Bottoms Up (Author unknown)
Five Couples; Longways; Proper
A1: Top Two Men Arch; #1 Lady leads Thread the Needle
A2: Top Two Ladies Arch; #1 Man leads Thread the Needle
B1: Circle Left; Circle Right [OR Partner Swing; Long Lines – gives recovery time if they are late]
B2: Bottoms Up: Bottom Couple Gallops Up
Top Couple put their hands on the Bottom Couples waists and all four Gallop Down - #1s falling into place below the Bottoms
Travelling Thread the Needle: The #1 making the arch dances around the set – everyone goes through the arch twice
http://www.ceilidhcalling.co.uk/danceviewpage.php?name=bottoms%20up
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802 940 574
http://www.modernjive.com for Modern Jive Events & DVDs
http://www.contrafusion.co.uk for Dancing in Kent
From: Callers <callers-bounces(a)lists.sharedweight.net> On Behalf Of Linda S. Mrosko via Callers
Sent: 13 September 2018 05:58
To: Callers List <Callers(a)lists.sharedweight.net>
Subject: [Callers] Intrigued by a Photo
I saw this photo on Dancing Well and wondered if anyone knew which dance(s) this could be.
--
Looking forward,
Linda S. Mrosko
102 Mitchell Drive
Temple, Texas 76501
(903) 292-3713 (Cell)
contradancetx.com <http://www.contradancetx.com>
www.zazzle.com/fuzzycozy* <http://www.zazzle.com/fuzzycozy*> (Dance buttons, t-shirts, & more)
I saw this photo on Dancing Well and wondered if anyone knew which dance(s)
this could be.
[image: 26.JPG]
--
*Looking forward,Linda S. Mrosko*
*102 Mitchell Drive*
*Temple, Texas 76501*
*(903) 292-3713 (Cell)*
*contradancetx.com <http://www.contradancetx.com>*
*www.zazzle.com/fuzzycozy* <http://www.zazzle.com/fuzzycozy*> (Dance
buttons, t-shirts, & more)*
A Box the Gnat finishes with you facing the person you did it with. So everyone has to turn 90 degrees to face their neighbour for A2.
On another point. It is not a Square Through! (Sorry, just checked Callerlab: Square Thru!)
A Square Thru finishes with your back to the last person you passed. In this dance, after the last Pull By you need to turn to face your Partner who is at 90 degrees to you.
It is actually Two Changes (of Rights & Lefts).
Square Thru N is a particular case of N Changes; in Square Thru the end facing (not normally defined in N Changes) is specified.
Or has the Contra community now redefined this square dance term for their own purposes? :-)
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802 940 574
http://www.modernjive.com for Modern Jive Events & DVDs
http://www.contrafusion.co.uk for Dancing in Kent
From: Callers <callers-bounces(a)lists.sharedweight.net> On Behalf Of Jerome Grisanti via Callers
Sent: 09 September 2018 16:43
To: Jean Gibson-Gorrindo <jgorrindo(a)charter.net>; callers <callers(a)lists.sharedweight.net>
Subject: Re: [Callers] does this dance already exist?
Jean,
At the end of the A2 Box the Gnat, the gents have their backs toward their original neighbor and so must release the box-the-gnat hand with intention in order to turn their body into the neighbor balance & swing. Not necessarily a problem, just a heads-up. The ladies, it appears, will be facing toward their neighbor so not an issue for them.
--Jerome
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do, or dream you can, begin it. Boldness has genius and power and magic in it." --Johann Wolfgang von Goethe
On Sat, Sep 8, 2018 at 11:34 AM Jean Gibson-Gorrindo via Callers <callers(a)lists.sharedweight.net <mailto:callers@lists.sharedweight.net> > wrote:
Hello Callers! Around the breakfast table at Penelope Weinberger’s house this morning, while on tour with Cloud Ten, I came up with this dance. Wrote it with the Sam Bartlett tune Penelope’s Cruise (also written for Penelope Weinberger) in mind. Wondering if it is already out there? Thanks for your input!
