Thank you so far for all your responses. I have learned a lot already. I just reread my
original email and realize that I forgot to mention that most of the visually impaired are
elementary, middle, and high school students so traditional dance may work well.
Someone mentioned a Snake dance and I actually thought of starting with that.
Thank you again. I look forward to reading more responses and suggestions.
Helle
From: Luke Donforth <luke.donev(a)gmail.com>
To: Shared Weight Callers' Listserv <callers(a)lists.sharedweight.net>
Cc: Helle Hill <hellehill(a)yahoo.com>om>; Mac Mckeever <macmck(a)ymail.com>
Sent: Sunday, April 14, 2019 6:42 PM
Subject: Re: [Callers] Calling for the visually impaired
(Technical note, I Mac's response, but not Helle's original post?)
I don't have extensive experience calling for visually impaired dancers. I have
occasionally had an experienced blind dancer on the floor, but never a sizable percentage.
But this is conjecture on my part; please trust your own judgement.
It sounds like you're calling for a bunch of folks who don't regularly dance? In
which case, I'd recommend (as with most one-off gigs), not focusing on 'duple
improper contras' and just get folks moving to music. Something as simple as a snake
dance may be a good kick-off. It's not overly simplifying for them, that's often a
dance that gets used at community dances.
It may be worth talking to the sound person ahead of time to see if a clear "head of
the hall" can be established sonicly. Some gigs will put up more than one row of
speakers or such to blanket the sound, but giving an audio clue about direction may be
useful.
If you're shooting for hands-four contras, I wonder if some of the pass through
progressions of simple contra dances could be re-worked to have a roll-away instead? For
instance, A1: long lines neighbor swing, end facing down the hallA2Down four in line, turn
as couples, come backB1Circle left three places, partner swingB2Circle left three
places,balance the ring, gents roll neighbor lady away with a half sashay
As two-swing contras go, that's a relatively simple. Everyone is always holding on to
at least one other person. But you've still got changes of direction and knowing your
orientation when you end the swing.
But even that is more complicated than I would run for most community dances when most
people aren't regular dancers. Even if you have one "seeing" partner in each
pair, if you're not separating sets out by "this set has seeing gents role; that
set has seeing ladies role" then if you do a neighbor swing, you'll end up with
couples that don't have a "seeing" person.
Good luck! And please do let us know how it goes, and what you figure out.
On Sun, Apr 14, 2019 at 4:21 PM Mac Mckeever via Callers
<callers(a)lists.sharedweight.net> wrote:
For several years we had a wonderful lady dance with us who was totally blind (could not
even tell light or dark)- here are a few things I learned from her
She always danced in a line next to a wall - the reflections off the wall gave her as good
a sense of direction as the rest of us.
Use dances where you stay connected to other dancers. With her experience she did well on
dosido and hey - but down the outside alone was not possible.
You will have a problem any time dancers need to make new connections - like ladies chain,
allemand, etc - someone has to be able to find the impaired dancer's hand.
She would not dance squares - too much uncertainty and dancers who are lost made it
impossible for her to recover(in a contra you get past it quickly so only one time thru is
challenging).
As I said - this dancer was totally blind (but so good that those who did not know her
often did not figure it out). She also clapped at times when not connected to hear what
was around her.
It sounds like your dancers will have various degrees of impairment, so some of this may
not be as important.
Hope this helps some - while challenging - this should be very rewarding and fun.
Mac McKeeverSt Louis
On Sunday, April 14, 2019, 2:53:33 PM CDT, Helle Hill via Callers
<callers(a)lists.sharedweight.net> wrote:
I work with the visually impaired and have been asked to call an evening of dances for an
outing. I know the basics of working with the visually impaired but does anyone have any
suggestions for dances, how to handle the directional aspect, or any other ideas to make
it a successful experience. I hope that each visually impaired dancer will have a
"seeing" partner.
Thank you so much in advance.
Helle _______________________________________________
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Luke Donforth
Luke.Donforth(a)gmail.com