Cellar Door can be found at
http://www.cdss.org/tl_files/cdss/documents/elibrary/gemsweb.pdf
I have called Cellar Door several times in the presence of long lines of experienced
dancers with the following adjustment: Each time through the dance I will announce
whether the first R&L in B1 will be on the left diagonal (making the dance triple
progression), across (making the dance single progression) or on right diagonal (making
the dance a one place backwards progression)--and then judiciously mix up these three
options.
Michael Fuerst 802 N Broadway Urbana IL 61801 217 239 5844
On Monday, July 13, 2015 12:29 AM, Karin Neils via Callers
<callers(a)lists.sharedweight.net> wrote:
Thematic searches during program preparations have led me to many delightful dances that
I would likely have never encountered.
In preparing for Appleseed Allemande, I discovered that several choreographers who are
beekeepers have written dances that honor bees with imitative dance moves. When I
introduce 'Beauty and the Bees' with a word of gratitude to pollinators, dancers
nod, and some share their interest as apiarists, and connections are made, and the dance
community is warmed and strengthened.
When the amazing duo of Celador was coming to play for us while on their debut tour, a
conversation with the guitarist revealed the source of the name - a playful search
unearthed the dance 'Cellar Door' - this highly accessible triple progression
dance is a delight on the floor, and it was a pleasure to give a tip of the hat to this
talented and adventuresome musical duo while introducing the title. Another night, the
author's inspiration [a discussion of Dorothy Parker's assertion that the phrase
'cellar door' was the most beautiful sound in English] sparked entertaining
discussion while the band tuned up.
The choreography of the recently shared Anderson Ferry Reel goes a long way in
recognizing the skillful work of the tugs as they jockey the barges, and recollecting the
feel of the current in crossing a mighty River. A reflective comment while naming the
dance and choreographer, on the art of the dance writer in interpreting the pull of the
water awakens memories in dancers who have fished or kayaked or traveled blue highways to
cross by ferry....
It's about connections.
It's about honoring artists and creativity.
It's about a shared celebration of the world in which we dance.
You're Among Friends
Dancing Raindrops
Harmony Supper Table
Skinny Dippin'
Centennial Reel
Cranberry Muffins
Smooth Sailing
Winter Sleigh Ride
Crickets at Night
. . .
Introducing the name of the dance and the author will often set thoughts to dancing,
along with our feet.
Karin
On 7/13/2015 12:30 AM, Michael Fuerst via Callers wrote:
Choosing dances with names matching a characteristic of the dance event or venue may
give the caller a intellectual satisfaction, but makes little difference to the dancers.
An exception would be a dance written for a birthday or wedding or similar celebration.
Michael Fuerst 802 N Broadway Urbana IL 61801 217 239 5844
On Sunday, July 12, 2015 11:12 PM, Erik Hoffman via Callers
<callers(a)lists.sharedweight.net> wrote:
Dancing Sailors is a fantastic dance -- one of my favorites! It's also quite
tricky. Unless you're calling to experienced dancers, you may choose to avoid this
dance, with contra corners into a hey where the ones are dancing with their partners, but
the twos with a shadow in a different minor set, it's ripe for beginner, and even
experienced confusion. Besides being a challenge when in the middle of the set, the end
effects are tricky, and can easily increase the confusion factor...
~erik hoffman
oakland, ca
On 7/9/2015 11:48 PM, Claire Takemori via Callers wrote:
Lindsey, I was looking for a fun but easy to call contra and found this one for your
nautical theme. From Rich Goss' collection of dance
cards.
http://www.quiteapair.us/calling/
claire takemori
Dancing Sailors - Ed Shaw
Proper Reels A1: Actives down the outside below two couples
Return up the center, cast off A2: Actives turn contra corners B1:
Actives with their second corners Hey-for-4 on the diag (actives start pass right
sh) B2: Actives swing in the middle (end facing up)
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