Witches' Cauldron by Kirsten Koths is a favorite of mine - Becket
Sicilian Mixer - easy moves for the inclusion of beginners, and a very
unusual progression (see Notes at
<http://www.quiteapair.us/calling/acdol/dance/acd_184.html>) to keep the
experienced dancers entertained. I do _not_ recommend it if you have
more than 20% beginners on the floor.The tune *OLD GREY CAT*’s a VERY
GOOD MATCHin rhythm and mood. I've had fun introducing it with a witchy
chant:
/Double, double, toil and trouble; fire burn, and cauldron bubble!/
/Come and stir my pot with me. Bring a partner; come and see!/
When we dance *Witches’ Cauldron*, we’ll be stirring the pot this way
and that; things will bubble up; there’ll be eddies and lumps.
Karin
//
/
/
On 8/19/2018 1:22 PM, Maia McCormick via Callers wrote:
> The ones that come to mind are:
> - Wizard's Walk
> - The Zombies of Sugar Hill
>
> Happy calling!
>
> On Fri, Aug 17, 2018 at 11:12 AM barbara153--- via Callers
> <callers(a)lists.sharedweight.net
> <mailto:callers@lists.sharedweight.net>> wrote:
>
> Hi everyone!
> I will be calling a dance on Halloween and would like to know if
> anyone can share some Halloween themed dances with choreography
> if possible.
> I do have :
> Halloween Twist
> Chainsaw
> Thanks and keep on calling...
> Barbara G
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> <mailto:Callers@lists.sharedweight.net>
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>
>
>
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
Hi everyone!
I will be calling a dance on Halloween and would like to know if anyone can share some Halloween themed dances with choreography if possible.
I do have :
Halloween Twist
Chainsaw
Thanks and keep on calling...
Barbara G
The sense I have of the A2 bit is that you've combined a mad robin with a
hey, right? I'd start with that as the description. It's just a hey
passing the one you swung by right shoulder, but you're facing your partner
in the other line of four as you go.
And if it's not a hey, but in fact something a little different then a hey
in terms of the switches, then I'd try to see if it would work as a mad
robin hey...
But then, I'm not actually sure what you mean by weave the ring in B1; so
possibly I should get some more sleep after my own gigs.
On Sat, Aug 18, 2018 at 3:01 PM Bob Green via Callers <
callers(a)lists.sharedweight.net> wrote:
> Well Don, you know you shouldn't be smoking that stuff....... )))
>
> Sugar Hill is next weekend. We should be able to wrangle up enough dancers
> to give this a decent walk-thru. This looks like a great dance to tryout at
> 4:00 in the morning. :::wink::: If I have this right you are weaving the
> line, but faced like you are a crab.
>
> This is one of those I think a demo set would be the most expedient teach
> the A2. Get 8 dancers walked through it before the dance starts or at the
> break.
> If I have this right you are weaving the line of 4 facing up & down the
> hall, faced like you are a crab.
>
> Looks like it might be fun!
>
> Bob Green
>
>
>
>
> On Sat, Aug 18, 2018 at 1:22 AM, Don Veino via Callers <
> callers(a)lists.sharedweight.net> wrote:
>
>> Earlier today, I resurrected a draft dance from (almost exactly) this
>> time last year which I'd put aside as probably being too crazy. In looking
>> at it again, I started wondering if it is... too crazy... and wrote up a
>> more specific description to get it across to others. The magnet people
>> show me it works, but they don't say much about how it felt. :-)
>>
>> As I'm still up due to the caffeine I drank to drive home after a gig
>> tonight, I thought I'd type this up and throw it out there for input. Is it
>> too crazy? How would you teach the A2 if you attempted it?
