I'm pretty sure contra is more popular than ECD everywhere, and most ECD groups call
to gents and ladies as well as corners, partners, neighbors, so I doubt this is the issue.
That the music often sounds classical rather than modern is one issue, that you only
flirt with eyes and fingertips is another. It's more cerebral, less athletic.
It's a different high, which aligns less well with tastes of our age than contra. You
are the first person I have heard say that they dislike ECD because discreet roles are
less necessary.
I don't think every contra series is going to suddenly go gender free, far from it,
but even if they did, the things people like about contra would still be there: the
zestiness, the music, the swings, the predictable format, the flirting, the sweat, the
patterns we love, the stomping, the gliding.
Atlanta has a dance weekend every November, and each year there is a different theme. On
Saturday night there is a concert, a skit, then the dance. For several years, I led the
skit creation. As it happens, yesterday my daughter handed me a binder which contained
the lyrics for our West Side Contra skit of several years ago. I don't currently have
a link to Dave Pokorney's video, or I'd include it. You might be wondering why I
bring it up. In the skit, instead of Jets and Sharks, we had the Trads and the Mods.
Each hated the other's influence on the contra scene, the Trads decrying the twirls
and dips, sleaze and bad timing, taste for pop tunes and jazz riffs, the claps on
petronellas, while the Mods bristled at the use of old time, the straight dancing, the
rigid adherence to old standards and ideals. After some build up, they meet at a dance,
and during the contra, fighting breaks out and many are left prostrate including Tony. In
the end they all recover and agree that all the things they love about dancing are more
important than the differences, ultimately they all just want to dance. I was poking fun,
but also serious that we all tend to get really wound up, especially when things we love
undergo change. But the truth is, we can all adapt, and continue enjoy that which we
love. Some groups are going to embrace gender free, some may even go for positional
calling. I hope that dancers can continue enjoying everything they have always loved
about dance, whatever their community chooses. I'm asking us to look at positional
calling in light of all the positive things it can do, and seeing how we might make it
work so we lose as little as possible of what we care most about. Every community and
every caller will have to decide what they are up for. Our job here is to sincerely
attempt to determine if it can work, which can only be accomplished if we set aside our
emotional reactions, our fear and distaste, and work at it like a crossword puzzle, with
detached intelligent attention. Raising questions is important; let's please continue
that, as it gets us analyzing the possibility realistically. Those not interested in the
enterprise are free to ignore.
Cheers,
Andrea
Sent from my iOnlypretendtomultitask
On Jun 3,
2015, at 12:02 PM, Aahz Maruch via Callers <callers(a)lists.sharedweight.net> wrote:
On Tue, Jun 02, 2015, Andrea Nettleton via Callers wrote:
English callers and dancers clearly have no trouble saying or
understanding these terms. If they were that awkward, they would long
since have been replaced. I think we see positions as roles purely
from habit. If I taught a roomful of kids who had never danced using
no roles, would they think of having danced a role?
Possibly you're seeing selection bias in English. At least in the SF Bay
Area, contra is more popular than English, and I wonder how much of that
difference is due to this issue. (This discussion is making clear that
a significant chunk of my ECD dislike is due to this issue.)
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