Jean Gorrindo
Breakfast at Penelope’s
by Jean Gorrindo
Contra/Improper/Easy-Int/Double Progression
A1 -----------
(8) Partner R-Hand Balance; Square Thru (pull by Partner with Right, Neighbor Left)
(8) Partner Balance & Box the Gnat
A2 -----------
(16) Neighbor balance and swing
B1 -----------
(8) Women allemande Right 1-1/2
(8) Partner swing
B2 -----------
(8) Long lines, forward and back
(8) Women's Chain
_______________________________________________
List Name: Callers mailing list
List Address: Callers(a)lists.sharedweight.net <mailto:Callers@lists.sharedweight.net>
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In contra, I find 2 beats per pull-by and 1 beat per quarter turn
works out nicely.
When it's done with balances, and quick pull-bys, people can cheat by
trimming the balance times.
When it gets done as 8 beats for a square through four without
balances, the floor becomes rather choppy, to say the least.
-Chris Page
San Diego, CA
On Sun, Sep 9, 2018 at 7:57 AM Rich Sbardella via Callers
<callers(a)lists.sharedweight.net> wrote:
>
> In MWSD it is the fact that the dancers are not adjacent to each other, the two beats allow them to get into the center and then they have 8 beats to square thru.
> -Rich
>
> On Sun, Sep 9, 2018 at 2:48 AM Nick Cuccia via Callers <callers(a)lists.sharedweight.net> wrote:
>>
>> Could hand technique be contributing to square thrus taking more than
>> two beats per exchange? One of my long-past English dance instructors
>> taught pull-by hands as almost a quick handshake-and-release, where
>> you're no longer in contact by the time you're shoulder-to-shoulder. If
>> the dancers maintain contact for longer than that, one of them is almost
>> certainly going to have less than a 1/4 turn after the exchange, while
>> the other will have more than a 1/4 turn. I've observed this phenomena
>> even in 16-beat square thrus with balances preceding the first and third
>> exchanges.
>>
>> --Nick
>>
>> [Stuff below Rich's response snipped]
>>
>> On 09/08/2018 09:34 PM, Rich Sbardella via Callers wrote:
>> > The Callerlab timing chart has square thru taking 10 beats from a
>> > static square and 8 beats from (closer( facing couples such as they
>> > would be after the heads star thru.
>> >
>> > In the following square I would allow 10 beats.
>> >
>> > Heads Lead Right & Circle to a Line,
>> > Lines F&B
>> > 2 ladies Chain Across and Back
>> > Has Square Thru 4 (This square thru is from a line of four that is at
>> > the sides static position.
>> > Corner Swg & Promenade
>> >
>> > In the square, below, I would use 8 beats for the second square thru.
>> >
>> > Heads Sq Thru 4 (10)
>> > RH Star (8), LH Star (8)
>> > Corner DSD (6), Sq Thru 4 (8)
>> > Can Swg (8), Promenade (16)
>> >
>> > In this square the dancers start the second square thru nose to nose
>> > rather than across the set.
>> >
>> > Most contra would be starting a square thru from across the set, so 10
>> > is a good number, if it starts after a balance, 8 would be wiser.
>> >
>> > Rich
>> >
>>
>> _______________________________________________
>> List Name: Callers mailing list
>> List Address: Callers(a)lists.sharedweight.net
>> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
Could hand technique be contributing to square thrus taking more than
two beats per exchange? One of my long-past English dance instructors
taught pull-by hands as almost a quick handshake-and-release, where
you're no longer in contact by the time you're shoulder-to-shoulder. If
the dancers maintain contact for longer than that, one of them is almost
certainly going to have less than a 1/4 turn after the exchange, while
the other will have more than a 1/4 turn. I've observed this phenomena
even in 16-beat square thrus with balances preceding the first and third
exchanges.
