I actually said “Escape.” They were acting crazed enough as it was.
Tony
From: Amy Cann [mailto:acann@putneyschool.org]
Sent: Sunday, October 30, 2016 2:06 AM
To: Tony Parkes <tony(a)hands4.com>
Cc: Caller's discussion list <callers(a)sharedweight.net>; pourparler(a)yahoogroups.com; Lisa Sieverts <lisa(a)lisasieverts.com>; Don Primrose <limerickfarm(a)gmail.com>; Laurie Indenbaum <lri(a)sover.net>; Carol Compton <carol(a)bitdance.com>; David Kaynor <davidkaynor(a)mac.com>; Dave Bateman <Dave.Bateman23(a)comcast.net>; Tod Whittemore <todw(a)stephensmtg.net>
Subject: Re: [Callers] Calling a Halloween dance tonight? Try this circle mixer...
Tony, I keep trying to imagine you saying "Braaaaiins" to a bunch of zombies, and I keep getting a fair amount of cognitive dissonance/pushback...
On Sat, Oct 29, 2016 at 10:16 PM, Tony Parkes <tony(a)hands4.com<mailto:tony@hands4.com>> wrote:
Thank you, Amy! I used it tonight at a wild church party, calling it Zombie Escape. This was a record dance, so I used the track of Brisk Young Lads that the Canterbury made for CDSS in the 1970s. It’s a jig in A minor like Coleraine, so it worked perfectly.
Tony
From: Callers [mailto:callers-bounces@lists.sharedweight.net<mailto:callers-bounces@lists.sharedweight.net>] On Behalf Of Amy Cann via Callers
Sent: Saturday, October 29, 2016 12:54 PM
To: Caller's discussion list <callers(a)sharedweight.net<mailto:callers@sharedweight.net>>; pourparler(a)yahoogroups.com<mailto:pourparler@yahoogroups.com>; Lisa Sieverts <lisa(a)lisasieverts.com<mailto:lisa@lisasieverts.com>>; Don Primrose <limerickfarm(a)gmail.com<mailto:limerickfarm@gmail.com>>; Laurie Indenbaum <lri(a)sover.net<mailto:lri@sover.net>>; Carol Compton <carol(a)bitdance.com<mailto:carol@bitdance.com>>; David Kaynor <davidkaynor(a)mac.com<mailto:davidkaynor@mac.com>>; Dave Bateman <Dave.Bateman23(a)comcast.net<mailto:Dave.Bateman23@comcast.net>>; Tod Whittemore <todw(a)stephensmtg.net<mailto:todw@stephensmtg.net>>
Subject: [Callers] Calling a Halloween dance tonight? Try this circle mixer...
I try and call the dances of Rich Blazej whenever I can and this one's a Halloween favorite, re-done as "Werewolves and Zombies".
Garfield's Escape -- circle of couples PLUS ONE EXTRA in the center (Garfield)
A1 All into the center EIGHT steps and back, menacing the Garfield
A2 Circle left, circle right
B1 Women (werewolves) promenade single file to the right, while men (zombies) "star" by the right -- each man puts his right hand on right shoulder of the man in front - including Garfield.
B2 Caller hollers "Escape!" ("Boo!", or maybe "Braaaiiins") and all men run to the outside and swing with a woman in the outer circle. A new Garfield remains in the center.
Rich himself named this after Garfield the comic-strip cat, way back when he was cynical and funny (the cat, not Rich).
"The single man remaining at the end of the dance is entitled to a pan of lasagna and some fresh kitty litter".
My favorite normal tune for this is the minor jig Coleraine, played at a slightly slower lurch-y tempo, but if I'm lucky the band'll do the Alfred Hitchcock theme.
Have fun, just thought I'd share -- and I'd love to hear how it goes if you do it, and what variations emerge.
Cheers,
Amy
Hello folks,
This is not a calling question, but I thought I'd ask, since so many of you
are musicians.
Is there a single microphone that would be good to pick up two
guitarists/vocalists?
I am thinking of the type of mic a bluegrass band might use for
performance, not for studio work.
Any recommendations?
Rich
Stafford, CT
Grrrl Band were playing for me in Tuscon. They used John Kirkpatrick's
tune Jump At The Sun. Definitely spooky.
Michael Barraclough
www.michaelbarraclough.com
--
On Sat, 2016-10-29 at 18:10 -0400, Jacob or Nancy Bloom via Callers
wrote:
> Here's a link to the sheet music for the tune that was used for
> Alfred Hitchcock Presents, in case you want to have it for your
> musicians. It's called, "Funeral March of a Marionette."
>
> http://makingmusicfun.net/pdf/sheet_music/march-of-the-marionette-pia
> no.pdf
>
> Jacob
>
> On Sat, Oct 29, 2016 at 12:53 PM, Amy Cann via Callers
> .sharedweight.net> wrote:
> > I try and call the dances of Rich Blazej whenever I can and this
> > one's a Halloween favorite, re-done as "Werewolves and Zombies".
> >
> > Garfield's Escape -- circle of couples PLUS ONE EXTRA in the center
> > (Garfield)
> >
> > A1 All into the center EIGHT steps and back, menacing the Garfield
> > A2 Circle left, circle right
> >
> > B1 Women (werewolves) promenade single file to the right, while
> > men (zombies) "star" by the right -- each man puts his right hand
> > on right shoulder of the man in front - including Garfield.
> >
> > B2 Caller hollers "Escape!" ("Boo!", or maybe "Braaaiiins") and
> > all men run to the outside and swing with a woman in the outer
> > circle. A new Garfield remains in the center.
> >
> > Rich himself named this after Garfield the comic-strip cat, way
> > back when he was cynical and funny (the cat, not Rich).
> > "The single man remaining at the end of the dance is entitled to a
> > pan of lasagna and some fresh kitty litter".
