Hi Rickey,
I'm wondering why you think techno contra dances, put on by people who
don't know anything about them, would attract a young crowd? It's true
that techno contra dances tend to have a younger crowd, but in my view,
that's largely because it's the younger crowd that puts them on and wants
them in the first place. Having a techno contra simply to attract younger
folks might, at most, attract some out-of-towners, but I'm not sure it's a
good way to appeal to a younger crowd that will keep coming to your regular
dances.
As a younger dancer, the things that attract me most to a dance, other than
the crowd that already attends and the band, are location and
affordability. I've had leadership positions in several dances over the
past decade, and the easiest way to attract young people to your dance is
to locate your dance near where a bunch of young people live. Often that's
in city neighborhoods that are easily accessible by transit, or at or
within walking distance of college campuses. People often say that
ridesharing and other ideas like that can be helpful; in my experience,
they aren't very effective. Unless a lot of people I know and like are
going to a dance, I'm just not going to go to it if it requires driving to
get there.
I agree in full with what Jeff says. I'm wondering where the idea for a
techno contra comes from. Is it something the few younger dancers in your
community have been clamoring for? If so, it might be worthwhile to do it,
if they think they'd be able to convince their friends to come to one.
Otherwise, while a techno contra might be fun, I don't think expecting it
to lead to more younger dancers at your monthly dance is entirely realistic.
-Dave
On Mon, Aug 26, 2013 at 9:39 AM, Rickey Holt <holt.e(a)comcast.net> wrote:
Hi fellow organizes,
I have a question for you about developing a multi-generational dance
series. I book for a series that the late Marianne Taylor ran for 22 years.
It is not a predominately 'hot-shot' dance or a regional dance gypsy
magnet,
but we would like to attract more young dancers (read 12 - 42). I am
proposing that we run a techno-dance for one of our monthly dances. I need
to describe it to our current dancers and convince them to give it a try if
it is going to be a success, although I have yet to attend one myself.
Many
organizers have the hope of building a multi-generational dance community
and we have that same hope at the dance I am describing, but I wonder if
that is reasonable. If organizing events that will appeal to younger
dancers
is going to drive away older dancers we will not be creating a tolerant,
multi-generational, community.
Your thoughts on describing techno to dancers who have never seen it (in a
way that might intrigue them) and on the problem of developing a
multi-generational dance community.
Thanks,
Rickey Holt,
Fremont, NH
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