Cellar Door can be found at
http://www.cdss.org/tl_files/cdss/documents/elibrary/gemsweb.pdf
I have called Cellar Door several times in the presence of long lines
of experienced dancers with the following adjustment: Each time
through the dance I will announce whether the first R&L in B1 will be
on the left diagonal (making the dance triple progression), across
(making the dance single progression) or on right diagonal (making the
dance a one place backwards progression)--and then judiciously mix up
these three options.
Michael Fuerst 802 N Broadway Urbana IL 61801 217 239 5844
On Monday, July 13, 2015 12:29 AM, Karin Neils via Callers
<callers(a)lists.sharedweight.net> wrote:
Thematic searches during program preparations have led me to many
delightful dances that I would likely have never encountered.
In preparing for Appleseed Allemande, I discovered that several
choreographers who are beekeepers have written dances that honor bees
with imitative dance moves. When I introduce 'Beauty and the Bees'
with a word of gratitude to pollinators, dancers nod, and some share
their interest as apiarists, and connections are made, and the dance
community is warmed and strengthened.
When the amazing duo of Celador was coming to play for us while on
their debut tour, a conversation with the guitarist revealed the
source of the name - a playful search unearthed the dance 'Cellar
Door' - this highly accessible triple progression dance is a delight
on the floor, and it was a pleasure to give a tip of the hat to this
talented and adventuresome musical duo while introducing the title.
Another night, the author's inspiration [a discussion of Dorothy
Parker's assertion that the phrase 'cellar door' was the most
beautiful sound in English] sparked entertaining discussion while the
band tuned up.
The choreography of the recently shared Anderson Ferry Reel goes a
long way in recognizing the skillful work of the tugs as they jockey
the barges, and recollecting the feel of the current in crossing a
mighty River. A reflective comment while naming the dance and
choreographer, on the art of the dance writer in interpreting the pull
of the water awakens memories in dancers who have fished or kayaked or
traveled blue highways to cross by ferry....
It's about connections.
It's about honoring artists and creativity.
It's about a shared celebration of the world in which we dance.
You're Among Friends
Dancing Raindrops
Harmony Supper Table
Skinny Dippin'
Centennial Reel
Cranberry Muffins
Smooth Sailing
Winter Sleigh Ride
Crickets at Night
. . .
Introducing the name of the dance and the author will often set
thoughts to dancing, along with our feet.
Karin
On 7/13/2015 12:30 AM, Michael Fuerst via Callers wrote:
Choosing dances with names matching a
characteristic of the dance
event or venue may give the caller a intellectual satisfaction, but
makes little difference to the dancers.
An exception would be a dance written for a birthday or wedding or
similar celebration.
Michael Fuerst 802 N Broadway Urbana IL 61801 217 239 5844
On Sunday, July 12, 2015 11:12 PM, Erik Hoffman via Callers
<callers(a)lists.sharedweight.net>
<mailto:callers@lists.sharedweight.net> wrote:
Dancing Sailors is a fantastic dance -- one of my favorites! It's
also quite tricky. Unless you're calling to experienced dancers, you
may choose to avoid this dance, with contra corners into a hey where
the ones are dancing with their partners, but the twos with a shadow
in a different minor set, it's ripe for beginner, and even
experienced confusion. Besides being a challenge when in the middle
of the set, the end effects are tricky, and can easily increase the
confusion factor...
~erik hoffman
oakland, ca
On 7/9/2015 11:48 PM, Claire Takemori via Callers wrote:
Lindsey,
I was looking for a fun but easy to call contra and found this one
for your nautical theme. From Rich Goss' collection of dance cards.
http://www.quiteapair.us/calling/
claire takemori
*Dancing Sailors *- Ed Shaw Proper
Reels
*A1:*Actives down the outside below two couples
Return up the center, cast off
**
*A2:*Actives turn contra corners
**
*B1:*Actives with their second corners
Hey-for-4 on the diag (actives start pass right sh)
**
*B2:*Actives swing in the middle (end facing up)
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