I agree with those who say that the open band leadership is key for danceability. It has
to be fun/lively for the musicians too, and the quality of the leadership is part of that
as well.
At our monthly Community Dance we have an open all-comers band (name taken from David
Kaynor's occasional dances at the Montague Grange, and philosophy modeled on his and
others', such as Lamprey River Band in Seacoast NH - namely anyone with an instrument
is welcome to play, even 3 year olds.) We do not mic any of the musicians, partly for
simplicity's sake in terms of the hassle of setting up sound for a huge band for a 1
hr dance, and partly to avoid any hierarchy. Works fine since there are usually more
musicians than dancers. Two musicians on our committee anchor the band each month, giving
stability and focus as well as suggesting some on-the-fly instrumental arrangements, and
many of the musicians in a given night are part of another amateur group which plays
regularly throughout our region (Belfast Bay Fiddlers).
Here's a local filmmaker/tv producer's video of our most recent dance, to give you
a taste of the joyous mayhem that is the Belfast Flying Shoes All-Comers Band (39
musicians playing, and sometimes singing, for a bunch of happy dancers, ranging in age
from infant to 70s.)
http://vimeo.com/34861499
I love open, ad hoc bands for a host of reasons, including the incredible wall of sound
and unpredictability of it all -- am looking forward to dancing to the NEFFA Festival
Orchestra in April, for example.
Chrissy Fowler
Belfast, ME