Hi folks
Is there a possibility that contributors to these discussions could
indicate where they are from or where their home dance is?
That type of information is useful or at least interesting to many of us
Thanks
Paul Rosenberg
Albany, NY
*Joy Through Traditional Dance & Live Fiddle Music*
518-482-9255
On Thu, Mar 16, 2023 at 9:33 AM Julian Blechner via Organizers <
organizers(a)lists.sharedweight.net> wrote:
Jeff,
I'm glad you're able to dig us into some of the particulars of the
subtopic about youth leadership in contra.
Certainly I agree that it is not as simple as I stated; my email was meant
as brief, high-level bullets, not sufficient instructions for implementing.
I think your questions are good jumping-off points, so I'll do that!
If I had to wager, I would say that your experience with youth dancers in
leadership may differ from ones that I've seen and experienced.
Like, the "I" in BIDA is "Intergenerational" with engaging dancers of
all
ages right there as a primary goal; that alone is going to affect how you
and other BIDA leaders current and past engage with potential youth leaders.
And what I've seen in BIDA's policies, what you personally and advocate
for, and what I've experienced both as a dancer and a performer at your
series contrasts with some of the negative issues I've seen come up.
So, by contrast, I draw upon experience both in dances I've been a regular
at, as well as discussions with peers and younger peers about goings-on
with various dances, in regards to how youth leaders are treated.
You wrote:
" They're initially excited and propose things, but then get frustrated as
the long-time folks explain the issues and none of their proposals stick."
Yeah, I think there's an experience gap that you allude to here and that's
real.
At the same time, it is definitely the responsibility for more experienced
leaders to mentor newer leaders, and that mentorship means:
1. Explaining issues in a way that isn't discouraging.
2. Not merely using explaining as a way to shut down suggestions.
On that latter point, I've found that - probably more often than not -
initial suggestions both in contra dance and in my professional career
working in teams usually are not the final solution.
I'm sure I'm not saying anything you don't already know, but bringing it
into this conversation here.
Yeah, new leaders to a volunteer organization have a learning curve, and
their suggestions may need work.
But, _all suggestions_ I see as frequently needing work.
A healthy committee takes those suggestions and integrates them into
whatever ultimate decisions / policies / actions they take. (Again, I'm
sure you've experienced this, but for the purposes of leading to my next
point.)
By contrast, what I've both seen and heard of from many youth leaders are
things like:
"Oh, Soandso has always done the website and that's the way they like it."
"There's no way we could implement Larks / Robins because too many older
dancers would hate it."
"Soandso has always done Treasurer"
"A special dance event would be too difficult"
etc.
The summary being that, as you said, youth leaders come in excited with
new suggestions. Yes, they may need work. But instead of a committee coming
together to form a consensus, youth leaders are shut down.
And I think it's obvious how discouraging that can be.
So, back to the purposes of this email discussion here, the suggestions I
would come for include:
1. Come with a mindset of "how can we make this work / alter the idea to
make it work" rather than "how will this idea not work"
2. Figure out a way to _try out_ ideas older members don't agree with.
3. On a youth-led idea that older members don't think are practical, do
data gathering. Larks/Robins is a great example where practical data made
it clear to the many dances who chose to implement it, as, again, BIDA
certainly demonstrated, and my own dance in Amherst demonstrated.
4. (In regards to your point B) Specifically solicit ideas from youth
leaders. Actively ask their opinions. Realize that experienced leaders have
an innate power imbalance and that is a big reason why new / younger
leaders don't speak up.
" they don't feel like they've accomplished anything and don't feel
useful."
5. Set them up in areas of success. Even little stuff, like, "We had to
decide how to set up the fans in the room as we opened back up after the
pandemic shutdown" was an opportunity where our group could just ... let
newer+younger group members decide and do it with no need for
full-committee approval. (Jeff, I think this basically is your "giving
people responsibilities")
6. Let them fail a little. This is kind of a repeat of #2, but ...
mentoring new leaders means letting them make some mistakes. They need to
be able to take some risks.
6a. When they fail, continue to encourage and frame that failure instead
as "trying something out and learning as a group".
I think your last point is a good one, too.
There's a 20-something / 30ish led new Fusion dance in the Pioneer Valley.