>>
>> Thanks,
>> Don
>>
>> Demolition Derby (DRAFT) - 4 Face 4 - Don Veino 20170823 (updated
>> description 20180817)
>>
>> [starts in lines/4, so G1, L1, G2, L2]
>>
>> A1 Give & Take up/down to Gents (opposites Swing) [ends in line/4 facing
>> up/down: G1, OpL2, G2, OpL1]
>>
>> A2 "Crazy Eights" [Fig 8 in current lines/4 done a la a Mad Robin - all
>> trace path of a figure 8, equidistant rel. to Partner, whom you face
>> up/down in the other line/4]:
>> (3,1 or 4) Mad Robin CW 1/2x around opposite N you swung [G thru center
>> first], OpL1 pass in front of G1 in middle to swap ends [to OpL2, OpL1, G1,
>> G2]
>> (3,1 or 4) All Pass Same Role Trail Buddy in Fig 8 arc (same arc, but
>> opposite dir.) to trade places [G1 and OpL1 take outside path - "insides
>> out"], OpL2 pass in front of G2 in middle to swap ends [to OpL1, G2, OpL2,
>> G1]
>> (3,1 or 4) Mad Robin CCW 1/2x around opposite N [G thru center first],
>> OpL1 pass in front of G1 in middle to swap ends [to G2, G1, OpL1, OpL2]
>> (3,1 or 4) All Pass Same Role Trail Buddy in Fig 8 arc (same arc,
>> opposite dir.) to trade places [G1 and OpL1 take outside path - "insides
>> out"], OpL2 pass in front of G2 in middle to swap ends [to end in same
>> positions as start of A2: G1, OpL2, G2, OpL1]
>>
>> B1 w/Opposites Circle/4 Left 3/4x to (face & Pass Partner Right to start)
>> Weave the Ring/8 1/2x
>>
>> B2 Partner Balance (or Gypsy) and Swing, face progression
>>
>> BTW, it was this dance idea that fed what became another related dance on
>> my site, Wild Mouse: http://veino.com/blog/?p=1879 . Neither of these
>> have I dared to attempt to date.
>>
>> _______________________________________________
>> List Name: Callers mailing list
>> List Address: Callers(a)lists.sharedweight.net
>> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>>
>>
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>
--
Luke Donforth
Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
Don -
I don't understand why Americans are so keen on this "Mad Robin" move.
Instead of staring at your partner the whole time, why not interact with other people and just do a hey for four?
Colin Hume
Well Don, you know you shouldn't be smoking that stuff....... )))
Sugar Hill is next weekend. We should be able to wrangle up enough dancers
to give this a decent walk-thru. This looks like a great dance to tryout at
4:00 in the morning. :::wink::: If I have this right you are weaving the
line, but faced like you are a crab.
This is one of those I think a demo set would be the most expedient teach
the A2. Get 8 dancers walked through it before the dance starts or at the
break.
If I have this right you are weaving the line of 4 facing up & down the
hall, faced like you are a crab.
Looks like it might be fun!
Bob Green
On Sat, Aug 18, 2018 at 1:22 AM, Don Veino via Callers <
callers(a)lists.sharedweight.net> wrote:
> Earlier today, I resurrected a draft dance from (almost exactly) this
> time last year which I'd put aside as probably being too crazy. In looking
> at it again, I started wondering if it is... too crazy... and wrote up a
> more specific description to get it across to others. The magnet people
> show me it works, but they don't say much about how it felt. :-)
>
> As I'm still up due to the caffeine I drank to drive home after a gig
> tonight, I thought I'd type this up and throw it out there for input. Is it
> too crazy? How would you teach the A2 if you attempted it?
>
> Thanks,
> Don
>
> Demolition Derby (DRAFT) - 4 Face 4 - Don Veino 20170823 (updated
> description 20180817)
>
> [starts in lines/4, so G1, L1, G2, L2]
>
> A1 Give & Take up/down to Gents (opposites Swing) [ends in line/4 facing
> up/down: G1, OpL2, G2, OpL1]
>
> A2 "Crazy Eights" [Fig 8 in current lines/4 done a la a Mad Robin - all
> trace path of a figure 8, equidistant rel. to Partner, whom you face
> up/down in the other line/4]:
> (3,1 or 4) Mad Robin CW 1/2x around opposite N you swung [G thru center
> first], OpL1 pass in front of G1 in middle to swap ends [to OpL2, OpL1, G1,
> G2]
> (3,1 or 4) All Pass Same Role Trail Buddy in Fig 8 arc (same arc, but
> opposite dir.) to trade places [G1 and OpL1 take outside path - "insides
> out"], OpL2 pass in front of G2 in middle to swap ends [to OpL1, G2, OpL2,
> G1]
> (3,1 or 4) Mad Robin CCW 1/2x around opposite N [G thru center first],
> OpL1 pass in front of G1 in middle to swap ends [to G2, G1, OpL1, OpL2]
> (3,1 or 4) All Pass Same Role Trail Buddy in Fig 8 arc (same arc, opposite
> dir.) to trade places [G1 and OpL1 take outside path - "insides out"], OpL2
> pass in front of G2 in middle to swap ends [to end in same positions as
> start of A2: G1, OpL2, G2, OpL1]
>
> B1 w/Opposites Circle/4 Left 3/4x to (face & Pass Partner Right to start)
> Weave the Ring/8 1/2x
>
> B2 Partner Balance (or Gypsy) and Swing, face progression
>
> BTW, it was this dance idea that fed what became another related dance on
> my site, Wild Mouse: http://veino.com/blog/?p=1879 . Neither of these
> have I dared to attempt to date.
