Andrea, how would you handle the following:
1. Lines of one role/position to the center to a wavy line, as in Trip to
Lambertville, et all?
2. Indication of who walks forward / backs up in a gypsy star?
3. Indication of who-leads-who, such as in Ramsay Chase, Pedal Pushers,
Jurassic Redheads, etc.
4. Indication of who is passing while calling a hey.
5. Indication of who crosses, who turns in a box circulate?
6. Indication any other role/position specific move that I haven't
mentioned? Turn over right shoulder, as in Fairport Harbour? Rollaways?
None of these fall under the "most unusual figures" as you stated.
Ron
On Jun 1, 2015 11:59 AM, "Andrea Nettleton via Callers" <
callers(a)lists.sharedweight.net> wrote:
In previous discussions here, on FB, and privately
with organizers at
Hampshire over the last two years, I have discussed the possible use of
global terminology for gender free contra. I would contend that if used,
everyone would become more aware of the structure of dances. Only the most
unusual figures/sequences would be unable to be called. The addition of
first and second corner positions to the arsenal makes it possible for same
role dancers to also be called upon to dance together without reference to
gender. Second corners chain, or first corners allemande L 1 1/2 for
example. It would have to be agreed that this refers to those standing in
those positions at that moment. In ECD we use first and second corners to
refer to the people, first and second diagonals for the positions. But
since we use diagonal to refer to those across and over one set, this seems
unhelpful. Simply corner positions works better. I'm glad some folks are
trying it out at last. I had hoped for an opportunity myself before now.
Cheers,
Andrea
Sent from my iOnlypretendtomultitask
On Jun 1, 2015, at 8:37 AM, Jim Hemphill via Callers <
callers(a)lists.sharedweight.net> wrote:
The recent discussions on this topic inspired me to try an experiment in
gender free calling. Last night I called the contra dance in St. Louis
using gender free calling without telling anyone. The experiment was a
great success. I received lots of positive feedback on the evenings
dance. At the break and after the dance I made a point to ask several
dancers, some were callers as well, if they noticed anything different or
unusual about the dances or how I taught them. One person noticed that
there were more dances that included a swing in the center for couple 2
than usual. No one I talked to noticed that the calls and teaching were
gender free.
It took some extra time to construct a fun, diverse 3 hour program, but it
is certainly possible. Re-labeling the dancers is not the only way to call
gender free.
If you are interested in the program I used or the larger collection of
gender free dances I chose the program from, send me an email,
arcadian35(a)gmail.com.
Thanks,
Jim Hemphill
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