And while one of the organizers has some significant committee experience,
they're one of the least in-charge-y types on that dance's committee.
So, lots of potential lessons for the OP and other readers on the group,
and this email is hardly an exhaustive treatise on mentoring youth leaders.
In short though, I have experienced and seen the dismissal of young
organizers as a repeat, chronic, and widespread issue in contra dance
organizations.
It will take active work from older and more experienced leaders to change
this.
Best regards,
Julian
On Wed, Mar 15, 2023 at 11:12 AM Jeff Kaufman <jeff(a)alum.swarthmore.edu>
wrote:
On "Listen to youth, put them on your
committee, and implement their
suggestions", this is pretty tricky and is something I've seen several
organizations get wrong.
Let's say you're an established organization with a lot of
institutional knowledge and a built-up system of how things are done, and
you add an enthusiastic young dancer, musician, or caller to your board.
They probably don't know much about how the organization works, and they're
initially not going to know much about what needs doing. When they have
ideas about how to do things differently they often won't understand the
practical issues that led to things being the way they are. So you can
easily get one of two dynamics:
a. They're initially excited and propose things, but then get frustrated
as the long-time folks explain the issues and none of their proposals stick.
b. They stay quiet because they understand how much they don't know, and
don't end up contributing much.
Then, when their initial term is up they don't stay on because they don't
feel like they've accomplished anything and don't feel useful.
I've been the excited young person in this case, and can think of several
other friends who have as well. In retrospect I think most of us wish we
had said no to the invitation.
I don't think the solution is as simple as "implement their suggestions",
though: not every suggestion will be a good one (none of us, young or old,
have only good ideas).
What I've seen work well is giving people responsibility, especially in
areas where they can quickly learn what makes the dance work. For example,
if your dance has a person who does/oversees setup and/or cleanup, teach
them how to do this. Get them filling out the end-of-dance financial
sheets to figure out who gets what money. If you're putting on a new
one-off event get them on a small committee with 1-2 other friendly
organizers. Then when they propose changes they'll be better ones (less
likely to propose something infeasible) and the changes are more likely to
be well received (in a do-ocracy people respect the people they see putting
in work).
There's also a completely different path, where the enthusiastic young
person gets together a group of people and starts something independent.
They can make their own mistakes, without making more work for people on
the committee. If they want to make their new dance gender-free, half
squares, all open bands + open calling, or something else that might get a
lot of pushback at an existing dance, they can just go ahead and do it.
When these work well they draw a new crowd, pulling from their own networks
instead of mostly drawing people away from the existing dance, and you get
a healthier community with more options.
Jeff
On Wed, Mar 15, 2023 at 8:49 AM Julian Blechner via Organizers <
organizers(a)lists.sharedweight.net> wrote:
Lots of good suggestions from a lot of people.
I think I can boil down success keeping new dancers to:
1. Listen to youth, put then on your committee, and implement their
suggestions.
2. Have a written values statement, which all of your other policies
follow.
3. Make it clear you want to hear from dancers with compliments or
complaints. And actually deal with complaints. Over and over, the biggest
reason I hear people not returning (other than just not liking the dance
form) is unhandled and ignored complaints.
In dance,
Julian Blechner
On Wed, Mar 15, 2023, 8:10 AM Chrissy Fowler via Organizers <
organizers(a)lists.sharedweight.net> wrote:
*“Getting back to the subject of repeat visitors,
perhaps the biggest
difference of all is a caller who brings the fun and the inclusiveness, the
type who can laugh with you when something goes goofy. (… . ) I'm
tremendously grateful to everyone organizing contra dances, and to all the
people trying to make their dance a little bit better each week.*
*Lex Spoon”*
Hear, hear!
(And I think it’s also the organizers who can bring that fun and
inclusiveness and set the tone for embracing the goofiness.) Let’s face it,
even though some folks forget and take it all a bit too seriously, these
dances we love are *incredibly* weird. Beautifully so, but definitely
on the silly side of joy.
I’m also grateful for all you folks sharing ideas and experiences
openly and nonjudgmentally. What a gift!
Chrissy Fowler
Belfast Maine
*Where we are digging out from the latest nor’easter (ah the joys of
finally getting winter weather in March)*
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