Parity for sure!
Consider the thousands of hours it took for our musicians to learn to play
the instruments, learn the genre, and learn how to play for the dance,
fitting tunes to choreography, and making the dance more danceable. In
addition, bands invest rehearsal hours, both as individuals and as groups.
And the equipment! Many of our musicians have several instruments that
cost them thousands of dollars apiece. More than few $8000 fiddles have
graced our stage and most instruments worth playing cost, at a minimum,
$2000. Musicians also pay for their own pick-ups, special mics, strings,
picks, reeds, rosin, music books, stands, insurance, and assorted
paraphernalia. The financial investment alone, even for our least
experience and shaky players, is mind-boggling. The payout from the dance
can never adequately compensate our musicians for the work and financial
investment they make to get to the point of being able to play for an
evening. The very least we can do is pay them the same as we pay our
callers.
Sarah
On 7/30/17, 8:29 PM, "Organizers on behalf of Katy Heine via Organizers"
<
organizers-bounces+ladysmyth=rcn.com@lists.sharedweight.net on behalf of
organizers@lists.sharedweight.net> wrote:
>I've been booking performers for dances for many years and just recently
>encountered, for the first time, an expectation that the caller (booked
>separately) be paid the same amount as each band member. Is this a new
>thing? What's the practice in YOUR community?
>
>Thanks,
>Katy Heine
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