There’s been a discussion on balancing forward & back, or right & left, or starting the balance left, then right when the balance precedes a left allemande. And there’s been a discussion on the timing of circles. Like, does a circle left ¾ take 6 or 8 beats? And how long should a circle left 1¼ take? *Balances & Direction* I think it was Cammy Kaynor who told me he always teaches, “Balance in the direction you’re going to go.” This, as stated, is obvious in a box circulate: you’re going to go forward after the balance. It’s also obvious in a Rory O’More type balance: the balance is right, then left making that right slide or twirl gratifying. And it’s the one place where we do teach the left then right balance, to make that slide/twirl left so cool. Now, consider the allemande: The initial motion of an allemande is forward. The connection of arms is what turns the forward motion into a circular motion. It is not very satisfying to balance right—tension in the left arm—then left—no tension in the left arm—then go into an allemande left. But a forward & back creates some loss of tension in both arms, then tension in both arms, and you can even favor tension in the left arm facilitating a wonderful launch into that left allemande. When doing this there is no need to alter our “normal” right then left balance. Thus I’ve strongly adopted the above rule: *Balance in the Direction you’re going to go*. And remember: the initial direction of an allemande—any allemande—is forward. Thus following this rule yields satisfying results whether the balance precedes a left or a right allemande. I try to bring this up whenever I teach a dance. *Circles, Allemandes, & Circumference* Back in the old days (when I started dancing in the 1980s), callers could and would give styling points. We did dances where, in 8 beats, we might allemande left once, dances with an 8 beat 1½ allemande, and dances, like Hull’s Victory, where we’d make it twice around in 8 beats. Some of us were taught that we could get a good connection and give good weight by varying the circumference of the circle we traveled. Keep arms wide, travel a larger circle, and once around in 8 beats feels great! Pull in close, and you can make it around twice in 8 beats. At times there has been discussion about how a circle left ¾, swing someone is a 6, then 10 beat set of figures. I think of it as 8 & 8, but let dancers do whatever they want. Then we have a circle left ¾, ring balance, California twirl. The timing of this is definitely 8, 4, 4. It is easy to have a good connection, give good weight in a circle ¾, and make it last 6 or 8 beats by expanding or contracting the circle. Aware dancers will adjust to make the move fit the timing of the dance. Circle left ¾ into a balance: make the circle bigger so the path is a bit longer. Want that extra two beats of swing? Contract the circle, and get there early… I do agree that a circle left 1¼ in 8 beats does not work well. So, make the circle a bit bigger and turn it into a zesty 12 beats. Erik Hoffman Oakland, CA _______________________________________________ Callers mailing list Callers(a)lists.sharedweight.net http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net