Booking-related:
How do you manage the (sometimes) delicate task of matching callers and bands?
For example, what if you book a caller, but then find out the already-booked band
doesn't want to work with that person?
Besides the strategy of first booking a caller (or band) then asking for confidential
suggestions on what bands (or callers) they'd like to work with (or not), how does an
organizer handle this sort of "I won't play in the same sandbox as Susie"
syndrome?
What special or particular circumstances would affect your response and/or would guide you
to a particular solution?
- 2014 NEFFA session
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