Maia,
Personally I really don't give a hoot which swing people teach. I've
voiced my opinion and I'm ready to move on. My real concern is my own
dance in C'ville which seems to be going down hill. Callers have done such
horrible jobs teaching the lesson that the board voted to have me teach all
of the lessons. What's important to me is that the swing is taught well
and safely no matter which one is chosen. I've responded to some of your
points in sprinkles below.
On Jun 21, 2015, at 1:52 PM, Maia McCormick via Callers wrote:
Tom, at a guess, Aahz is not talking about NOT spending time on the swing,
nor about neglecting to teach dancers how to start/end one--just that the
finer points of technique aren't a priority for the beginner's lesson.
Yes that's a guess. And he wasn't real specific in his first email. I
believe he mentioned sashayed in a latter email so that's probably what he
meant, ending a swing with the lady on left, man on the right.
John mentions the bad habits that even experienced dancers may have while
swinging, such as:
- grip, clamp, squeeze, hang, press
- hold their partner in the wrong place so it is uncomfortable
- use too much strength and try to do silly things like making their
partners feet leave the floor
- lean sideways or backwards
- start twirls too late and when they are facing the wrong way so that they
end up in the wrong place
What's your conclusion and what's the bigger picture? Perhaps the dance
community is full of bad teachers and/or bad students or something else is
going on..........Or is all of the above OK? We're not MWSDers or ballet
dancers are we?
I find it pretty telling that this list of habits actually has nothing to
do with footwork! In my opinion, the reason to teach walking swing instead
of buzz-step to beginners is that there's SO MUCH ELSE to concentrate on.
NO! NO, NO, NO!!!! I have to strongly disagree with you here. There
isn't SO MUCH ELSE to concentrate on. I have no doubt that I program a
dance night way differently than you or the others do. How I program and
how I teach the lesson are unique to me and both fit together and the
newbies are never overwhelmed by SO MUCH ELSE.
I haven't seen you or the others call but I have to say that there's this
stage that some of us go through where we perceive the beginners as
deficient and therefore need to be stuffed with all of these rules, moves
etc. so that we can have a REAL modern urban contra dance. I went through
that stage but I'm over it now. I see it in many callers. The real secret
to calling as far as I'm concerned has to do with personality and emotions,
not moves. For me, dancing is a vehicle to community.
Perhaps the dancers in your area have certain expectation of a dance
level. I'm fortunate here in C'ville that the dancers don't have those
expectations. They are real laid back.
I didn't say this yet but I've come to the conclusion that one's calling
is a system. If you value or choose one aspect in that system you, by
default choose other aspects. Programming and the beginning workshop
should fit logically together. There's so much that goes into programming
and there's so much that goes into choosing one's system that I find this
little discussion about swing to be a bit meaningless. In C'ville in the
last two years, those who didn't teach a swing at all had lousy programs-I
mean most of the floor went home at the break-it's that bad!! The two seem
to be correlated. If you're unskilled in one you tend to be unskilled in
the other.
The more things we can abstract away, the easier a time beginners will
have learning what's left. If you're focusing on strange new footwork (and
I find that buzz-stepping beginners tend to think that the buzz-stepping is
the most important part of the swing, and concentrate more on that than on
their frame), it's harder to pick up things like giving weight, a proper
hold, etc. But everyone already knows how to walk!
I consider the way I teach a buzz step swing to be efficient, maybe taking
5 minutes for a small group.
Maia, perhaps you should watch my beginning workshop.
At the end of my workshop they are ready!!!. The integration of the
beginners into the evening's dance is seamless. If they survive the
beginning lesson (which they all can) the rest of the evening is literally
a piece of cake because of the way I program. I'm human and it doesn't
always go well but in general it does.
I would also add that I would much rather dance with someone doing a
funky/odd/strange/unpracticed walking swing than a
funky/odd/strange/unpracticed buzz step.
I've also come to the conclusion that everything that goes on at a contra
dance can be boiled down to plain emotions. I recently watched a caller
who is a very good showman. I think he's insecure. He doesn't show
compassion also so he fails as a caller-doesn't establish a relationship
with any of the dancers. I also think he's afraid to teach (fear of
boring the experienced dancers) so he does a rushed job of all of his walk
throughs. The beginners have their own emotional reaction to this:
frustration big time.
Perhaps you think that we humans are rational. But the truth is we are
emotional and the emotional side of us bring in the rational side to
justify what we want. As I see it, most of this talk is just BS-rational
sounding BS for what we really feel and value. I value the buzz and
therefore feel like teaching the buzz step swing. John also values the
buzz so that's what he does. Someone else may not value the buzz or
doesn't know how to do it, so that's what they feel like doing.
