I would love to hear other people's ideas on how they approach the three 
main areas of CDSS' focus:
     Contra
     Square
     ECD
What are the differences? What's similar? What are the parameters of 
improvisation in these different areas?
I've written articles on my opinions on this, found in my self published 
books. I'll post them here later, and would be happy to edit them for 
the CDSS Newsletter. But first, I'd love to hear what others say about this.
Thanks,
~erik hoffman
     oakland, ca
On 10/12/2015 9:46 AM, Susan Songer via Musicians wrote:
 
 Hi All—
 The Dance Musicians’ Task Group (I’m a member) is going to have 
 oversight on a series of articles in the CDSS news. These articles 
 will address issues of interest and concern to musicians playing for 
 dances. We are working out the exact format these articles will take, 
 and as part of that process would like input from you. Yes, you who 
 are reading this message! What topics would you like to see addressed 
 in these articles? All topic suggestions are welcome—eg.: What 
 differentiates contra dance fiddling from other fiddling styles? Or 
 How can you tell when to switch from one tune to the next in a medley? 
 Or If an ECD dance does not have an associated tune, how can you make 
 a good tune choice for that dance? I’ll bet you readers can think of a 
 lot more topics that are worth exploring in some depth. You can either 
 list them here or write me separately off list. Thanks in advance for 
 contributing ideas.
 Sue Songer
 songer(a)portcoll.com
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