25 Jan
2017
25 Jan
'17
6:36 p.m.
Michael, if this view makes you a Luddite, sign me up as a member of the
Luddite Club. I think it's realistic to say that the members of all the
contra, English, and Square Dance groups will NEVER all agree on which
alternative terms to use for ladies and gents, so all these new terms being
bounced around will only cause confusion (and some eye-rolling).
You've already made a solid argument for the Luddite position, so I won't
say anything more....except this: Please, let's not start an argument over
whether it's pejorative to use the term Luddite!
Barbara Groh
On Tue, Jan 24, 2017 at 4:55 PM, Michael Barraclough via Callers <
callers(a)lists.sharedweight.net> wrote:
I guess that I am a Luddite. Here's how I see it.
Somewhere between 80-90% of the population is 'straight'. Surely, we
want these people as well to come to our dances. It can be difficult
enough to get past the dance lingo without adding the complexity of
renaming labels for people that almost everyone already understands. To me,
what really matters is that we run dances where everyone accepts everyone
else's sexuality; where individual dancers can feel free to dance either
role; where everyone is welcome. I am not convinced that 'non-straight'
individuals are put off by the historical labels that we use, rather the
lack of the 3 conditions that I have just outlined.
Census data show the U.S. adult population is about 239m. Searching the
web I can find around 300 contra dances, 150 English Country Dances and
1000 MWSD clubs. My generous guess is that less than 100,000 people go
to these dances, less than 50,000 if we ignore MWSD. Did you know that
over 700,000 people in the U.S. own a ferret? That means there are 7x as
many people in the USA who own a ferret compared to the number of people
who go to our dances!
Let's put less rather than more barriers in the way of getting those
who don't dance with us (that's 99.6% of the population) to join us.
Michael Barraclough
www.michaelbarraclough.com
On Tue, 2017-01-24 at 16:19 -0500, Ron Blechner via Callers wrote:
I know I'd appreciate it if people had new
suggestions, they'd review
existing considerations for what makes terms usable. Things like 1:2
syllable ratio, distinct vowel sounds - these disqualify a lot of
terms as being unfeasible for the same reason "bare arms / arm bands"
as terms are not preferable. The PDF spreadsheet that Dugan linked is
the result of my study with teamwork and sourcing from many dancers.
Best,
Ron Blechner
On Jan 20, 2017 7:28 PM, "Keith Tuxhorn via Callers" <callers(a)lists.s
haredweight.net> wrote:
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This conversation exhausts me, even though I
know and accept it's
all part of the folk process.
So I will make my one contribution... two terms I thought of a
couple weeks ago.
Mun and Wem.
They sound enough like the current terms that the brains of both
callers and dancers can make an easy transition. They're made-up
words, so they have no gender. And they're short. And easy to say.
Mun and Wem.
Okay, I've done my bit.
Keith Tuxhorn
Springfield IL
On Thu, Jan 19, 2017 at 4:04 PM, Dugan Murphy via Callers <callers@
lists.sharedweight.net> wrote:
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http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net Since it was an article about my dance series
that started this
conversation about role terms, I'll offer that the primary reason
we chose "jets" and "rubies" as gender-free terms is so that
regular contra dancers from other places can come in and dance
without needing anything to be explained to them since the terms
are pretty similar to "gents" and "ladies."
We also took a look at this graphic of Ron Blechner's analysis of
gender-free role terms people have been talking about: http://amh
erstcontra.org/ContraDanceRoleTerms.pdf
We may not use "jets" and "rubies" forever, but we figured we'd
give it a try. There didn't seem to be any reasons not to try
and there are certainly plenty of reasons to try.
Most men at our dance dance as jets and most women dance as
rubies, but for the few who dance opposite, switch around, or
whose gender expression doesn't fit the man/woman binary, I'd
like to think that formally separating dance roles from gender is
validating in a meaningful way.
Dugan Murphy
Portland, Maine
dugan at duganmurphy.com
www.DuganMurphy.com
www.PortlandIntownContraDance.com
www.NufSed.consulting
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