I agree with Ridge for exactly the same reasons!!
 
bill
 

To: trad-dance-callers@yahoogroups.com
From: trad-dance-callers@yahoogroups.com
Date: Sun, 6 Mar 2016 19:53:53 -0500
Subject: Re: [trad-dance-callers] Contras for One Nighters

 
Dear Friends,

In the FWIW department, the dance I usually use is Haste to the Wedding -- mainly because I just like it a lot -- clapping and all.  If I was going to justify my choice retroactively, I might say that it encourages dancers to listen -- really listen -- to the music.  And it's a tune that most of the bands I work with can play on the spur of the moment.

All the suggestions in the thread are great and I'm going to include them in my great Big Book of Dances for alternate possibilities. 

Thank you all.

ridge

On Sat, Mar 5, 2016 at 4:41 PM, JD Erskine island.dance@shaw.ca [trad-dance-callers] <trad-dance-callers@yahoogroups.com> wrote:
 

On 2016-03-05 1044, Rich Sbardella via Callers wrote:
> I rarely call a contra at a One Night Party Dance, but occasionally I am
> asked to. I have a few in my cards, but can anyone make some sure fire
> recommendations.
>
> Assume 95%-100% non dancers.
>
> Thanks, Rich
> Stafford, CT

I too rarely touch L2/DM dances for such an occasion.

Thing is a 3 Face 3 Sicilian Circle dance is sometimes part of such a
program! Progression is of course about the only place something like
Dashing White Sgts or Mason's Apron falls apart - if/when I'm not clear
about the pass-through. Sigh

Seth Tepfer's "Jefferson and Lincoln" can work with some crowds
(in the file "No Brainers", contents titled "Surefire dances") at
http://www.dancerhapsody.com/Calling/Handouts.html

His "Family Contra in the Castle" is another fun, useful choice
http://www.dancerhapsody.com/Calling/Dances.html#FamilyCastle

My bomber/sure fire selection for such a progression is "Wherries Circle
Contra", which I discovered on Tomas Green's ceilidh/barn dance site.
It's a Becket, Sicilian Circle, from England, by Ron Coxall.

http://barndances.org.uk/dance-detail.php?danceNameParam=wherries-circle-contra

One is with one's partner throughout, and the circle means no one must
depart and re-enter the major set. The part I've seen folks really enjoy
is finding the current minor set you're in when circling back to it in
the big circles. It works fine with the sozzled, once the concept is
received. (I once had to run around, between the inner and outer
circles, to get across the dropping hands in small circles and take
hands in the large circles. Once done it was of the best ONS dance
experiences, ever. Okay, there have been a few. Nonetheless . . . it
sure was fun!)

I changed one thing, as presented on Tom's site, in that for B2 I
reversed the order of the stars/hands-across. I use Left, then Right. It
seems to give a better flow from the previous figure and into the next
figure. I've not seen the source directions. Only one person has
noticed/not approved (they've danced it, with Ron it appears.)

I think one takeaway from its success is that any Becket that is not
overly complex (leaving minor set, tough figures to hoist in, etc.)
might be moved into a circle formation. This was discussed a bit a few
years back on this or the Shared Weight Caller list.

Cheers, John
--
J.D. Erskine
Victoria, BC

Island Dance - Folk & Country
dance info - site & mail list
Vancouver Island & BC islands

http://members.shaw.ca/island.dance/




--
Ridge Kennedy [Exit 145]
When you stumble, make it part of the dance. - Anonymous

And we should consider every day lost on which we have not danced at least once. And we should call every truth false which was not accompanied by at least one laugh. - Friedrich Nietzsche