I agree with much of what you say, Tony. In response to your question, "Do
we really want to go down that road?", we have clearly already done that.
In reality, there are still many, relatively parallel contra dance roads,
some a little rougher than others.
We have not yet reached the point that square dancing has reached with just
a few roads, many of which are unpassable for many dancers.  I'd also add
to your two requirements (enjoyable and in a safe space), a third one. that
is that our dances should also be welcoming to all, regardless of their
position in life, and dance skills.  As callers, we all try to chose dances
and calls that are appropriate, and acceptable for the local dancers. That
should not change.
Rich hart.
On Mon, Jan 30, 2017 at 9:05 AM, Tony Parkes via Callers <
callers(a)lists.sharedweight.net> wrote:
  Chet Gray wrote:
 <<In regards to the present variety in role terminology, I may be fairly
 alone in this opinion, but I hope we never intentionally arrive at a grand
 consensus.
 I love that different terms for roles have sprung up in different
 communities, just as I love that so many wonderful terms have sprung up for
 eye-turn/shoulder-turn/spiral. I love hearing "allemande", "hand
turn", and
 "hand 'round" in different communities. I love that "dosado"
means
 drastically different things in different long-lived community ("square")
 dances. I love that some communities default to hands-across stars while
 others default to wrist-hold stars. I love that there are at least three
 different promenade positions, and each is default in different
 communities. As much as my engineer brain would enjoy it, I hope we never
 have a CALLERLAB to strictly define terminology and steps for contra
 dances.>>
 Amen!
 One of the things I’ve long lamented about the modern square dance
 movement is the disappearance of regional variations. If square dancing is
 viewed as a hobby, it makes sense (given the mobility of people in
 industrialized countries) to standardize the meaning of calls, hand and arm
 positions, and other rules and customs. But if it’s viewed as a folk art,
 it’s a crying shame to lose the variations. To me, standardizing a folk
 dance form is like saying there’s only one right way to cook chicken.
 (Given how far MSD has strayed away from tradition and toward
 homogenization, it feels to me as if they’re saying KFC is the only right
 way to cook chicken.)
 The contra dance world has never had an entity like Callerlab with the
 clout to convince local groups to standardize, and I don’t think it needs
 one. Two of the big attractions of contra dancing (IMO) are its lack of
 regimentation and the small number of terms a newcomer must learn. That
 small number (again IMO) means that adjusting from one village to another
 is not difficult: Typically only 3 or 4 terms out of 15 or 20 are
 understood differently.
 A big question in my mind is whether there’s anything approaching a
 consensus among contra callers (and interested organizers and dancers) on
 any points beyond the obvious: that dancing should be enjoyable and a dance
 venue should be a safe space. I would strongly caution folks against
 thinking there’s a consensus when only a small percentage of callers and
 leaders has been heard from. I’m thinking here, not specifically about the
 gender-free vs. gendered issue or which gender-free terms to adopt, but
 about the big picture – which includes those issues, but also includes
 standardization vs. local styles, “gypsy” vs. a new term (and again, which
 one to adopt), and which, if any, of the many new movements to expect
 dancers to memorize. This last issue is much on my mind, as the contra
 vocabulary has more than tripled since I started dancing. Do we really want
 to go down that road?
 Getting back to the issue of gender-free terms (though I’ve changed the
 subject line to allow more general discussion), I hope that here, as
 elsewhere, we can feel free to experiment and not feel constrained by what
 other people and groups are doing.
 Tony Parkes
 Billerica, Mass.
 
www.hands4.com
 New book: Square Dance Calling (ready Summer 2017)
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