I can't figure out the transition from the Dublin Bay figure to the P 
bal/sw.  Can you elaborate?
K
On 1/19/2017 11:49 PM, Erik Hoffman via Callers wrote:
  I find, when dancing the one or two dances I’ve danced
that try to steal
 the Dublin Bay figure, they have a line backing up bending into a
 circle. I found this transition not to my taste. So I took a stab at a
 different transition. I think it works, but it’s a bit tricky:
 Happy Birthday, Susan
 Erik Hoffman
 Becket
 A1      Wm “Chain the line” (Wm Al R ¾, then to next Wm,  Al L ¾ to meet
 Nb on R diag –  across from Shadow);
 Neighbor Swing
 A2      LLF&B;  Wm Chain to Shadow
 B1      Dublin Bay DH4inL ends loop back, centers step forward to
 B2      Pt B&S
 Given to Susan Petrick on her birthday, while on tour with the
 OpporTunists in 2010 (I think).
         The Dublin Bay DH4inL: Down for 4, turn alone backing up for 4,
 up for 4, turn alone, backing up for 4. From the ECD dance Dublin Bay.
 Others have used the Dublin Bay  move, but ended it with a “fold into a
 circle. That backing up, then circling has never felt good to me. This
 is my attempt to come up with a segue I like.
         Note, even though it’s a Becket dance, there is a difference in
 roles in this dance between the “ones” and “twos”.
 ~Erik Hoffman
     Oakland, CA