>
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>
>
Earlier today, I resurrected a draft dance from (almost exactly) this time
last year which I'd put aside as probably being too crazy. In looking at it
again, I started wondering if it is... too crazy... and wrote up a more
specific description to get it across to others. The magnet people show me
it works, but they don't say much about how it felt. :-)
As I'm still up due to the caffeine I drank to drive home after a gig
tonight, I thought I'd type this up and throw it out there for input. Is it
too crazy? How would you teach the A2 if you attempted it?
Thanks,
Don
Demolition Derby (DRAFT) - 4 Face 4 - Don Veino 20170823 (updated
description 20180817)
[starts in lines/4, so G1, L1, G2, L2]
A1 Give & Take up/down to Gents (opposites Swing) [ends in line/4 facing
up/down: G1, OpL2, G2, OpL1]
A2 "Crazy Eights" [Fig 8 in current lines/4 done a la a Mad Robin - all
trace path of a figure 8, equidistant rel. to Partner, whom you face
up/down in the other line/4]:
(3,1 or 4) Mad Robin CW 1/2x around opposite N you swung [G thru center
first], OpL1 pass in front of G1 in middle to swap ends [to OpL2, OpL1, G1,
G2]
(3,1 or 4) All Pass Same Role Trail Buddy in Fig 8 arc (same arc, but
opposite dir.) to trade places [G1 and OpL1 take outside path - "insides
out"], OpL2 pass in front of G2 in middle to swap ends [to OpL1, G2, OpL2,
G1]
(3,1 or 4) Mad Robin CCW 1/2x around opposite N [G thru center first], OpL1
pass in front of G1 in middle to swap ends [to G2, G1, OpL1, OpL2]
(3,1 or 4) All Pass Same Role Trail Buddy in Fig 8 arc (same arc, opposite
dir.) to trade places [G1 and OpL1 take outside path - "insides out"], OpL2
pass in front of G2 in middle to swap ends [to end in same positions as
start of A2: G1, OpL2, G2, OpL1]
B1 w/Opposites Circle/4 Left 3/4x to (face & Pass Partner Right to start)
Weave the Ring/8 1/2x
B2 Partner Balance (or Gypsy) and Swing, face progression
BTW, it was this dance idea that fed what became another related dance on
my site, Wild Mouse: http://veino.com/blog/?p=1879 . Neither of these have
I dared to attempt to date.
Lol Lisa...agreed need that bit bnb of id anchor there.
Perry love the real dance and will add both to my dance lists! Thanks,!
On Thu, Aug 16, 2018, 5:23 PM Lisa Sieverts via Callers <
callers(a)lists.sharedweight.net> wrote:
> Andy, thanks for emphasizing the "ID your Shadow" and that you include the
> clue about which shadow.
>
> It's a pet peeve how many callers will call a shadow dance and never
> identity the shadow. It gives me the distinct impression that they don't
> even know they are calling a dance that has a shadow. Larry Jennings would
> be rolling over in his grave if he knew there were callers doing such
> things! :-)
>
> Best,
> Lisa
>
> On Thu, Aug 16, 2018 at 4:49 PM, Andy Shore via Callers <
> callers(a)lists.sharedweight.net> wrote:
>
>> Both of these have been road tested on tour with Polaris.
