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Re: [Callers] Title and author if this dance, please?

by Ron Blechner via Callers

Instead of an odd progression, I'd just start the dance at the A2 and make it duple improper. N B+S (4,12) Hey (GL, PR, LL, NR) (16) Gents cross L (2) PS (14) Circle L 3/4 (8, forgiving) Bal Ring, Cali Twirl (4,4) It's a nice simple Hey dance with two swings. Why complicate it with unnecessary CCW Becket progression in the A1 when you can do a duple Imp with a B2 progression? Buy I suspect this one has to have been written already, no? Ron Blechner On Jul 11, 2015 2:32 PM, "Don Veino via Callers" < callers(a)lists.sharedweight.net> wrote: > Also it appears to progress backwards as noted - shouldn't it be > Becket-CCW/Right instead? > > -Don > > On Sat, Jul 11, 2015 at 2:04 PM, James Saxe via Callers < > callers(a)lists.sharedweight.net> wrote: > >> Keith, >> >> I don't have a title or author for the dance you ask about, >> but I hae a question. Are you sure you mean >> >> > B1 Hey for 4, M start R >> >> ? When men start a hey after a swing, I think it's much >> more common for them to start by left shoulders than by >> right. >> >> --Jim >> >> > _______________________________________________ > Callers mailing list > Callers(a)lists.sharedweight.net > http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net > >

9 years, 5 months

Re: [Callers] Title and author if this dance, please?

by James Saxe via Callers

Keith, I don't have a title or author for the dance you ask about, but I hae a question. Are you sure you mean > B1 Hey for 4, M start R ? When men start a hey after a swing, I think it's much more common for them to start by left shoulders than by right. --Jim > On Jul 11, 2015, at 10:57 AM, Keith Tuxhorn via Callers <callers(a)lists.sharedweight.net> wrote: > > Becket > > A1 Circle L 3/4; bal, CA twirl > A2 N bal/swing > B1 Hey for 4, M start R > B2 M cross, P swing > > Thanks! > > Keith Tuxhorn > Austin TX > _______________________________________________ > Callers mailing list > Callers(a)lists.sharedweight.net > http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net

9 years, 5 months

[Callers] Title and author if this dance, please?

by Keith Tuxhorn via Callers

Becket A1 Circle L 3/4; bal, CA twirl A2 N bal/swing B1 Hey for 4, M start R B2 M cross, P swing Thanks! Keith Tuxhorn Austin TX

9 years, 5 months

Re: [Callers] cueing the band

by Claire Takemori via Callers

Thanks Alan! Sounds like a lot to learn. I'm really grateful that there are so many callers willing to mentor new callers and help with these things. When I called at camp last week, I was listening for the 3rd song and even my experienced caller helper was not sure on the transition....... but knew when to ask. Must be an amazing thing when really good callers like George Marshall can get out on the floor and dance for a bit, or Nils Fredland can join the band...... Thanks for all the help! claire Message: 3 Date: Fri, 10 Jul 2015 00:31:54 -0700 From: Alan Winston via Callers <callers(a)lists.sharedweight.net> To: <callers(a)lists.sharedweight.net> Subject: Re: [Callers] Thanks Message-ID: <559F74EA.4010603(a)slac.stanford.edu> Content-Type: text/plain; charset="windows-1252"; format=flowed On 7/9/15 11:58 PM, Claire Takemori via Callers wrote: > > I'm still looking for good instructions on when to cue the band for the ending? Is it simply when a couple is out at the top that you signal during B1 that there are 3 more times left? Basically, mostly. And you have to stay with them because sometimes they'll catch the 3, know it's happening, and then look to you for confirmation of the last one and if you're thinking about the next dance or glazing over and can't confirm it, confusion may ensue. So it doesn't hurt to be ready to show them 1 finger (not that one) before the last time. Usually a full 3-2-1 is more than they need and actually unhelpful because your coming over with the "2" makes them think this is new information and they need to process it. Complications: Some dances have a couple out at the top in B1 who are going to be brought back in B2, so you have to know the end effects of the dance. Talk to the band. Rarely (in the Bay Area, anyway) you get an old-timey band that's just going to pound one tune all the way through, and they just want to know when to go out. I've mostly been used to bands that are playing three-tune medleys. They're going to play like 6-6-7 or 6-6-5. The last tune is probably climactic so you don't want to cut it short. You ideally will keep track of which tune they're on (which can be surprisingly hard to do from the stage with your attention on the floor and no monitors pointing at you and the tune sounding different every time they play it because of variations and dynamics - you might not realize they've changed) and know when they're in the third tune and give them the 3-more at B1 of tune 2 or 4. If you give 'em 3 when they're about to change tunes they might wave you off and play 5. But the band might want to play a two-tune medley, and then they want to know when you're (about) halfway through the dance so they know when to switch, and for that you have to decide how many times you want to run the dance, keep count of how many times it's been run by the time you said it was halfway, and count down to your "3", remembering to do it when there's a couple out at the top, if that's possible. "If that's possible" because sometimes you're trying to manage all this and some couple drops out of one set or tries and fails to trade or some other damn thing and the sets get out of synch. (For some reason that's happened to me most often calling Lake City.) Then it's not possible to finish after a couple has come in at the top in all sets. People who care about that care about that, most won't notice, and a lot of dancers will just say "huh" and move on if they do notice it. > > > What I was mostly curious is if someone had written out ways to teach the various steps. I guess this is one of those things that is still passed down the old-fashioned way. I have to find a great caller, listen to them call and write down what they say..... I was hoping I would not have to miss out on dancing to learn this. You can set up a voice recorder and transcribe later. (Polite to ask if it's okay first.) If you're friends with the sound man you might the caller mic feed ... -- Alan

