I got some off-list questions about Green Mountain Ski Wedding, and I
figured I'd answer them for everyone, since the description isn't
completely clear.
Someone asked about the DSD in A1, but not in B1. You could put a long
lines there. This dance doesn't really stay square to the music. So while I
have a whole group oval in A1 with a DSD, B1 is just a whole group oval.
It's a very "squishy" dance.
Someone asked why the A2 slalom is up the set rather than down:
It's up because the top couple is at the bottom at the beginning of A2.
The path they take moves through some number of couples, such as:
[image: image.png]
(Please excuse the drawing in MS Paint, let me know if it doesn't come
through.)
When working with young kids, I'll tell the couples standing on the sides
to pretend to be trees, and have the skiing couple dodge and weave through
them.
Green Mountain Ski Wedding
> Longways/Proper/Beginner
>
> A1 -----------
> Whole Group Oval Left until across from partner again
> Partner Do-si-do
> A2 -----------
> Bottom (was top) couple slalom (weave) back and forth up the set (cutting
> through lines)
> B1 -----------
> Whole group oval right until across from partner again
> B2 -----------
> Partner allemande Left
> Partner allemande Right
>
I lead dances at a local library for their annual Fairy Tale Ball.
We get a variety of people who participate, but my overall impression of
the event is a room full of knee-high princesses.
I generally start with a no-swing, non-mixer version of Circassian
Circle. The participants have partners, sometimes more than one, but
they stay together and I don't worry about who is on the right or left.
Instead of ladies and gents to the center I say things like, "Everyone
wearing red to the center," or "Everyone with black hair to the center,"
and so on.
I then typically do Galopede and that tends to work OK. After that
I have a variety of dances I like to lead. Chimes of Dunkirk usually
works well and I do a longways, non-mixer version of the Heel and Toe
Polka that usually works OK. If the older kids pair with the younger
ones you could do Cumberland Reel and other similar dances.
Jonathan
-----
Jonathan Sivier
Caller of Contra, Square, English and Early American Dances
jsivier AT illinois DOT edu
Dance Page: http://www.sivier.me/dance_leader.html
-----
Q: How many angels can dance on the head of a pin?
A: It depends on what dance you call!
On 5/15/2019 7:51 AM, Charles Abell via Callers wrote:
> I'm sure there is already a thread on this somewhere, but I'm wondering
> what are your favorite dances for those in the 4-10 year old range.
> Specifically, dances that are not mixers since many younger dancers
> prefer to stay with a particular partner the whole time. I have a number
> of good ones already (Alabama Gal, Haste to the Wedding, La Bastringue,
> etc), but I'd like to expand my existing collection of dances geared
> towards "little ones".
>
> Let 'em rip!
>
>
> ------------------------------------------------------------------------
> *From:* Callers <callers-bounces(a)lists.sharedweight.net> on behalf of
> John Sweeney via Callers <callers(a)lists.sharedweight.net>
> *Sent:* Tuesday, February 13, 2018 9:58 AM
> *To:* callers(a)lists.sharedweight.net
> *Subject:* Re: [Callers] Looking for "fun" dances
> Since so many people enjoy the contrary circling in The Wheel, you might
> enjoy this one as well:
>
> Suicide Square
> http://www.ceilidhcalling.co.uk/danceviewpage.php?view=1&id=9
>
> It is extremely chaotic! You can reduce the chaos slightly by getting the
> band to stop randomly during the circling, at which point everyone grabs a
> partner; the band waits a few seconds while everyone finds a partner and
> decides whether they are Heads or Sides, then gives two notes and starts the
> next Heads Gallop.
>
> I modify it to give a bit more recovery time:
>
> Start in a big square around the room
> A1: Head couples take partner in a ballroom hold and gallop eight steps
> into the centre and back
> A2: Sides gallop eight steps into the centre and back
> B1: All the men form an outer circle facing in, while the ladies form an
> inner circle facing out. All circle left then find a new partner
> B2: Partner Swing - stop early enough to decide whether you are now
> Heads or Sides - Heads get ready to gallop
>
> There is also The Muffin Man Jig:
> http://www.ceilidhcalling.co.uk/danceviewpage.php?view=1&id=11
>
> Happy dancing,
> John
>
> John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802
> 940 574
> http://www.modernjive.com for Modern Jive Events & DVDs
> http://www.contrafusion.co.uk for Dancing in Kent
Hi Charles,
I'm tweaking the subject line slightly to help the next person find this in
the archive ;-)
As Bree Kalb mentioned, Linda Leslie has a wonderful collection.
