb 3, 2016 at 9:10 AM, Ridge Kennedy <srk3nn3dy(a)gmail.com> wrote:
Never underestimate the power of Cotton-Eyed Joe.
Specifically, the
recorded version by the Rednexx
I've been doing some dances for tweens and teens using recorded music
recently. With one group in particular, all teens, I've started up with
Cotton-Eyed Joe -- then done something traditional then switch back to a
line dance they know like Cupid Shuffle, then some more trad stuff -- and
back to The Electric Slide (and the parents join in) and alternate to trad
material.
Works well in East Stroudsburg, PA anyway.
FYI -- with cotton-Eyed Joe -- the Rednexx cut is pretty long and it gets
to be a forced march at the end so . . . this from Pat Cannon who I have
subcontracted some gig for
Have dancers identify a "partner" and stand next to him/her
Do Cotton-Eyed Joe twice through -- then facing partner do hand claps
(rt/rt/rt, l/l/l/, both, both, both, knees, knees, knees and then elbow rt.
swing /left elbow swing (do all that twice through)
Then back to Cotton-Eyed Joe, and keep alternating.
I was pretty skeptical when Pat told me what she was doing, but it works
very well. Best part of a big father/daughter dance recently -- girls got
their dads up as partners, dads stumbled through Cotoon-Eyed Joe. A lot of
fun.
Ridge
(In New Joisey)
On Tue, Feb 2, 2016 at 1:43 PM, 'Marian Rose' marian(a)marianrose.com
[trad-dance-callers] <trad-dance-callers(a)yahoogroups.com> wrote:
--
Ridge Kennedy [Exit 145]
When you stumble, make it part of the dance. - Anonymous
And we should consider every day lost on which we have not danced at least
once. And we should call every truth false which was not accompanied by at
least one laugh. - Friedrich Nietzsche
Hello all
Marian Rose here. I have been lurking on this listserve for several
years, but don't join in since I haven't been actively calling squares or
contras lately.
I am preparing for several conferences where I will be giving a session
entitled 'Folk Dancing for Teens'.
It is an age group that I love to work with, and I happen to believe that
they are the ones who *should* be dancing, even more than us old folks.
I am currently writing a philosophical and historical introduction for my
handout, and would love some input from all of you.
1. Why is folk/social dancing so important for teens?
2. Why do people (teens and teachers) so often shy away from it?
3. Do we have to give them music that they are used to hearing, or is
it valid to present 'older' music that is nevertheless thrilling and that
has excited generations of young people before them?
4. How does dancing help with teen angst and courtship?
5. What are some of your best experiences working with teens? Your
own stories dancing as a teen?
If you want to include some of your favourite 'reel-in-the-adolescents'
dances, that would be great. I have my favourites, but increasingly will
use anything at all, if it feels right.
I look forward to your thoughts!
--- Marian, in Quebec, where it is cold, clear and stunningly beautiful.
Marian Rose
CP 8162, 150 rue Racine Est
Chicoutimi, QC G7H 5B7
(418) 545-6603 (maison)
(581) 234-1614 (cellulaire)
www.marianrose.com
--
Ridge Kennedy [Exit 145]
When you stumble, make it part of the dance. - Anonymous
And we should consider every day lost on which we have not danced at least
once. And we should call every truth false which was not accompanied by at
least one laugh. - Friedrich Nietzsche