9 years, 5 months

[Callers] Thanks

by Claire Takemori via Callers

Thank you for all the great advice! I do plan to call a simple contra that is still interesting to the experienced dancers. I have no ideas of calling hard figures until I've got experience and am ready. I'm still looking for good instructions on when to cue the band for the ending? Is it simply when a couple is out at the top that you signal during B1 that there are 3 more times left? What I was mostly curious is if someone had written out ways to teach the various steps. I guess this is one of those things that is still passed down the old-fashioned way. I have to find a great caller, listen to them call and write down what they say..... I was hoping I would not have to miss out on dancing to learn this. Thanks for the help. claire takemori

9 years, 5 months

[Callers] Ferry Boat Contra Ideas

by Lindsey Dono via Callers

Hi Callers, In a couple of weeks, I'll be calling the annual Ferry Boat Contra for the second time. Last year I put a good deal of effort into coming up with nautical themes/jokes, so this year I'll really need to go "overboard." I'd love to hear your ideas regarding entertaining (but not distracting) maritime moves/terminology/jokes/trivia to add into my program. The majority of folks in my area have at least been on a boat other than a ferry, and a number sail regularly, but I'd rather keep the references from becoming too obscure. Looking forward to your suggestions! Lindsey(Tacoma, WA)

9 years, 5 months

[Callers] How to teach various steps to beginners?

by Claire Takemori via Callers

Hi. I just called my first contra dance at camp last week. I didn't die, so I'm thinking of working with our son's nature class to do some family dances. In the meantime, I will try to call a contra when I can as a guest at our local dances. Do you know of a source/s (would you share yours) that has good clear wording for how to teach things like Hey, Pull-by, California Twirl, Petronella, Rory O'more, etc? I will ask good callers if I can record their teachings when I'm at dances with lots of beginners..... Where else can I learn good, simple wording? I sure don't want to reinvent it myself...... Thanks! claire takemori

9 years, 5 months

Re: [Callers] Ferry Boat Contra Ideas

by Kalia Kliban via Callers

On 7/8/2015 1:00 PM, Maia McCormick via Callers wrote: > If you can get the band on-board, any number of sea chanteys are > contra-tune-able--for instance, Drunken Sailor and South Australia, in > addition to the sea songs already in the repertoire like Sailor's > Hornpipe (which turns up in the Popeye theme!). Also, He's a Pirate from > Pirates of the Caribbean is loads of fun to dance to (I've got a version > that I engraved if you/the band wants). > > As far as dances in the theme, A Pirate's Life for Me by Nathaniel Jack, > High Seas by Diane Silver, and Captain Shank's Revenge by Maggie Jo > Saylor all come to mind, and I'm sure there are loads more! (Though my > favorite part about Captain Shank can be applied to pretty much any > dance: in a Petronella, instead of clapping, shout "yo ho!") Andrea Nettleton may have already responded offline, but she's written a really fun contra called Pirates Across The Atlantic, based on an English dance called Dancing Across The Atlantic (by Loretta Holz). The distinctive opening figure has a chase move that can get really silly. Did someone already mention Nathaniel Jack's "Walk the Plank"? Kalia

9 years, 5 months

[Callers] Petronella and Rory O'More

by Michael Fuerst via Callers

I recently attended a dance weekend where the excellent callers, while teaching dances, used the phrases ".. as in Rory O'More" and ".. as in Petronella"Many of the dancers in attendance probably have never danced either Petronella or Rory O'MoreThe movements implied by these terms can be easily explainedI've heard callers ask dancers to "Petronella one place."But if the the world can xerox a document, or google for information, no deity would probably object if contra dancers occasionally "petronella." Michael Fuerst 802 N Broadway Urbana IL 61801 217 239 5844

9 years, 5 months

[Callers] Announcing: Dare To Be Square Tennessee - Nashville Edition

by T Claw via Callers

Dare To Be Square Tennessee - Nashville Edition An old time music, dance, and square dance calling weekend October 1-4th, 2015 www.daretobesquare.org Bands: The Hogslop String Band, The Four Prophet String Band, Turnip the Beet and more Callers: Nancy Mamlin, Will Mentor, T-Claw and more Weekend Pass: $40 Early Bird price (Before August 31st) $60 Regular Price 15 & under free with chaperon *Saturday Evening Dance is off site with a separate cover Buy Tickets http://dtbstn.bpt.me/ <http://l.facebook.com/l.php?u=http%3A%2F%2Fdtbstn.bpt.me%2F&h=cAQE3RCKJ&enc…> RSVP and spread the word www.fb.com/events/1603874016546845/ <http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.fb.com%2Fevents%2F1603874016…> VOLUNTEERS NEEDED: If you'd like to help out, email dtbstn(a)gmail.com CAMPING and FOOD available for an additional charge. Primitive camping at Bells Bend Outdoor Center (4.5 miles away from main venue) 4187 Old Hickory Blvd Nashville, TN 37218 Calling, dancing, and music workshops Friday, all day Saturday, and Sunday. More details to come. Evening Dances open to the PUBLIC: $5-$10 at the door A description of what to expect: All dances will be TAUGHT all weekend. No experience is necessary. No one is required to dance, call, or play. It is a SOCIAL event. The focus will be on simple and traditional southern Appalachian figures, partner dancing, and old music. No dress code or partner is needed needed. Anyone can dance with ANYONE regardless of gender. Questions: dtbstn(a)gmail.com or (615) 430-8230 Scholarship and work-trade applications will be available soon.

9 years, 5 months

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