What is the aesthetic consideration that leads you to choose a promenade across?

My personal experience is that the line tends to tighten up, and it's hard to get across without bumping you neighbors. I think a R&L through doesn't have this problem, possibly because we're not traveling together. Sometimes, I convert it to a traveling swing in an especially tight line because at the moment of lining up with the larger line, my partner and I are oriented perpendicularly to it, which takes up less space up and down the hall. Not sure you could teach that. It requires precision.

On Sep 20, 2016 1:49 PM, "Luke Donforth via Callers" <callers@lists.sharedweight.net> wrote:

Hello all,

I know the list has had big debates about shadow swings in the past. If you don't like 'em, you can pitch this. This dance was written for someone who wanted a shadow swing, and is something I might call at a shadow-themed festival session. As shadow swings go, I like the idea of swingus interuptus going from shadow to partner.

To my knowledge, it's a new composition. Haven't gotten to test it yet. But I present it for comment and/or collection.

Becket, cw
A1
Circle L 3/4
Neighbor Swing
A2
Promenade across with neighbor
Left Diagonal Ladies chain (to shadow)
B1
women start 1/2 hey straight across by Right shoulder
Women Do Si Do 1x
B2
Shadow swing
Partner swing
(no slide required, circle with couple straight across)

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