There’s also mine, written with a more explicit intention of explaining it to callers who
aren’t used to it.
<http://lcfd.org/gf-ecd-calling-conventions.html>
Read Weaver
Jamaica Plain, MA
On Jun 1, 2015, at 12:51 PM, Linda Leslie via Callers
<callers(a)lists.sharedweight.net> wrote:
In an earlier email, David Casserly shared the following link, which defines the approach
very, very well!
http://heatherandrose.org/terms.shtml <http://heatherandrose.org/terms.shtml>
Linda
On Jun 1, 2015, at 12:37 PM, Perry Shafran <pshaf(a)yahoo.com
<mailto:pshaf@yahoo.com>> wrote:
> It would help tremendously if we could have a discussion on what "global
terminology" is and an example of choreography that is called with such terminology.
The concept is one I have not heard of before.
>
> Perry
>
> From: Linda Leslie via Callers <callers(a)lists.sharedweight.net
<mailto:callers@lists.sharedweight.net>>
> To: Andrea Nettleton <twirly-girl(a)bellsouth.net
<mailto:twirly-girl@bellsouth.net>>
> Cc: Caller's discussion list <callers(a)sharedweight.net
<mailto:callers@sharedweight.net>>
> Sent: Monday, June 1, 2015 10:33 AM
> Subject: [Callers] Global terminology in contra dances
>
> In Jamaica Plain, MA, the ECD dancers use Window Wall and Clock Wall, rather than
left/right file. It is different global terminology, but works very well. I don’t know the
history of why these words were chosen, but I could probably find out. The dancers also
line up without identifying a partner, as discussed at Brooke’s site. This tradition is
really quite lovely. I have had the opportunity to call this dance many times, so the
terminology is very second nature to me.
>
> For me, the major challenge with incorporating global language into contra dances has
to do with ending the swing. So many contra dances depend on the dancers having learned
that the lady/lark/barearm/ruby/right file end on the right.
> How do we help completely new dancers learn this?
> Do we say “swing your Neighbor and change places”? Swing your Partner and change
places”?
> I recognize that experienced dancers will know this instinctively; just as many
dancers line up and automatically form improper lines at many contra dances.
>
> But I am curious about how callers out there see us helping the new folks, without
using any role language at all.
>
> Thanks!
> Linda