I find that there are fewer ways to mess up a walk, and that there's less
potential for your partner to be uncomfortable or perhaps harmed than with
one of those galloping, out-of-control excited-pony buzz step swings.
Just my two cents!
Cheers,
Maia
On Sun, Jun 21, 2015 at 1:38 PM, Amy Wimmer via Callers <
callers(a)lists.sharedweight.net> wrote:
I love John's idea of teaching the buzz step
as individuals first,
then as couples. The most frequent complaints I hear from men is that
women hang on them and don't hold up their own weight during a swing.
The most frequent complaint I hear from women is men pulling them off
their feet and going too fast. If they can learn to hold themselves
upright on their own first, then everyone will have a much more
enjoyable experience.
-Amy
On Jun 21, 2015, at 3:44 AM, John Sweeney via
Callers <
callers(a)lists.sharedweight.net> wrote:
Yes, of course I always tell dancers that they can walk instead of
buzz, but
the buzz-step is so much more fun that it seems
crazy not to teach it
when
every dance is going to have a swing and usually
two.
<Digression:> Yes, I love swinging, and have been loving it for fifty
years
now, but why does every new dance have to have
two swings? Oh no, not
Neighbour Balance & Swing, Circle Left 3/4, Partner Swing again - that's
half the dance gone with nothing new or interesting in it! (And
changing the
Circle Left 3/4 to Men/Ladies Allemande 1 &
1/2 does not make it more
interesting!) I write lots of dances with one or zero swings - a
zero-swing
dance can have so much good stuff in it that the
dancers don't even
notice
there is no swing; they are having too much fun.
It always puzzles me
when
people take a great one-swing dance and
re-choreograph it to add a
second
swing, losing part of what made it a great dance
just for the sake of
even
more swinging. <End of digression.>
I found it interesting that Ron said, "the buzz-step swing gets axed if
I'm
short on time". If I only had time to teach
one thing then the only
thing I
would teach would be the buzz-step swing, and how
to finish it so you
end up
in the right place. I can't think of
anything else that newcomers can't
learn during the walk-throughs.
Question: If you were calling for a group with a dozen newcomers in the
hall
out of 100 people, and the organizers said you
could have two minutes
teaching before you started the first walk-through, what would you
teach?
For me the answer is obvious, every dance has a
buzz-step swing; teach a
buzz-step swing.
Another reason for teaching swinging is that there are a significant
number
of "experienced" dancers who have bad
swinging habits. I dance all
over the
USA and the UK and wherever I go there are always
some people who:
- grip, clamp, squeeze, hang, press
- hold their partner in the wrong place so it is uncomfortable
- use too much strength and try to do silly things like making their
partners feet leave the floor
- lean sideways or backwards
- start twirls too late and when they are facing the wrong way so that
they
end up in the wrong place
- etc.
If just a couple of those dancers pick up on any of these points and
improve
their swinging then you have done good work!
Yes, I hate it when callers talk too much and take time out of dancing
time.
But this can be really short:
Sample teach:
= = = = = = = =
Hi, I'm John. We have some new people here today and they are going to
spend half an hour swinging tonight, so please let's spend a minute or
two
on showing them how it's done. And all you
great dancers out there why
not
see if you can't make your swing even better
for you and your partners.
This is called a buzz-step swing.
First, let go of you partner completely. Put your left toe just behind
your
right foot like this. Now walk fast on the spot.
Now push with your left
foor as though you were on a skateboard and turn clockwise by yourself
on
the spot. Relax your knees so you don't
bounce up and down. See how
smoothly.you can turn with the minimum of effort.
Now take your partner in a ballroom hold - the man's hand on the lady's
shoulderblade - it is far more comfotable for the lady if you hold them
up
high. Now relax - make sure you are not pressing
on any part of your
partner.
And swing - it should be a gentle embrace where, as a single
counterbalanced
unit, you glide smoothly and effortlessly around.
Smile at your partner
and
you won't get dizzy.
Now think of your joined hands as an arrowhead and finish pointing at
the
other couple.
If you are having trouble with the buzz-step then you can always just
walk.
= = = = = = = =
I just timed that and it took less than 90 seconds. Surely that is worth
doing!
Yes, some of them won’t get it, but for those who do you have just
greatly
enhanced their enjoyment of the evening.
Anyway, that's what I think. :-)
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
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