<http://lindalesliecaller.contracorner.com/dances/very-easy-dances.html>
There are also a lot of resources available at New England Dancing Masters:
https://dancingmasters.com/shop/
a lot of those books are geared at school programs, and I think would work
well for you.
*Other people's dances:*
Heel Toe Polka:
https://www.youtube.com/watch?v=46K4V6xmOwwhttps://www.youtube.com/watch?v=6yHDJSpy9H0
I hadn't seen it with the clapping version, but these were the top hits on
YouTube.
You could get rid of the "pass through" and make it go back the other way.
Les Saluts https://www.youtube.com/watch?v=nt31bYsU5BY (note: AAB tune)
Kings & Queens (from the NEDM books, written by Peter Amidon)
https://www.youtube.com/watch?v=FmiKhGl59xM
*Dances I've composed for this contingent: *
Charge and Drag
by Luke Donforth
Longways/Other/Beginner
A1 -----------
(8) Long lines, forward and back
(8) Partner Do-si-do
A2 -----------
(16) Partner balance and swing (or two hand turn), end facing up the set
and separate
B1 -----------
(16) Top & Bottom couple make arches
Top couple go down over left line; Bottom couple go up over right line
B2 -----------
(8) bottom & top couples charge (sashay) the middle of the set, meet in the
middle
(8) couple below drag couple above to bottom of the set
Animal Parade
Longways/Other/Beginner
A1 -----------
(8) Long lines, forward and back
(8) Partner allemande Left
A2 -----------
(8) Partner allemande Right
(8) Partner two hand swing or DSD
B1 -----------
“top” couple walk to bottom, miming the animal of their choice
Come back to top
B2 -----------
Top couple peels off to outside, everyone follows
Top couple makes an arch at bottom, rest come though with partner
Green Mountain Ski Wedding
Longways/Proper/Beginner
A1 -----------
Whole Group Oval Left until across from partner again
Partner Do-si-do
A2 -----------
Bottom (was top) couple slalom (weave) back and forth up the set (cutting
through lines)
B1 -----------
Whole group oval right until across from partner again
B2 -----------
Partner allemande Left
Partner allemande Right
Pousset scatter (mix or keeper)
Scatter/Beginner
starts in groups of four, with a partner and a neighbor couple
A1 -----------
(8) Right hand Star
(8) Left hand Star
A2 -----------
(8) Partner allemande Left 1x
(8) Partner Do-si-do 1.5x end back to back
B1 -----------
Dancers count out loud:
un, du, two, and cry Pousset, butt-push your partner
SCATTER: find a new partner and swing
KEEPER: chase your partner around and swing
B2 -----------
(16) Promenade around
Find another couple
On Wed, May 15, 2019 at 8:51 AM Charles Abell via Callers <
callers(a)lists.sharedweight.net> wrote:
> I'm sure there is already a thread on this somewhere, but I'm wondering
> what are your favorite dances for those in the 4-10 year old range.
> Specifically, dances that are not mixers since many younger dancers prefer
> to stay with a particular partner the whole time. I have a number of good
> ones already (Alabama Gal, Haste to the Wedding, La Bastringue, etc), but
> I'd like to expand my existing collection of dances geared towards "little
> ones".
>
> Let 'em rip!
>
>
>
Linda Leslie wrote some really good ones. Do Si Three is always a big
hit when I call it for kids and parents (as well as at weddings and other
parties where most people have never danced.) She has many more.
http://lindalesliecaller.contracorner.com/dances/very-easy-dances.html
On Wed, May 15, 2019 at 8:51 AM Charles Abell via Callers <
callers(a)lists.sharedweight.net> wrote:
> I'm sure there is already a thread on this somewhere, but I'm wondering
> what are your favorite dances for those in the 4-10 year old range.
> Specifically, dances that are not mixers since many younger dancers prefer
> to stay with a particular partner the whole time. I have a number of good
> ones already (Alabama Gal, Haste to the Wedding, La Bastringue, etc), but
> I'd like to expand my existing collection of dances geared towards "little
> ones".
>
> Let 'em rip!
