The New England Square Dance Convention, alone, had just short of 10,000 dancers in Providence, RI in the early 1970s.  (year?)
The CT Convention at Newington  ('72, I think!  My first year) drew 3,200.....and the dancers were young.  They had kids in elementary
school.  There were teen clubs.  The May '77 issue of the NE Caller lists 101 club dances in CT for the month.  Not all clubs listed their dances. 
The Trail Town Twirlers in Greenfield, MA  danced at the Grange.  Twice, for caller Dick Leger they moved to the Stoneleigh-Burnham
prep school gym....But the cultural wheel slowly turns - It seemed like a national "folk" dance at the time.  "Folk" defined as social dance with
multiple couples.  Traditional  dance was the "eastern" squares, also ubiquitous once throughout the Northeast.  It included chestnut contra and
"folk"  depending on the venue, sponsor, etc. but "square dance" was the usual umbrella term. Think of Ralph Page, noted in Billboard Magazine
Magazine May 11, 1946 as "the country's foremost singing caller."  He was the featured speaker the Sunday I joined the CT Callers Association.

Modern contradance is about two decades behind MWSD.  In CT fresh faces calling to an older floor but unable be begin new venues.

But the general public still sees the dance as a square dance - participating at a community level, maybe tied to a church chili fest - seems popular now - or other celebrations.  They dance circles and whole sets, few squares, no true contras and the Virginia Reel.  The advertising calls it a squaredance (or barn)  Western wear is in evidence. 

Bob Livingston
Middletown, CT

On Friday, November 24, 2017, 7:56:19 PM EST, Tony Parkes tony@hands4.com [trad-dance-callers] wrote:


 

Michael Dyck wrote:

> Quigley wrote the paper in 1992, about hearings held in 1988.

> A look at http://www.loc.gov/folklife/guides/squaredance.html
> suggests that little has happened on that front since then.

Some years ago, after the 1988 bill failed to pass, I heard (from several sources I consider reliable) that the modern square dance (MSD) people had decided to take a breather from lobbying Congress and to concentrate their efforts at the state level. When a majority of states had passed laws naming the square dance as their state dance, the MSD people planned to go back to Congress and say “See, the American people want this.”

 

I’m sorry to say that quite a few states have gone this route – “sorry” because, in a way, having so many states with the same “official” dance is worse than having a national dance. The state level is where diversity should manifest itself. For the most part, each state has its own flower, tree, bird, song, food, etc. and is proud of them and their relative uniqueness.

 

On the bright side, MSD has undergone such a decline that its advocates may not have even the clout they did in 1988. (Attendance at the National SD Convention used to routinely approach and often exceed 20,000; lately it’s hovered around 3,000. Most of the clubs in New England that existed 20-30 years ago have folded.)

 

To be clear, I’m fine with the existence of MSD; what annoys me is when its practitioners refer to it as “_square_ dancing” (with a definite accent on the first word) and speak and act as if it’s the only dance form entitled to the name. (For those of you who weren’t active in the ’80s: The MSD people at that time spoke out of both sides of their mouths. When traditionalists complained that “square dance” in the wording of the bill really meant MSD, MSDers added a line to the bill saying “square dance” included “square, round, clogging, contra, and heritage dance,” “heritage” being their made-up term for traditional squares plus Colonial and other period dances. But outside of those lobbying efforts, many MSDers continued fighting to exclude traditional dance forms from the public’s image of square dancing. Bob Dalsemer, who was an esteemed traditional caller even then, spoke to this point in his testimony against the 1988 bill.)

 

I take no pleasure in seeing clubs disappear, but I do feel some relief that MSD’s influence on American culture seems to be waning.

 

Tony Parkes

Billerica, Mass.

www.hands4.com

New book! Square Dance Calling: An Old Art for a New Century

(to be published real soon)