>>
>>
>> *Serving REELness*
>>
>> Andy Shore
>>
>> Type: Contra
>>
>> Formation: Duple-Improper
>>
>> Level: Intermediate
>>
>>
>> A1 -----------
>>
>> (16) Neighbor balance and swing
>>
>> A2 -----------
>>
>> (8) Revolving Door - Ladies in center by the right but**
>>
>> (8) 1/2 Hey, pass partner by left
>>
>> B1 -----------
>>
>> (16) Partner balance and swing
>>
>> B2 -----------
>>
>> (8) Circle Left 3/4 and pass through along the set
>>
>> (8) [Next] Neighbor Do-si-do
>>
>>
>> Notes: **release revolving door a little early so that Gents are in the
>> opposite Lady’s spot & have time to turn toward their right (tight loop) to
>> come in for the left shoulder pass
>>
>>
>> I'd introduce Revolving Doors with a simpler dance that goes into a
>> Swing. E.g., the RD variation of Bronwyn Wood's "The Missing Piece"
>>
>>
>>
>> The world premiere with walk thru & dance was captured on video by Doug
>> Plummer here: https://youtu.be/uAZCZzm1tI8
>> Not mentioned in that debut was the early release of the Gents from
>> Revolving Door and their tight loop to the right
>>
>> The title comes from the FX TV show "Pose".
>>
>>
>>
>> *Alpha Ursae Minoris*
>>
>> Andy Shore
>>
>> Type: Contra
>>
>> Formation: Becket-CCW [no circle]
>>
>> Level: Advanced (Weekend/Challenging level)
>>
>>
>> * ID shadow beyond partner in becket
>>
>> A1 -----------
>>
>> (8) Promenade across the Set (J hook to progress)
>>
>> (8) Mad Robin - ladies in front
>>
>> A2 -----------
>>
>> (8) Neighbor RH Across - Balance & Box the Gnat (don't let go)
>>
>> (8) with N & Shadow, Square Thru 4 (no balances) - make the 4th hand an
>> Allemande Left 1/2 w/ Shadow
>>
>> [to long waves with Gents facing OUT, partner in RH, shadow in LH]
>>
>> B1 -----------
>>
>> (4,4) Balance the Wave, Box Circulate
>>
>> (8) Neighbor swing
>>
>> B2 -----------
>>
>> (4,2) [1/4 ricochet hey] Gents go in and push back on diagonal, Ladies
>> Cross passing Left
>>
>> (10) Swing Partner
>>
>>
>> Notes: ** when out with partner, cross over & be ready for Balance & Box
>> the Gnat to be there for Square thru with Shadow & P
>>
>>
>> Take time to ID N & Shadow for square thru = the ONLY 2 people you
>> touch! This is outside your minor set!
>>
>>
>> This is a high piece count dance with little chance for recovery. *Not
>> for the faint of heart! *Probably should introduce figures in other
>> dances first - Mad Robin, Square Thru, ricochet hey, Box Circulate
>>
>>
>> Named after Polaris (the band) who helped me finalize this dance. Alpha
>> Ursae Minoris is another name for Polaris, the pole star.
>>
>>
>>
>> Enjoy!
>>
>> /Andy Shore
>>
>>
>>
>>
>>
>>
>> _______________________________________________
>> List Name: Callers mailing list
>> List Address: Callers(a)lists.sharedweight.net
>> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>>
>>
>
>
> --
>
> Lisa
> lisa(a)lisasieverts.com
> 603-762-0235
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>
It was a fun dance, and Doug did a great job with the video, as always.
On Thu, Aug 16, 2018 at 1:49 PM, Andy Shore via Callers <
callers(a)lists.sharedweight.net> wrote:
> Both of these have been road tested on tour with Polaris.
>
>
> *Serving REELness*
>
> Andy Shore
>
> Type: Contra
>
> Formation: Duple-Improper
>
> Level: Intermediate
>
>
> A1 -----------
>
> (16) Neighbor balance and swing
>
> A2 -----------
>
> (8) Revolving Door - Ladies in center by the right but**
>
> (8) 1/2 Hey, pass partner by left
>
> B1 -----------
>
> (16) Partner balance and swing
>
> B2 -----------
>
> (8) Circle Left 3/4 and pass through along the set
>
> (8) [Next] Neighbor Do-si-do
>
>
> Notes: **release revolving door a little early so that Gents are in the
> opposite Lady’s spot & have time to turn toward their right (tight loop) to
> come in for the left shoulder pass
>
>
> I'd introduce Revolving Doors with a simpler dance that goes into a Swing.
> E.g., the RD variation of Bronwyn Wood's "The Missing Piece"
>
>
>
> The world premiere with walk thru & dance was captured on video by Doug
> Plummer here: https://youtu.be/uAZCZzm1tI8
> Not mentioned in that debut was the early release of the Gents from
> Revolving Door and their tight loop to the right
>
> The title comes from the FX TV show "Pose".