>
>
> ------------------------------
> *From:* Callers <callers-bounces(a)lists.sharedweight.net> on behalf of
> John Sweeney via Callers <callers(a)lists.sharedweight.net>
> *Sent:* Tuesday, February 13, 2018 9:58 AM
> *To:* callers(a)lists.sharedweight.net
> *Subject:* Re: [Callers] Looking for "fun" dances
>
> Since so many people enjoy the contrary circling in The Wheel, you might
> enjoy this one as well:
>
> Suicide Square
> http://www.ceilidhcalling.co.uk/danceviewpage.php?view=1&id=9
>
> It is extremely chaotic! You can reduce the chaos slightly by getting the
> band to stop randomly during the circling, at which point everyone grabs a
> partner; the band waits a few seconds while everyone finds a partner and
> decides whether they are Heads or Sides, then gives two notes and starts
> the
> next Heads Gallop.
>
> I modify it to give a bit more recovery time:
>
> Start in a big square around the room
> A1: Head couples take partner in a ballroom hold and gallop eight steps
> into the centre and back
> A2: Sides gallop eight steps into the centre and back
> B1: All the men form an outer circle facing in, while the ladies form
> an
> inner circle facing out. All circle left then find a new partner
> B2: Partner Swing - stop early enough to decide whether you are now
> Heads or Sides - Heads get ready to gallop
>
> There is also The Muffin Man Jig:
> http://www.ceilidhcalling.co.uk/danceviewpage.php?view=1&id=11
>
> Happy dancing,
> John
>
> John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802
> 940 574
> http://www.modernjive.com for Modern Jive Events & DVDs
> http://www.contrafusion.co.uk for Dancing in Kent
>
>
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>
I find Monkey in the Middle (by Sherry Nevins) a friendly variant of Ninepins. You are choosing a partner rather than scrambling and a person feeling left out.
Sent from my iPhone
> On Jan 31, 2018, at 3:59 PM, Chris Page via Callers <callers(a)lists.sharedweight.net> wrote:
>
> Ninepins?
>
> -Chris Page
> San Diego, CA
>
> On Tue, Jan 30, 2018 at 10:23 AM, Sue via Callers
> <callers(a)lists.sharedweight.net> wrote:
>> Sure they're all fun (we hope). I'm looking for a few dances that are
>> particularly playful, quirky, silly....something that typically gets the
>> dancers laughing.
>>
>> You get the idea. What are your favorites?
>>
>> Sue Gola
>> Princeton, NJ
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
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Hello Shared Weight callers,
I know most of the conversation on this list is very much caller focused.
However, I did want to share the May issue of CDSS's Shop Talk as I know
many of you are also organizers and even if are not, you may still be
interested in some of the topics in this issue.
Take a look below...there are announcements about a web chat focusing on
creating safe dance communities as well as news about a collaborative
project between Shared Weight, some of the other traditional dance/music
listservs, and CDSS.
Here's a link to the issue: https://conta.cc/2HlZOXA
Shop Talk is free and you can sign up here to receive it:
https://www.cdss.org/resources/how-to/organizers#shop-talk
With thanks!
Emily Addison
*In the May issue:*
- Heads up regarding an article in the upcoming June CDSS News which
outlines *how to easily plan organizer discussions*.
- Announcing the *CDSS Web Chat: Building Safe Dance Communities* which
is happening on July 11th
- *CDSS Scholarships* still available for camp sessions!
- News about an *exciting collaboration among organizer, caller, and
musician listservs*
- A *survey for Open Bands* to support resource development.
- Heads up regarding the upcoming *CDSS Group Affiliates survey*
- A *call for volunteers *interested in developing organizer resources.
- *Join CDSS as an affiliate and individual member to help make
resources and supports like these possible!*
<http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_cam…>
Virus-free.
www.avg.com
<http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_cam…>
<#DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
Kamryn Wisner and I wrote a dance!
Does it exist?
“Techno fix” by Kamryn Wisner and Alexandra Deis-Lauby
A1 N b and swing
A2 Mad robin, Larks allemande left 1.5
B1 Partner b and s
B2 Circle 3/4 balance ring, CA twirl
Sent from my iPhone
I'm calling the Boston Gender-free dance on 11th June, and in preparation for this I've updated my Dance Organiser program so that
when you display the dance instructions full-screen you have the option of converting "man" to "lark" and "lady" or "woman" to
"raven", etc.
You can download the latest version and try it out free of charge:
http://colinhume.com/download
There may be one or two quirks - I noticed that the dance title "Les Manches Vertes" was displayed as "Les Larkches Vertes" but I
can live with that! If you find more serious problems please let me know.