--Nick
[Stuff below Rich's response snipped]
On 09/08/2018 09:34 PM, Rich Sbardella via Callers wrote:
> The Callerlab timing chart has square thru taking 10 beats from a
> static square and 8 beats from (closer( facing couples such as they
> would be after the heads star thru.
>
> In the following square I would allow 10 beats.
>
> Heads Lead Right & Circle to a Line,
> Lines F&B
> 2 ladies Chain Across and Back
> Has Square Thru 4 (This square thru is from a line of four that is at
> the sides static position.
> Corner Swg & Promenade
>
> In the square, below, I would use 8 beats for the second square thru.
>
> Heads Sq Thru 4 (10)
> RH Star (8), LH Star (8)
> Corner DSD (6), Sq Thru 4 (8)
> Can Swg (8), Promenade (16)
>
> In this square the dancers start the second square thru nose to nose
> rather than across the set.
>
> Most contra would be starting a square thru from across the set, so 10
> is a good number, if it starts after a balance, 8 would be wiser.
>
> Rich
>
It really doesn’t make much difference in this case since the domino will take 8 beats if there’s 8 beats left. I was just curious about 10 for the square through - in English dancing we do have eight beat circular heys (like “Collier’s Daughter”) but the convention is usually not to take hands on those fast ones, so it’s more like a mini weave the ring. On the other hand contras have a lot of interrupted square through where there’s a four-beat balance and a four-beat square through 2, so it can be done.
— Alan
Sent from my iPad
> On Sep 8, 2018, at 9:34 PM, Rich Sbardella <richsbardella(a)gmail.com> wrote:
>
> The Callerlab timing chart has square thru taking 10 beats from a static square and 8 beats from (closer( facing couples such as they would be after the heads star thru.
>
> In the following square I would allow 10 beats.
>
> Heads Lead Right & Circle to a Line,
> Lines F&B
> 2 ladies Chain Across and Back
> Has Square Thru 4 (This square thru is from a line of four that is at the sides static position.
> Corner Swg & Promenade
>
> In the square, below, I would use 8 beats for the second square thru.
>
> Heads Sq Thru 4 (10)
> RH Star (8), LH Star (8)
> Corner DSD (6), Sq Thru 4 (8)
> Can Swg (8), Promenade (16)
>
> In this square the dancers start the second square thru nose to nose rather than across the set.
>
> Most contra would be starting a square thru from across the set, so 10 is a good number, if it starts after a balance, 8 would be wiser.
>
> Rich
>
>
>
>
>
>
>
>> On Sat, Sep 8, 2018 at 8:57 PM Tom Hinds via Callers <callers(a)lists.sharedweight.net> wrote:
>> I’ve mulled over the timing of square through 4 for some time. 10 is what I’ve come up with after walking it through in my living room and more importantly watching the dancers do it in dances I’ve written.
>>
>> Much depends on where you end and start and also on formation (squared set or contra) because of the spacing.
>>
>> As an example, in The Amazing Sara Wilcox the square through three from lines facing across into lines facing out comfortably takes 8 steps. In other situations maybe square through 3 could be done in 6.
>>
>> Some may say that square through two (followed by a balance) takes 4, so a square through 4 would take 8. My way of thinking is that the longer and more complicated the figure, the more you have to give the dancers some extra beats. And square through 2 in 4 beats is a bit rushed.
>>
>> Try it out during a break at your next dance and let me know what you come up with.
>>
>>
>>
>> Sent from my iPad
>>
>> > On Sep 8, 2018, at 7:06 PM, Alan Winston <winston(a)slac.stanford.edu> wrote:
>> >
>> > Tom —
>> >
>> > Why is the square through 4 10 beats?
