New to the list and adding our 2 cents from Belfast, ME.
PHILOSOPHY & BACKGROUND
Our committee would agree with Dave Cain's assertion that it's vital to invest in
making our dance appealing to the masses. We strive to have high quality bands and
callers in a nice hall, and have spent time and energy building our community. We also
decided that we wanted to take in enough money each month to pay performers a guarantee
plus a performer split of 80% of whatever is left of the gate after expenses. (Our policy
is to keep 20% of that remaining gate to hedge against future losses.) We aren't
making our performers rich, but we have a reasonable kitty built up, portions of which we
have used to pay performers a little bit extra in lean months and to support special
projects, including donations to the roof fund of our American Legion hall, minor hall
improvements, professional website mgmt, subsidizing other community dances as outreach,
and new caller development.
We have 3 threads to our monthly (1st Friday) series:
6:30-7:30 - Community Dance with open All-Comers Band
7:30- 8:00 - Tasty Treat potluck
8:00- 11:00 - Contradance
ADMISSION PRICES:
We started our series in Dec 05 with these rates:
Community Dance
$2 adults
$1 kids
free for musicians playing in the all-comers band
Contra Dance
$8 ($4 kids)
$6 for adults who came to the community dance (and either paid $2 or played in the
band)
$3 for kids who came to the community dance
After a year, with many requests for teen rates, we changed to:
Community Dance Only:
$2 adults
$1 teens/kids
free for musicians playing in the all-comers band
Contras only -or- both Community and Contra Dances
$8 adults
$6 young people 21 and under / all-comers musicians
$4 kids 12 and under
a small group of dedicated volunteers and the dance committee don't pay
After 10pm it's half price and whenever the money gets counted, it's free.
ATTENDANCE:
We regularly get 20-25 musicians of all ages and instruments in the all-comers band, 25-60
dancers at the community dance, and 130-180 dancers at the contras, including a healthy
number of teens and kids. (We've had numbers higher and lower than those ranges, but
that's about what we expect now.) Our proportion of youth is quite large now, but
that may not be related to our price change. I agree with Dan that the discount is a
psychological welcome mat for those young people, who add a lot in terms of zestiness and
'life' to our dance.
MORE PHILOSOPHY:
We believe that up to a point, price isn't a consideration, but that people come
because they will see friends, will enjoy great music (some of which is made by their
friends, family and neighbors) and can participate in an excellent community activity
(dancing). And if we were charging less, we would have less to pay out, we would less
easily attract the same caliber of performers which in turn attracts the dancers. (The
dance is very fun to perform for, with extremely appreciative dancers, so some folks would
want to play and call anyhow, but we appreciate the variety that's possible by
offering performers both adulation and cash.) With all the things that people could spend
$8 on (including cheap plastic junk that they'll toss on the landfill) we think our
dance is a bargain.
ACCOUNTING:
We don't separate the money for the community and contras. We don't track who
pays what. (Too complicated for the door-sitters.) It all goes into the same pot, which
basically pays the bills for the contras (performer pay, sound, hall, expenses.) We do
have small stipends for active committee members, which we take out as part of the
expenses for each dance. (All-comers anchors, Community Dance caller,
publicity/marketing) This token is appreciated and helps us feel like we are in some way
compensated for our time and effort, but it is small enough that we feel okay about it on
principle. We don't track #s of dancers, but occasionally do head counts just to get
a general sense of the #s. We also track #s of attendees via the door prize tickets. And
just to get a consistent data point to track, we divide the total take by $8, which gives
us a figure for the approx number of dancers. (All very non-scientific, but consistent in
our methods.) We do track #s of All-Comers, as a byproduct of a sign-in book that lets
us acknowledge each musician by name at the end of the Community Dance.
Nice to be part of this ongoing conversation. I love hearing the different stories from
different places, and seeing how one idea in one dance community can be tweaked (a little
or a lot) so that it better fits another dance community.
To quote Billy Bragg: "I went out drinking with Thomas Paine. He said that all
revolutions (and dances) are not the same. They're as different as the cultures that
gave them birth - no one idea can solve every problem on earth... For people are
different and so are nations (and dances!) You can borrow ideas but you can't borrow
situations."
~Chrissy Fowler
~~~~~~~~~~~~~~~~~~~~~~~
http://www.belfastflyingshoes.org
_________________________________________________________________
Share life as it happens with the new Windows Live.
http://www.windowslive.com/share.html?ocid=TXT_TAGHM_Wave2_sharelife_012008