>
>
>
> *Alpha Ursae Minoris*
>
> Andy Shore
>
> Type: Contra
>
> Formation: Becket-CCW [no circle]
>
> Level: Advanced (Weekend/Challenging level)
>
>
> * ID shadow beyond partner in becket
>
> A1 -----------
>
> (8) Promenade across the Set (J hook to progress)
>
> (8) Mad Robin - ladies in front
>
> A2 -----------
>
> (8) Neighbor RH Across - Balance & Box the Gnat (don't let go)
>
> (8) with N & Shadow, Square Thru 4 (no balances) - make the 4th hand an
> Allemande Left 1/2 w/ Shadow
>
> [to long waves with Gents facing OUT, partner in RH, shadow in LH]
>
> B1 -----------
>
> (4,4) Balance the Wave, Box Circulate
>
> (8) Neighbor swing
>
> B2 -----------
>
> (4,2) [1/4 ricochet hey] Gents go in and push back on diagonal, Ladies
> Cross passing Left
>
> (10) Swing Partner
>
>
> Notes: ** when out with partner, cross over & be ready for Balance & Box
> the Gnat to be there for Square thru with Shadow & P
>
>
> Take time to ID N & Shadow for square thru = the ONLY 2 people you touch!
> This is outside your minor set!
>
>
> This is a high piece count dance with little chance for recovery. *Not
> for the faint of heart! *Probably should introduce figures in other
> dances first - Mad Robin, Square Thru, ricochet hey, Box Circulate
>
>
> Named after Polaris (the band) who helped me finalize this dance. Alpha
> Ursae Minoris is another name for Polaris, the pole star.
>
>
>
> Enjoy!
>
> /Andy Shore
>
>
>
>
>
>
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>
>
Hey Andy,
I think I still stand by my preference for the hey to go by the other
shoulder with the ladies dancing straight forward, rather than weaving,
especially having danced both roles for your dance the two nights you
called it up in Seattle.
Here's the dance I mentioned, as well, with my take on the revolve-to-hey
figure:
https://contradb.com/dances/403
Take care,
Isaac
On Thu, Aug 16, 2018, 1:50 PM Andy Shore via Callers <
callers(a)lists.sharedweight.net> wrote:
> Both of these have been road tested on tour with Polaris.
>
>
> *Serving REELness*
>
> Andy Shore
>
> Type: Contra
>
> Formation: Duple-Improper
>
> Level: Intermediate
>
>
> A1 -----------
>
> (16) Neighbor balance and swing
>
> A2 -----------
>
> (8) Revolving Door - Ladies in center by the right but**
>
> (8) 1/2 Hey, pass partner by left
>
> B1 -----------
>
> (16) Partner balance and swing
>
> B2 -----------
>
> (8) Circle Left 3/4 and pass through along the set
>
> (8) [Next] Neighbor Do-si-do
>
>
> Notes: **release revolving door a little early so that Gents are in the
> opposite Lady’s spot & have time to turn toward their right (tight loop) to
> come in for the left shoulder pass
>
>
> I'd introduce Revolving Doors with a simpler dance that goes into a Swing.
> E.g., the RD variation of Bronwyn Wood's "The Missing Piece"
>
>
>
> The world premiere with walk thru & dance was captured on video by Doug
> Plummer here: https://youtu.be/uAZCZzm1tI8
> Not mentioned in that debut was the early release of the Gents from
> Revolving Door and their tight loop to the right
>
> The title comes from the FX TV show "Pose".
>
>
>
> *Alpha Ursae Minoris*
>
> Andy Shore
>
> Type: Contra
>
> Formation: Becket-CCW [no circle]
>
> Level: Advanced (Weekend/Challenging level)
>
>
> * ID shadow beyond partner in becket
>
> A1 -----------
>
> (8) Promenade across the Set (J hook to progress)
>
> (8) Mad Robin - ladies in front
>
> A2 -----------
>
> (8) Neighbor RH Across - Balance & Box the Gnat (don't let go)
>
> (8) with N & Shadow, Square Thru 4 (no balances) - make the 4th hand an
> Allemande Left 1/2 w/ Shadow
>
> [to long waves with Gents facing OUT, partner in RH, shadow in LH]
>
> B1 -----------
>
> (4,4) Balance the Wave, Box Circulate
>
> (8) Neighbor swing
>
> B2 -----------
>
> (4,2) [1/4 ricochet hey] Gents go in and push back on diagonal, Ladies
> Cross passing Left
>
> (10) Swing Partner
>
>
> Notes: ** when out with partner, cross over & be ready for Balance & Box
> the Gnat to be there for Square thru with Shadow & P
>
>
> Take time to ID N & Shadow for square thru = the ONLY 2 people you touch!