>> >
>> > — Alan
>> >
>> > Sent from my iPad
>> >
>> >> On Sep 8, 2018, at 1:39 PM, Tom Hinds via Callers <callers(a)lists.sharedweight.net> wrote:
>> >>
>> >> Jean, nice dance. Let us know how it goes if you try it out. I would be surprised if your dance has been written before. You list it as a double progression. Is that because you swing the second neighbor?
>> >>
>> >> You gave me an idea for a new dance. I’m not trying to out do any one here, just very much enjoy writing dances.
>> >>
>> >> Lunch with Jean
>> >> Improper
>> >>
>> >> A1. Bal. P, square through 2
>> >> Bal P, box the gnat
>> >>
>> >> A2. With new neighbors, square through 4 (going in the opposite direction as the first square through and starting by giving right hand to partner, 10 beats)
>> >> With original neighbor do si do, (6)
>> >>
>> >> B1 Men allemande left 1/2 (or pull by) swing partner
>> >>
>> >> B2 Right and left through, ladies chain.
>> >>
>> >> Tom Hinds
>> >>
>> >>
>> >>
>> >>> On Sep 8, 2018, at 12:34 PM, Jean Gibson-Gorrindo via Callers <callers(a)lists.sharedweight.net> wrote:
>> >>>
>> >>> Hello Callers! Around the breakfast table at Penelope Weinberger’s house this morning, while on tour with Cloud Ten, I came up with this dance. Wrote it with the Sam Bartlett tune Penelope’s Cruise (also written for Penelope Weinberger) in mind. Wondering if it is already out there? Thanks for your input!
>> >>>
>> >>> Jean Gorrindo
>> >>>
>> >>> Breakfast at Penelope’s
>> >>> by Jean Gorrindo
>> >>> Contra/Improper/Easy-Int/Double Progression
>> >>>
>> >>> A1 -----------
>> >>> (8) Partner R-Hand Balance; Square Thru (pull by Partner with Right, Neighbor Left)
>> >>> (8) Partner Balance & Box the Gnat
>> >>> A2 -----------
>> >>> (16) Neighbor balance and swing
>> >>> B1 -----------
>> >>> (8) Women allemande Right 1-1/2
>> >>> (8) Partner swing
>> >>> B2 -----------
>> >>> (8) Long lines, forward and back
>> >>> (8) Women's Chain
>> >>> _______________________________________________
>> >>> List Name: Callers mailing list
>> >>> List Address: Callers(a)lists.sharedweight.net
>> >>> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>> >>
>> >> _______________________________________________
>> >> List Name: Callers mailing list
>> >> List Address: Callers(a)lists.sharedweight.net
>> >> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>>
>> _______________________________________________
>> List Name: Callers mailing list
>> List Address: Callers(a)lists.sharedweight.net
>> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
Morning,
Please see attached and confirm.
Amy Carroll
amy(a)calleramy.com
206-330-7408
http://www.calleramy.com/https://youtu.be/mTd_iyi3IcI
From: callers-request(a)lists.sharedweight.net
Sent: Mon, 20 Aug 2018 20:07:45 +0000
To: callers(a)lists.sharedweight.net
Subject: Callers Digest, Vol 52, Issue 12
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Today's Topics:
1. Re: dances for Halloween (Luke Donforth)
2. Re: dances for Halloween (Donna Hunt)
----------------------------------------------------------------------
Message: 1
Date: Sun, 19 Aug 2018 22:59:20 -0400
From: Luke Donforth
To: kanara(a)triton.net
Cc: "Callers(a)Lists.Sharedweight.net"
Subject: Re: [Callers] dances for Halloween
Message-ID:
Content-Type: text/plain; charset="utf-8"
Well, there's what the kids go for: "All You Can Eat"; possibly of
something tasty for the season, like "Apples and Chocolate".
If you're not on the food part, there's "Black Cat Mixer", "Dancing In My
Bones", or "Witches Star".
