Note my comments below fall into the tangent of sound versus visuals.
Re using fabric for visual and sound ...
While chiffon fabric would certainly pretty a space up, it shouldn't
alter the sound. We've been looking into this to help behind the band at
the upcoming Chattaboogie weekend. To get more than a simple "this is
what I believe" I tracked the following down on the Internet (so must be
true!!!! :) ...
Sound Absorbing Fabric
Fabric that will absorb sound frequency waves is thick and porous.
The waves enter into the fabric, and some become trapped in the
fibers and folds and convert from sound energy into heat. Sound
energy that makes it through the cloth hits the wall or window 6” to
12” beyond.
It is reflected into the curtain again. Some more noise will be
absorbed. The waves that pass back through the curtain into the room
will be softened and dampened. Echo and reverberation are
controlled, and listening enjoyment is improved.
The best fabric is thick, 32-ounce velour type cloth. Heavy blackout
curtains are good too, especially multi-layered curtains. Some
fabrics have an NRC (noise reduction coefficient), the higher the
value, and the better at decreasing reverberation, reflection, and echo.
Acoustically Transparent Fabrics
Transparent fabrics are used to cover acoustic panels, bass traps,
and diffusers that are made of absorbent insulation. They cover and
contain the fibers of the insulation while permitting soundwaves to
pass through as if they weren’t there. Many fabrics are transparent.
To check if a fabric is transparent, hold it up to your mouth and
blow through it. If the air passes easily through it, it’s
transparent. (...)
Quilts have the thickness to help with sound, which Atlanta uses for
their weekend dances. Cheap version of that are moving blankets.
Official sound absorbing blankets cost more and I (informal thought)
probably not worth the higher price versus doubling up cheap moving
blankets (if necessary).
BTW, St. Louis' Childgrove has plastic water pipes cut/set for hanging
their quilts. The quilts are for both visual and sound improvement (and
space defining). I'm impressed with how they are easily placed where
needed for optimum control (configuration, sound, visuals) of the space.
This isn't something you'd want to do for a simple evening dance.
-Heitzso
On 12/14/24 19:55, Kimbi Hagen via Organizers wrote:
Our dance has been talking about purchasing white
chiffon material to
hang in pleated swags across the gym, to do double duty as a sound
baffle and mute the standard surface-of-the-sun gym lighting. We
also want to thread light weight fairy lights in and amongst the
chiffon. Because pretty.
We got the idea from our reframed Trolley Barn dance venue, who found
them left up one time after the Trolley Barn was used for a wedding.
Like this picture from the internet.
image
Sent from my "Smart" Phone
(so please excuse bizarre and nonsensical Auto-corrects). Also,
English is my first language. So all spelling and grammar mistakes
were made with the ability to not do that.
On Dec 14, 2024, at 7:07 PM, Don Peabody via
Organizers
<organizers(a)lists.sharedweight.net> wrote:
Alex—
Yes.
I don’t remember her name, but—good grief! thirty years ago?—one of
our Otter Creek Contra Dance committee members proposed decorating
the exceedingly drab and dreary Middlebury Municipal Gymnasium with
quilts.
A committee member designed dis-assemblable display frames, and
quilts by dancers and other local artisans were displayed. They were
transformative of that space, filling it with beauty to complement
the music and dance movements.
I know photos were taken because we sponsored a visit by George
Marshall and Wild Asparagus (Becky Tracy's family home was just up
the road, in Bristol) and the second U.S. dance appearance by the
Brunet Brothers (the first of which we ran in Bristol with Pete
Sutherland doing a rare calling gig.) But where would they be now,
over a quarter of a century later?
Love to you all—
Don
On Dec 14, 2024, at 3:39 AM, Alexandra Deis-Lauby
via Organizers
<organizers(a)lists.sharedweight.net> wrote:
Hi all!
Has anyone had success making an unattractive hall pretty?
We’d love to hear ideas from your dance, or if you just like
brainstorming, here are photos of our hall at CDNY (NYC).
Thanks!
Alex
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Alexandra Deis-lauby
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