> This is outside your minor set!
>
>
> This is a high piece count dance with little chance for recovery. *Not
> for the faint of heart! *Probably should introduce figures in other
> dances first - Mad Robin, Square Thru, ricochet hey, Box Circulate
>
>
> Named after Polaris (the band) who helped me finalize this dance. Alpha
> Ursae Minoris is another name for Polaris, the pole star.
>
>
>
> Enjoy!
>
> /Andy Shore
>
>
>
>
>
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>
Andy, thanks for emphasizing the "ID your Shadow" and that you include the
clue about which shadow.
It's a pet peeve how many callers will call a shadow dance and never
identity the shadow. It gives me the distinct impression that they don't
even know they are calling a dance that has a shadow. Larry Jennings would
be rolling over in his grave if he knew there were callers doing such
things! :-)
Best,
Lisa
On Thu, Aug 16, 2018 at 4:49 PM, Andy Shore via Callers <
callers(a)lists.sharedweight.net> wrote:
> Both of these have been road tested on tour with Polaris.
>
>
> *Serving REELness*
>
> Andy Shore
>
> Type: Contra
>
> Formation: Duple-Improper
>
> Level: Intermediate
>
>
> A1 -----------
>
> (16) Neighbor balance and swing
>
> A2 -----------
>
> (8) Revolving Door - Ladies in center by the right but**
>
> (8) 1/2 Hey, pass partner by left
>
> B1 -----------
>
> (16) Partner balance and swing
>
> B2 -----------
>
> (8) Circle Left 3/4 and pass through along the set
>
> (8) [Next] Neighbor Do-si-do
>
>
> Notes: **release revolving door a little early so that Gents are in the
> opposite Lady’s spot & have time to turn toward their right (tight loop) to
> come in for the left shoulder pass
>
>
> I'd introduce Revolving Doors with a simpler dance that goes into a Swing.
> E.g., the RD variation of Bronwyn Wood's "The Missing Piece"
>
>
>
> The world premiere with walk thru & dance was captured on video by Doug
> Plummer here: https://youtu.be/uAZCZzm1tI8
> Not mentioned in that debut was the early release of the Gents from
> Revolving Door and their tight loop to the right
>
> The title comes from the FX TV show "Pose".
>
>
>
> *Alpha Ursae Minoris*
>
> Andy Shore
>
> Type: Contra
>
> Formation: Becket-CCW [no circle]
>
> Level: Advanced (Weekend/Challenging level)
>
>
> * ID shadow beyond partner in becket
>
> A1 -----------
>
> (8) Promenade across the Set (J hook to progress)
>
> (8) Mad Robin - ladies in front
>
> A2 -----------
>
> (8) Neighbor RH Across - Balance & Box the Gnat (don't let go)
>
> (8) with N & Shadow, Square Thru 4 (no balances) - make the 4th hand an
> Allemande Left 1/2 w/ Shadow
>
> [to long waves with Gents facing OUT, partner in RH, shadow in LH]
>
> B1 -----------
>
> (4,4) Balance the Wave, Box Circulate
>
> (8) Neighbor swing
>
> B2 -----------
>
> (4,2) [1/4 ricochet hey] Gents go in and push back on diagonal, Ladies
> Cross passing Left
>
> (10) Swing Partner
>
>
> Notes: ** when out with partner, cross over & be ready for Balance & Box
> the Gnat to be there for Square thru with Shadow & P
>
>
> Take time to ID N & Shadow for square thru = the ONLY 2 people you touch!
> This is outside your minor set!
>
>
> This is a high piece count dance with little chance for recovery. *Not
> for the faint of heart! *Probably should introduce figures in other
> dances first - Mad Robin, Square Thru, ricochet hey, Box Circulate
>
>
> Named after Polaris (the band) who helped me finalize this dance. Alpha
> Ursae Minoris is another name for Polaris, the pole star.
>
>
>
> Enjoy!
>
> /Andy Shore
>
>
>
>
>
>
> _______________________________________________
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>
>
--
Lisa
lisa(a)lisasieverts.com
603-762-0235