When I think of “Community Dance”  I think in terms of dancing on one 
community...one village...one town, not the “Greater community of dance” that 
follows around.  Community Dance Gypsies?  I don’t think such a 
creature exists. 
 
Canterbury, NH, where we live (small town, only here four days a week) is 
an upwardly mobile community with too many blacktop driveways, population under 
2000...a good mix of professional folks, lawyers, etc, farmers, loggers 
craftspeople and characters like me. What dancing occurs here is because of 
us.  We have a morris side.  Everyone on the Canterbury Morris Side is 
from Canterbury.  The morris musicians are all from Canterbury. We have a 
band...The Riders of Canterbury, 17 of us, who only appear on New Years Day for 
The Ride, where we descend, announced, on various homes during the day, creating 
havoc and revelry. Then we dance on Maple Sunday in a local sugar house, then at 
Shaker Village for the Heifer Parade, 4th of July Parade (morris), Canterbury 
Fair (morris) (at these morris events we always get the crowd up to dance the 
Winster Galop).  Sometimes have a dance or two in our home.  We do 
pretty much the same dances, yet there is always someone who remarks that the 
dance were different from what we did last year.???
 
We have thought of trying to put on a Community Dance series here in town, 
say 2 or 3 times a year.  We have not been able to give it a go...wonder if 
it would fly, given all that we do have.  There used to be a monthly dance 
in Canterbury.  The town had burned to the ground in April of 1943, and to 
raise money to rebuild the church, Grange Hall, store and a few dwellings, they 
ran dances.  In a Baptist oriented community, that was a job, but they did 
it.  Band was called the Bucket Brigade...banjo, piano, drums and 
clarinet.  No caller.  Dances were Portland Fancy, Virginia Reel, Paul 
Jones, and Grand March.  Lots of polkas and foxtrots. Same dances month 
after month.  Some folks came from bordering towns, but mostly townies. Ran 
them for fifteen years.  Built a new fire station and church, store and 
parish house.
 
Another local dance we do is in neighboring Sanbornton in a heated barn. 
(You’ve been there, Paul and Pat).  We hold forth there about three times a 
year.  It is a semi-public gig, folks coming from the bordering 
towns...Franklin, Tilton, New Hampton, some even down from Plymouth.  A 
slightly bigger community, mostly peace activists and back to the landers.  
I do the same dances depending on the season and nobody asks for new or 
different or exciting dances.
 
I have not found that folks who dance at these events get bored.  The 
musicians don’t get bored...if anything, they have solved that issue by doing 
medleys.  I am afraid it is the callers who get bored.
 
There are no community dance type events happening in any of the towns 
surrounding Canterbury or even beyond (excepting Sanbornton), and so far as I 
know, there are not even any dancers living in these towns except Concord.  
Concord, the state capital, has a monthly contra dance in East Concord, usually 
well attended, and drawing from the greater contra dance community...folks 
travel a distance to support this dance. I have a hard time imagining that these 
same people, or folks like them, traveling a distance to support a “community” 
dance  (They might if it were the only show in town, but it isn’t.)
 
What we need is/are a community of Community Dancers, and hopefully that 
community would be from one town or group of small towns...like up in Belfast. 
That dance in Cornwall, Ct. is a good example of a community dance.  I 
guess some of the time it is billed as a contra dance, but when I have been 
there it is pretty much a community barn dance.  Down there a few weeks 
ago, and didn’t do any contras as such...only whole sets, circle dances, one set 
of squares (Bob Livingston did one) Pat Campbell did a longways and Rachael did 
a circle square)  Great little dance, probably 30 dancers, mostly local I 
would say. Maybe what we have going are micro-communities like peace activists, 
gardners, church groups, contra dancers, folk dancers (mostly urban, not rural) 
alternate life styles, hiking, slightly larger, but not much, than just from one 
town.
 
So,  our job is to become itinerant Community Dancing Masters, and 
part of our job besides calling the dances, will be to find and set up the 
community itself.
 
cheers,  Dudley
 
 
 
 
    
 
Dudley & 
Jacqueline Laufman
PO Box 61, 322 Shaker Rd
Canterbury, NH 
03224
www.laufman.org
603-783-4719
jdlaufman@comcast.net
Education 
book & CD at www.humankinetics.com
Performance Calendar at 
www.laufman.org
 
Sent: Sunday, March 13, 2016 12:42 PM
Subject: [ppalum] Community and One Nighter dances: Book and CDSS 
article
  
 
 
All 
of this discussion on these two lists reminds me of my two long time goals: 
 
1.  For a few years, I have thought about writing an article for CDSS 
News about the value of community dancing (for lack of a better term, I refer to 
community dancing as an evening of longways, circles, squares, and other dances 
that can be done by anyone with no experience dancing at all, the very first 
time they try it.  No lessons, workshop, etc).  However, this is such 
a daunting task, and I keep running into day-to-day tasks that prevent me from 
sitting down more than once every 3 months or so…..But I truly believe that CDSS 
would be a great organization to promote community dancing, as part of their 
mission!   There are a few of you who said you are willing to help to 
write this article.  How can we get this project underway?  Maybe an 
in-person meeting among a few of us?
 
2. My very long term goal is to get a collection of a few hundred great 
dances for community dance series as well as one nighters.   If I can 
get someone to help me collect them and put them into a book-like format, I 
would be willing to fund the start-up of this collection.   Hopefully, 
CDSS will be interested in funding the publication of this book too!
 
OK, back to my day-to-day projects……..
 
 
Paul Rosenberg
Albany, NY
518-482-9255
  
 
  
   
  
  
  
  The question of “contras” being called at ONSs has been raised before, 
  and fairly recently, and several of us chimed in quickly with “WHY?” If the 
  gig is a one nighter, and 95% of the folks there have not been exposed to 
  contras before, then no matter what you choose for a dance, it will have to be 
  taught and walked through, which, even if done well, can throw a damper on 
  that kind of a party.  So, why?  There are so many other good 
  dances, whole set, sets, circles.
   
  We played for a rowdy barn dance near here once for another caller.  
  After a few fairly successful whole sets and circles he said “Oh, we haven’t 
  done a duple contra yet.” and proceeded to spend the next half hour trying, 
  unsuccessfully, to do
  A-Roving.  Train wreck and end of evening.
   
  What happens is that the musicians are having a great time playing the 
  chunes and the dancers appreciate that, and the dancers are having a great 
  foot stomping time, but the poor caller is sometimes not getting much 
  attention and so cooks up a figger too complex so that the dancers have to 
  work too hard to get it which they might not, so they don’t feel 
  successful.....
   
  But if you must do a “contra” at an ONS Jefferson & Liberty is the 
  one.  Even ONSers like to swing, so I sometimes leave out the star, just 
  call it A1 circle left & right,/ A2  down the outside and back/ B1 
  Down the center 4 in line, inside arch, outside under/ B2 All swing 
  partners..  Or, do it with the stars, and do the swing at the end, adding 
  an extra 8 bars of music, making it a 40 bar dance.  You can look around 
  for a 40 bar chune, or just roar into it and have it come out right 
  occasionally.  
   
  Dudley
   
   
   
  
  
  
   
  
  
  Sent: Saturday, 
  March 05, 2016 1:44 PM
  
  Subject: [trad-dance-callers] Contras for One 
  Nighters
  
   
 
  
  
  
  
   
  I rarely call a contra at a One Night 
  Party Dance, but occasionally I am asked to.  I have a few in my cards, 
  but can anyone make some sure fire recommendations.
  
   
  Assume 95%-100% non dancers.
   
  Thanks, Rich
  Stafford, CT
 
  
        
 
 
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