Hi Daniel,
In short, yes, you must have specific written permission to use music, that
is under copyright, in any videos. You can try contacting: the recording
(or performing) artist, the composing artist, the record label, the music
publisher. Due to the way that YouTube works, this is mandatory and
enforced by YouTube.
I can be more specific, as it relates to your case, in a phone
conversation. Feel free to call me.
Robert
- - - - - - - - - - - -
Robert Matson
Cell: (917) 626-2675
On Wed, Nov 13, 2024 at 12:49 PM Daniel Beal via Musicians <
musicians(a)lists.sharedweight.net> wrote:
Hello friends,
I am new to Shared Weight. I am seeking advice about getting permission
to use copyrighted music for English Country Dances that I have composed
recently.
I would like to post my dances on YouTube with recordings found on CDs
and/or YouTube. I did some research online. Some articles recommended going
through music licensing companies. Having looked at their websites, it
seems clear the companies work with business entities that have an income
stream and a budget to work with. I am just a private individual with
little money to spend.
Others in the ECD community have worked with copyrighted music in the
past. Jenna Simpson, for example, has used music from the Boldwood ensemble
and Nova ensemble for several of her dances. I need to know the best way
to do this. Should I, for instance, offer a fee for using the music with a
YouTube video? If so, what is a reasonable amount to offer? Do I need a
formal letter of permission from the recording artist to send to YouTube?
If I request that the recording artist get income from the advertisements
that run before the video, how does that artist get paid? Do I forward
contact information from the artist to YouTube?
--A little about myself: I have a Master’s degree in Dance and have
professional training in dance, dance notation, choreography, dance
history, ethnic dance research, and theater production. I taught folk
dance professionally for many years and wrote a book as well as several
articles on Norwegian folk dance. I have done a variety of choreographies
for folk-dance groups, theater, and liturgical ensembles. I am currently
teaching and calling ECD for advanced classes at Tapestry Folk Dance Center
in Minneapolis, Minnesota.
Thank you for your kind assistance with the above, Daniel Beal
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