Colin Hume
About a month ago, I asked for help and suggestions because I was calling a dance for visually impaired students. Thank you to all who responded. Well, the dance was last Saturday. The students ranged in age from 8-17. Many of the partnerships contained two visually impaired dancers. We started with a big circle dance with basic figures and without a progression. They did really well with the basics. We did the Snake dance and since the room had two doors opening out to a deck we took advantage of going outside during the dance. We danced Les Salute, Seven Jumps (modified version so we didn't have to lay on the floor), Bridge Dance, the Chicken dance, and ended with the Snake dance again because the kids loved that one. When we spiraled into the middle, they kept yelling, "Let's see how tight we can get it!" It was so much fun seeing all the smiles and I was told, it was the best Saturday evening activity in all the years they have had the Snowshoe Weekend. I found that they did best with large circles, no progression, and no specific partner. I hope to be able to dance with these kids again and try something maybe a little more challenging with them. Unfortunately, due to privacy concerns I am unable to share pictures. The photos did make me tear up. In all my years of calling, this was one of the best, funnest, and most rewarding gigs.
Helle
Hi Lenore,
I think part of the challenge with contra is that there is so little teaching done at dances. Technique is very rarely taught; people are just supposed to pick it all up as they go along. As a result people who can get through challenging dances consider themselves “advanced” while still having no basic dancing skills.
One of the most frustrating sequences for me is “Men Allemande Left 1.5; Neighbour Swing”. I like to spin out of the Allemande into my Neighbour’s arms for the Swing. But no-one ever teaches Allemande technique and very few dancers do it well (the ladies tend to be much better than the men). I get offered all sorts of strange hand positions; the dancers put their arms at strange angles which prevent you disengaging smoothly; many of the dancers seem to think that they are arm-wrestling instead of dancing; some of them have misunderstood the term “give weight” and lean away strongly so that I have to devote myself to stopping them from falling over (very tiring!); and, possibly as a result of all this poor connection, they don’t move fast enough - their steps are too small. All of this means that getting around 1.5 times takes too long and there is no time to add a spin out of the Allemande.
You can’t build on shifting sands.
Whenever I teach a Swing Variations workshop I always start by going over the basics of a good swing. It’s amazing how many people afterwards thank me and say they hadn’t realised that they could improve their basic swing. See http://contrafusion.co.uk/Contra.html#swinging for details.
You may also find some ideas you can use at http://contrafusion.co.uk/Contra.html#connection.
For improving technique in twirls (e.g. in and out of swings, and multiple twirls in a Ladies’ Chains), see http://modernjive.com/history/tension.html. Although this article was written for a different dance style, the technique points apply equally well to contra twirls. Note: this article refers to Lead & Follow which is not a fundamental part of contra dance. However, for many flourishes the Lead & Follow principles apply for the duration of that flourish.
Some flourishes that can be done easily by yourself are:
Spin into a Tidal Wave (long wavy line)
Twirl yourself going from Up The Hall in Lines of Four into a Circle Left
Spin yourself out of Allemandes - great fun if you can do all four in a Contra Corners
Do something on beat four of Long Lines Go Forward & Back: shimmy, stamp, hip bump the opposite person (if you know them well), bow…
I hope some of that helps.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com <mailto:john@modernjive.com> 01233 625 362 & 07802 940 574
http://contrafusion.co.uk/KentCeilidhs.html for Live Music Ceilidhs
http://www.contrafusion.co.uk for Dancing in Kent
http://www.modernjive.com for Modern Jive DVDs
From: Callers <callers-bounces(a)lists.sharedweight.net <mailto:callers-bounces@lists.sharedweight.net> > On Behalf Of Lenore Frigo via Callers
Sent: 26 April 2019 22:45
To: callers(a)lists.sharedweight.net <mailto:callers@lists.sharedweight.net>
Subject: [Callers] Easy flourishes or other "bonus" movements?
I would like to teach some of my more advanced dancers some flourishes or other embellishments to contra dance. I'd like to start with things that are easy and obviously that can be smoothly integrated into a dance.
Simpler is better and I am especially looking for "extras" that can be done singly rather than within a couple. For example, simply twirling during a do-si-do, or little "meanwhile" things you can do while waiting out as your partner allemandes with their diagonal.
I've found some YouTube videos, but they tend to be for more elaborate technique than I am interested in introducing at this time.
Thanks for any thoughts, tips, support, or warnings! :)
Lenore Frigo