My tentative name (assuming the composition doesn't already exist) is
Vallimont's Silver Hammer. The dance came out of a conversation with the
talented musician Julie Vallimont (just got permission to use the name)
about closing sets; and how callers like dances that end with swings but
bands often have something that builds to a big hit at the A to B
transition in the music.
On Mon, May 9, 2016 at 1:52 PM, Jerome Grisanti <jerome.grisanti(a)gmail.com>
wrote:
> Luke,
>
> I don't recognize it, but it looks fun.
>
> Just curious ... did you have a particular tune in mind that shaped your
> desire for the balance at the top of the B sections?
>
> --Jerome
>
> Jerome Grisanti
> 660-528-0858
> http://www.jeromegrisanti.com
>
> "Whatever you do, or dream you can, begin it. Boldness has genius and
> power and magic in it." --Johann Wolfgang von Goethe
>
> On Mon, May 9, 2016 at 12:46 PM, Luke Donforth via Callers <
> callers(a)lists.sharedweight.net> wrote:
>
>> Hello all,
>>
>> I was trying to write a nice end-of-evening dance that had a balance at
>> the top of B1, and ended with a partner swing (that wasn't Old Time Elixir
>> #2 or Tica Tica timing...) and came up with this. I think it's new, and it
>> worked well in Montreal recently; but I'd like to know if it already
>> existed:
>>
>> Becket
>> A1
>> Circle left 3/4
>> Neighbor swing
>> A2
>> Gents start hey for 4 by left
>> B1
>> Right to neighbor (women back to back in middle), balance and box gnat
>> Pull by right, women allemande left 1 1/2
>> B2
>> Partner balance and swing
>> Slide left
>>
>> Happy dancing
>>
>> --
>> Luke Donforth
>> Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
>>
>> _______________________________________________
>> Callers mailing list
>> Callers(a)lists.sharedweight.net
>> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>>
>>
>
--
Luke Donforth
Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
Luke,
I don't recognize it, but it looks fun.
Just curious ... did you have a particular tune in mind that shaped your
desire for the balance at the top of the B sections?
--Jerome
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do, or dream you can, begin it. Boldness has genius and power
and magic in it." --Johann Wolfgang von Goethe
On Mon, May 9, 2016 at 12:46 PM, Luke Donforth via Callers <
callers(a)lists.sharedweight.net> wrote:
> Hello all,
>
> I was trying to write a nice end-of-evening dance that had a balance at
> the top of B1, and ended with a partner swing (that wasn't Old Time Elixir
> #2 or Tica Tica timing...) and came up with this. I think it's new, and it
> worked well in Montreal recently; but I'd like to know if it already
> existed:
>
> Becket
> A1
> Circle left 3/4
> Neighbor swing
> A2
> Gents start hey for 4 by left
> B1
> Right to neighbor (women back to back in middle), balance and box gnat
> Pull by right, women allemande left 1 1/2
> B2
> Partner balance and swing
> Slide left
>
> Happy dancing
>
> --
> Luke Donforth
> Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
>
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>
Hello all,
I was trying to write a nice end-of-evening dance that had a balance at the
top of B1, and ended with a partner swing (that wasn't Old Time Elixir #2
or Tica Tica timing...) and came up with this. I think it's new, and it
worked well in Montreal recently; but I'd like to know if it already
existed:
Becket
A1
Circle left 3/4
Neighbor swing
A2
Gents start hey for 4 by left
B1
Right to neighbor (women back to back in middle), balance and box gnat
Pull by right, women allemande left 1 1/2
B2
Partner balance and swing
Slide left
Happy dancing
--
Luke Donforth
Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
Most of the places I call which take out of town callers have Facebook
pages, web pages, etc, and I check those. Several of those places have
a standardized reminder email *they* send to booked staff about a week
before - "We are looking forward to ...". (At Palo Alto Contra, while
I book most of the staff, somebody else sends that email.)
[I once did book somebody way ahead of the booking cycle and then lose
track, so it was a really good thing that person wrote me and said
"don't see myself on the calendar; what's up?" Since then have taken
measures to be sure it doesn't happen again. Had to apologize profusely
and sincerely to everybody involved and then rebook one of them.]
If I haven't had separate confirmation I send them an "I'm really
looking forward to ... Has anything changed since the last time- same
hall?" kind of email.
-- Alan
On 5/8/16 12:18 PM, Don Veino via Callers wrote:
> What do folks do to ensure dance booking contacts remember that
> they've booked you?
>
> I just had my second booking in a row in a certain geography forget
> that they had booked me. What's curious is that in both cases these
> dances approached me by email (I could understand it maybe if it were
> the other way around?), we had an exchange where we clarified the
> dates, etc. and confirmed we were all set. We agreed to connect again
> with any final questions on program, accommodation, etc. as we
> approached closer to the date. The first case turned out to be rather
> comical in their confusion - the second I can't figure out.
>
> So, short of calling/emailing monthly, what do YOU do to ensure folks
> remember their booking commitment with you?
>
> Thanks,
> Don
>
>
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
On Sun, May 08, 2016, Don Veino via Callers wrote:
>
> What do folks do to ensure dance booking contacts remember that they've
> booked you?
