18 Oct
2015
18 Oct
'15
7:52 p.m.
As a dancer, I find that I've had enough of a duple minor dance after
I've traversed one complete round trip of the line. Seeing the same
neighbors a third time through is too long for me, even if the line is
short. Just one man's opinion, FWIW.
I love the use of shorter sets to bring asymmetric dances out for a
spin. Chestnuts and triplets and triple minors come to mind. In the
circumstance that started this thread, a hearty Chorus Jig sounds like
a win.
Rich
On Sat, Oct 17, 2015 at 5:12 PM, Linda Leslie via Callers
<callers(a)lists.sharedweight.net> wrote:
I believe it was written by Roger Diggle….
Linda
On Oct 17, 2015, at 4:32 PM, Louie.cromartie via Callers
<callers(a)lists.sharedweight.net> wrote:
Just curious. Robert doesn't recall writing
(or calling) a dance called Saint Louis Cruise. Perhaps it was created by someone else.
-Louie (not a saint)
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http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net On Oct 16, 2015, at 12:56 AM, Martha Wild via
Callers <callers(a)lists.sharedweight.net> wrote:
It's a good time to call dances that might need extra space along the line - for
example, there are some dances with a ladies chain up and down as opposed to across the
set such as Saint Louis Cruise by Robert Cromartie.
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