Having danced at themed dancing where the theme overran programmatic
considerations; I'd say a holiday theme can be well used like a spice: just
a little to keep it interesting.
But if one of these fits you program, enjoy.
All You Can Eat
by Ted Crane
Contra/Improper/Easy
A1 -----------
(8) Gypsy Neighbor R 1x
(8) Women allemande Left 1-1/2
A2 -----------
(16) Partner gypsy R and swing
B1 -----------
(8) Circle Left 3/4
(8) Neighbor swing
B2 -----------
(8) Left hand Star 1x
(8) SAME Neighbor Gypsy Left 1x
Apples and Chocolate
by Sue Rosen
Contra/Improper
A1 -----------
(8) Balance and slide to the right (as in Rory O?More)
(8) Balance and slide to the left (as in Rory O?More)
A2 -----------
(4) Neighbor allemande Right 1/2
(4) Men allemande Left 1/2
(8) Partner swing
B1 -----------
(8) Circle Left 1X
(8) Women's Chain to neighbor
B2 -----------
(8) 1/2 Hey, women passing right shoulders
(8) New Neighbor Do-si-do to a wave of 4 (N R, W L)
Black Cat Mixer
by Martha Wild
Circle Mixer/Improper
A1 -----------
(8) All forward and back
(8) All forward and back
A2 -----------
(8) Circle Left
(8) Single file Prom Back to Right
Women tap Man in front of them on shoulder, who turns (new P)
B1 -----------
(8) Partner Do-si-do
(8) Partner swing
B2 -----------
(16) Promenade in line of direction, form a circle
Witch?s Star
by Linda Leslie
Contra/Improper
A1 -----------
(8) Right Hands across star
(8) Left Hands across star back, gents drop out
A2 -----------
(8) Women allemande Left 1-1/2
(8) Partner swing
B1 -----------
(8) Long lines, forward and back
(8) Women's Chain across
B2 -----------
(16) Hey, women passing right shoulders
On Sun, Aug 19, 2018 at 3:33 PM Karin Neils via Callers wrote:
> Witches' Cauldron by Kirsten Koths is a favorite of mine - Becket Sicilian
> Mixer - easy moves for the inclusion of beginners, and a very unusual
> progression (see Notes at
>
> ) to keep the
> experienced dancers entertained. I do *not* recommend it if you have more
> than 20% beginners on the floor.The tune *OLD GREY CAT*?s a VERY GOOD
> MATCH in rhythm and mood. I've had fun introducing it with a witchy
> chant:
>
> *Double, double, toil and trouble; fire burn, and cauldron bubble!*
>
> *Come and stir my pot with me. Bring a partner; come and see!*
>
> When we dance *Witches? Cauldron*, we?ll be stirring the pot this way and
> that; things will bubble up; there?ll be eddies and lumps.
> Karin
>
>
>
>
> On 8/19/2018 1:22 PM, Maia McCormick via Callers wrote:
>
> The ones that come to mind are:
> - Wizard's Walk
> - The Zombies of Sugar Hill
>
> Happy calling!
>
> On Fri, Aug 17, 2018 at 11:12 AM barbara153--- via Callers callers(a)lists.sharedweight.net> wrote:
>
>> Hi everyone!
>>
>> I will be calling a dance on Halloween and would like to know if anyone
>> can share some Halloween themed dances with choreography if possible.
>>
>> I do have :
>> Halloween Twist
>> Chainsaw
>>
>> Thanks and keep on calling...