One way is to ask questions somewhere around a month ahead of time: "any
special occasion?", "who's the band?", etc
--
Hugs and backrubs -- I break Rule 6 http://rule6.info/
<*> <*> <*>
Help a hearing-impaired person: http://rule6.info/hearing.html
I'm one third of a dance organizing team. The person who does our
bookings of bands and callers has frequent brain farts. My husband
(3rd part of team) and I have had to make hasty repairs many times. I
try to stay in the loop of email transactions, but that isn't always
possible, depending on how our booker contacts people. I would advise
trying to find whether there is more than one person you could
contact, and copy them all with all your correspondence. Better odds.
-Amy in Seattle
> On May 8, 2016, at 12:19 PM, Don Veino via Callers <callers(a)lists.sharedweight.net> wrote:
>
> What do folks do to ensure dance booking contacts remember that they've booked you?
>
> I just had my second booking in a row in a certain geography forget that they had booked me. What's curious is that in both cases these dances approached me by email (I could understand it maybe if it were the other way around?), we had an exchange where we clarified the dates, etc. and confirmed we were all set. We agreed to connect again with any final questions on program, accommodation, etc. as we approached closer to the date. The first case turned out to be rather comical in their confusion - the second I can't figure out.
>
> So, short of calling/emailing monthly, what do YOU do to ensure folks remember their booking commitment with you?
>
> Thanks,
> Don
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
I believe that the "traditional" method is 3 times fully prompted, 3
times partially prompted and 3 times with no prompt.
--
Michael Barraclough
michael(a)michaelbarraclough.com
www.michaelbarraclough.com
-----Original Message-----
From: Don Veino via Callers <callers(a)lists.sharedweight.net>
Reply-to: Don Veino <sharedweight_net(a)veino.com>
To: Caller's discussion list <callers(a)sharedweight.net>
Subject: [Callers] Triplet Times Through?
Date: Mon, 4 Apr 2016 13:49:16 -0400
I've been adding Triplets into my programs in certain situations and
have given some thought about the duration to run them. I'm curious what
others have determined - how many times through do *you* run a Triplet?
Let's see if we can get a consensus value via a simple poll:
http://doodle.com/poll/yz9ubdr5e7fs4tuu
It would be helpful to me if you'd focus quantitative responses through
the poll.
Discussion or qualitative responses which inform your poll input are
welcome here in this thread.
Thanks,
Don
_______________________________________________
Callers mailing list
Callers(a)lists.sharedweight.net
http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
I check their dance web page to make sure that I am listed. Many dances have their schedules up several months at a time, so it is usually easy to check. It there is no web page or FB page for the dance, then I definitely email them a week or so before.
Linda
On May 8, 2016, at 3:18 PM, Don Veino via Callers <callers(a)lists.sharedweight.net> wrote:
> What do folks do to ensure dance booking contacts remember that they've booked you?
>
> I just had my second booking in a row in a certain geography forget that they had booked me. What's curious is that in both cases these dances approached me by email (I could understand it maybe if it were the other way around?), we had an exchange where we clarified the dates, etc. and confirmed we were all set. We agreed to connect again with any final questions on program, accommodation, etc. as we approached closer to the date. The first case turned out to be rather comical in their confusion - the second I can't figure out.
>
> So, short of calling/emailing monthly, what do YOU do to ensure folks remember their booking commitment with you?
>
> Thanks,
> Don
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
What do folks do to ensure dance booking contacts remember that they've
booked you?
I just had my second booking in a row in a certain geography forget that
they had booked me. What's curious is that in both cases these dances
approached me by email (I could understand it maybe if it were the other
way around?), we had an exchange where we clarified the dates, etc. and
confirmed we were all set. We agreed to connect again with any final
questions on program, accommodation, etc. as we approached closer to the
date. The first case turned out to be rather comical in their confusion -
the second I can't figure out.
So, short of calling/emailing monthly, what do YOU do to ensure folks
remember their booking commitment with you?
Thanks,
Don
OK. So, hearing only crickets, I'm guessing I may be the first to try
creating a WP custom post type for dances. If I go that way, I'll share
back here.
Speaking of crickets... you might be interested in the below dance I
recently tested successfully.
Happy dancing,
Don
*Cricket's Flight - DI - Don Veino 20160320*
*A1*
(4,12) Neighbor Balance & Swing
*A2*
(8) Mad Robin - Gents into center first, left to right (CW around Neighbor)
(8) Gents Glance Around*^* LEFT 1x
*WHILE*
Ladies Orbit 1/2 CW (pass RIGHT shoulders w/adjacent set Lady)
*B1*
(8,8) Partner Glance Around*^*, Swing
*B2*
(8) LLFB
(8) Gents start Left Hands-Across Star 1x, Ladies Fall In behind P
The A2 here was inspired by Kent Koeninger's "Cricket's Delight" (
http://www.library.unh.edu/special/forms/rpdlw/syllabus2009.pdf#page=44).
*^Please, oh please*, I don't want to get the whole terms debate fired up
again and *I ask you not to* rekindle it on on the basis of this post. Given
the move is used twice here, I found myself in a quandary as to how to
annotate this dance to post it. "Glance Around" (or shortened to "Glance")
is a term I'm personally evaluating (a.k.a. Gypsy). I welcome you to
annotate/call this dance however you chose, or to ignore it, as you see fit.
On Mon, May 2, 2016 at 12:38 PM, Don Veino <sharedweight_net(a)veino.com>
wrote:
[snip]
> I'm wondering if anyone has already done the work of developing a custom
> post type and taxonomy for dances in WordPress?
>
> If not in WordPress, has anyone created a similar approach using another
> common blogging or Content Management System?
>
[/snip]