Apple mail neglected to show me the dozen messages after the one I replied it until I
posted or I might have stayed out of it
Am I correct that the positional reference sticks with you for the whole sequence? That
is, if you're first corner people and you're right now in second corner places,
you're still first corner people?
Sent from my iPad
On Jun 2, 2015, at 12:26 AM, Andrea Nettleton
<twirly-girl@bellsouth.net<mailto:twirly-girl@bellsouth.net>> wrote:
Actually Alan, because we dance improper most frequently, and becket almost as much, I
think I really don't want the labels applied to people so they stick. I'm just
using the word corner the way Brooke and Chris use diagonal. In contra, we already have a
use for the word diagonal, meaning the next pair along across the set to the right or
left. The corner reference we have is actually close to right, probably having grown out
of triple minor dances. Right diagonal is first corner, Left diagonal is second. Make it
fit in a hands four and you have pairs of corners along opposite angles. It's a place
not a person. Then I can write a dance beginning with a second corner chain, and it will
be those formerly identified as gents, but will work totally fine. If the dance were
proper, you could still have a second diagonals chain and it would be one of each
'role'. A direct transfer of the system to contra is not as useful as adapting,
IMHO.
Andrea
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On Jun 2, 2015, at 3:07 AM, Winston, Alan P.
<winston@slac.stanford.edu<mailto:winston@slac.stanford.edu>> wrote:
I'm not Andrea but as someone who's appreciated the value of global calling since
Chris and Brooke proselytized our West Coast English caller self improvement group about
it in 2000 and who regularly uses it even in not gender free English as well as for gender
free English I think I can answer.
The Heather and Rose style (which they didn't invent but have published the most in)
is designed for proper longways. Men's line is left file, ladies line is right file.
In a square or Becket formation gents place are first diagonals, ladies are second
diagonals. Corner is reserved for contra corners and the immediate neighbor in a square.
However, mainstream English gives us first corners (in a proper set, first gent and second
lady) and second corners (first lady and second gent). If you apply that to a typical
improper contra, as Andrea was suggesting, the ladies are on the first corners, the gents
on the second corners.
The answer to each of your questions about how she'd indicate what we now do with
gender is to substitute a corner reference. First corners make a wave in the middle of
the set. They back up and second corners come in.
You'd have to decide whether the same positional reference applies to becket, where it
would be the gents, or have the corner assignments apply before you becketize, which would
be my preference.
Does that clear it up ?
Alan
Sent from my iPad
On Jun 1, 2015, at 9:12 AM, Ron Blechner via Callers
<callers@lists.sharedweight.net<mailto:callers@lists.sharedweight.net>>
wrote:
Andrea, how would you handle the following:
1. Lines of one role/position to the center to a wavy line, as in Trip to Lambertville, et
all?
2. Indication of who walks forward / backs up in a gypsy star?
3. Indication of who-leads-who, such as in Ramsay Chase, Pedal Pushers, Jurassic Redheads,
etc.
4. Indication of who is passing while calling a hey.
5. Indication of who crosses, who turns in a box circulate?
6. Indication any other role/position specific move that I haven't mentioned? Turn
over right shoulder, as in Fairport Harbour? Rollaways?
None of these fall under the "most unusual figures" as you stated.
Ron
On Jun 1, 2015 11:59 AM, "Andrea Nettleton via Callers"
<callers@lists.sharedweight.net<mailto:callers@lists.sharedweight.net>>
wrote:
In previous discussions here, on FB, and privately with organizers at Hampshire over the
last two years, I have discussed the possible use of global terminology for gender free
contra. I would contend that if used, everyone would become more aware of the structure
of dances. Only the most unusual figures/sequences would be unable to be called. The
addition of first and second corner positions to the arsenal makes it possible for same
role dancers to also be called upon to dance together without reference to gender. Second
corners chain, or first corners allemande L 1 1/2 for example. It would have to be agreed
that this refers to those standing in those positions at that moment. In ECD we use first
and second corners to refer to the people, first and second diagonals for the positions.
But since we use diagonal to refer to those across and over one set, this seems unhelpful.
Simply corner positions works better. I'm glad some folks are trying it out at last.
I had hoped for an opportunity myself before now.
Cheers,
Andrea
Sent from my iOnlypretendtomultitask
On Jun 1, 2015, at 8:37 AM, Jim Hemphill via Callers
<callers@lists.sharedweight.net<mailto:callers@lists.sharedweight.net>>
wrote:
The recent discussions on this topic inspired me to try an experiment in gender free
calling. Last night I called the contra dance in St. Louis using gender free calling
without telling anyone. The experiment was a great success. I received lots of
positive feedback on the evenings dance. At the break and after the dance I made a point
to ask several dancers, some were callers as well, if they noticed anything different or
unusual about the dances or how I taught them. One person noticed that there were more
dances that included a swing in the center for couple 2 than usual. No one I talked to
noticed that the calls and teaching were gender free.
It took some extra time to construct a fun, diverse 3 hour program, but it is certainly
possible. Re-labeling the dancers is not the only way to call gender free.
If you are interested in the program I used or the larger collection of gender free dances
I chose the program from, send me an email,
arcadian35@gmail.com<mailto:arcadian35@gmail.com>.
Thanks,
Jim Hemphill
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