>> Barbara G
>> _______________________________________________
>> List Name: Callers mailing list
>> List Address: Callers(a)lists.sharedweight.net
>> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>>
>
>
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>
>
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>
--
Luke Donforth
Luke.Donforth(a)gmail.com
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Message: 2
Date: Mon, 20 Aug 2018 09:02:21 -0400
From: Donna Hunt
To: barbara153(a)aol.com
Cc: callers(a)lists.sharedweight.net
Subject: Re: [Callers] dances for Halloween
Message-ID:
Content-Type: text/plain; charset="utf-8"
Barbara et al:
There's a lot of Halloween postings in the archives. Check this out:
https://www.mail-archive.com/search?q=halloween&l=callers%40lists.sharedwei…
Donna
Web Site: donnahuntcaller.com
Email: dhuntdancer(a)aol.com
Cell: 215-565-6050
-----Original Message-----
From: Maia McCormick via Callers
To: barbara153
Cc: Shared Weight Callers' Listserv
Sent: Sun, Aug 19, 2018 1:23 pm
Subject: Re: [Callers] dances for Halloween
The ones that come to mind are:
- Wizard's Walk
- The Zombies of Sugar Hill
Happy calling!
On Fri, Aug 17, 2018 at 11:12 AM barbara153--- via Callers wrote:
Hi everyone!
I will be calling a dance on Halloween and would like to know if anyone can share some Halloween themed dances with choreography if possible.
I do have :
Halloween Twist
Chainsaw
Thanks and keep on calling...
Barbara G
_______________________________________________
List Name: Callers mailing list
List Address: Callers(a)lists.sharedweight.net
Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
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------------------------------
End of Callers Digest, Vol 52, Issue 12
***************************************
Hello fellow Shared Weight callers,
The info below is primarily for organizers but I wanted to share it with
you as well given that many of you are organizers and/or you are also
connected to so many organizers.
CDSS has just made a number of exciting announcements regarding new
resources that will support local organizers of traditional dance music and
song. If you are willing, please share this info with local organizers in
your network. We'd like to let as many people know about these resources
as possible and word-of-mouth is so powerful in the trad dance, music, and
song world.
- *US organizers survey report out now! *CDSS has just released a report
outlining the results the US organizers survey conducted this past spring.
Here's the link: https://www.cdss.org/community/us-organizers-survey
- *New e-blast for traditional dance music and song organizers: *The
goal of this free quarterly e-blast is to support, inspire, and connect
organizers.
Check out the first Shop Talk e-blast here: https://conta.cc/2PlKAEr
You can sign up to receive the e-blast at the bottom of the first Shop
Talk.
- *Online Organizer Resources Portal:* This is a very exciting initiative
that will hopefully add to the set of tools available to us all. The goal
of the Portal is to hold as many of the best resources as can be found
which will support local traditional dance, music, and song organizers in
their planning and decision making. For instance, visit this link to see
specific resources organized by topic:
https://www.cdss.org/resources/how-to/organizers-resources#resources-by-top…
BTW - As one of the individuals working on the Portal, I know that the
resource collection will only be as good as the resources it holds. ANNNND
I alos know that local organizers have so many of the best practices and
ideas already figured out. Thus, CDSS will be reaching out to local
organizers over the next number of months to collect resources that folks
want to share. If you're super excited about the initiative and want to
start sharing your local resources now, you can fill out this easy form:
https://www.cdss.org/share-your-resource
- *CDSS's next online web chat - "Creating a Thriving Open Band": *CDSS
held it's first web chat back in June which had to be capped because of the
high number of people wanting to register! The next web chat is September
20th and is focused on Creating a Thriving Open Band. More information on
the workshop and the registration form is located in the e-blast:
https://conta.cc/2PlKAEr
Note: I am sending this from my personal email account as I'm yet not
connect to shared weight through my CDSS account. However, if you'd like
to discuss Shop Talk (the eblast) or the Portal, please email me at
emily(a)cdss.org. If you have specific requests or want advice from CDSS,
please contact Linda Henry at linda(a)cdss.org.
With thanks!
Emily
Consultant @ CDSS working on organizer supports
PS - I have posted this on the Shared Weight organizers list and I will
also be posting it on the musician list as well as the ECD and Pourparler
lists as I'm guessing there will likely be interest there as well. Thus, if
you're on more than one list, apologies!