> >
> > My favorite normal tune for this is the minor jig Coleraine, played
> > at a slightly slower lurch-y tempo, but if I'm lucky the band'll do
> > the Alfred Hitchcock theme.
> >
> > Have fun, just thought I'd share -- and I'd love to hear how it
> > goes if you do it, and what variations emerge.
> >
> > Cheers,
> > Amy
> >
> > _______________________________________________
> > Callers mailing list
> > Callers(a)lists.sharedweight.net
> > http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
> >
>
>
> --
> jandnbloom(a)gmail.com
> http://jacobbloom.net/
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
Tony, I keep trying to imagine you saying "Braaaaiins" to a bunch of
zombies, and I keep getting a fair amount of cognitive
dissonance/pushback...
On Sat, Oct 29, 2016 at 10:16 PM, Tony Parkes <tony(a)hands4.com> wrote:
> Thank you, Amy! I used it tonight at a wild church party, calling it
> Zombie Escape. This was a record dance, so I used the track of Brisk Young
> Lads that the Canterbury made for CDSS in the 1970s. It’s a jig in A minor
> like Coleraine, so it worked perfectly.
>
>
>
> Tony
>
>
>
> *From:* Callers [mailto:callers-bounces@lists.sharedweight.net] *On
> Behalf Of *Amy Cann via Callers
> *Sent:* Saturday, October 29, 2016 12:54 PM
> *To:* Caller's discussion list <callers(a)sharedweight.net>;
> pourparler(a)yahoogroups.com; Lisa Sieverts <lisa(a)lisasieverts.com>; Don
> Primrose <limerickfarm(a)gmail.com>; Laurie Indenbaum <lri(a)sover.net>;
> Carol Compton <carol(a)bitdance.com>; David Kaynor <davidkaynor(a)mac.com>;
> Dave Bateman <Dave.Bateman23(a)comcast.net>; Tod Whittemore <
> todw(a)stephensmtg.net>
> *Subject:* [Callers] Calling a Halloween dance tonight? Try this circle
> mixer...
>
>
>
> I try and call the dances of Rich Blazej whenever I can and this one's a
> Halloween favorite, re-done as "Werewolves and Zombies".
>
> *Garfield's Escape* -- circle of couples PLUS ONE EXTRA in the center
> (Garfield)
>
> A1 All into the center EIGHT steps and back, menacing the Garfield
>
> A2 Circle left, circle right
>
> B1 Women (werewolves) promenade single file to the right, while men
> (zombies) "star" by the right -- each man puts his right hand on right
> shoulder of the man in front - including Garfield.
>
> B2 Caller hollers "Escape!" ("Boo!", or maybe "Braaaiiins") and all men
> run to the outside and swing with a woman in the outer circle. A new
> Garfield remains in the center.
>
> Rich himself named this after Garfield the comic-strip cat, way back when
> he was cynical and funny (the cat, not Rich).
> "The single man remaining at the end of the dance is entitled to a pan of
> lasagna and some fresh kitty litter".
>
> My favorite normal tune for this is the minor jig Coleraine, played at a
> slightly slower lurch-y tempo, but if I'm lucky the band'll do the Alfred
> Hitchcock theme.
>
>
>
> Have fun, just thought I'd share -- and I'd love to hear how it goes if
> you do it, and what variations emerge.
>
> Cheers,
>
> Amy
>
Thank you, Amy! I used it tonight at a wild church party, calling it Zombie Escape. This was a record dance, so I used the track of Brisk Young Lads that the Canterbury made for CDSS in the 1970s. It’s a jig in A minor like Coleraine, so it worked perfectly.
Tony
From: Callers [mailto:callers-bounces@lists.sharedweight.net] On Behalf Of Amy Cann via Callers
Sent: Saturday, October 29, 2016 12:54 PM
To: Caller's discussion list <callers(a)sharedweight.net>; pourparler(a)yahoogroups.com; Lisa Sieverts <lisa(a)lisasieverts.com>; Don Primrose <limerickfarm(a)gmail.com>; Laurie Indenbaum <lri(a)sover.net>; Carol Compton <carol(a)bitdance.com>; David Kaynor <davidkaynor(a)mac.com>; Dave Bateman <Dave.Bateman23(a)comcast.net>; Tod Whittemore <todw(a)stephensmtg.net>
Subject: [Callers] Calling a Halloween dance tonight? Try this circle mixer...
I try and call the dances of Rich Blazej whenever I can and this one's a Halloween favorite, re-done as "Werewolves and Zombies".
Garfield's Escape -- circle of couples PLUS ONE EXTRA in the center (Garfield)
A1 All into the center EIGHT steps and back, menacing the Garfield
A2 Circle left, circle right
B1 Women (werewolves) promenade single file to the right, while men (zombies) "star" by the right -- each man puts his right hand on right shoulder of the man in front - including Garfield.
B2 Caller hollers "Escape!" ("Boo!", or maybe "Braaaiiins") and all men run to the outside and swing with a woman in the outer circle. A new Garfield remains in the center.
Rich himself named this after Garfield the comic-strip cat, way back when he was cynical and funny (the cat, not Rich).
"The single man remaining at the end of the dance is entitled to a pan of lasagna and some fresh kitty litter".
My favorite normal tune for this is the minor jig Coleraine, played at a slightly slower lurch-y tempo, but if I'm lucky the band'll do the Alfred Hitchcock theme.
Have fun, just thought I'd share -- and I'd love to hear how it goes if you do it, and what variations emerge.
Cheers,
Amy
Here's a link to the sheet music for the tune that was used for Alfred
Hitchcock Presents, in case you want to have it for your musicians. It's
called, "Funeral March of a Marionette."
http://makingmusicfun.net/pdf/sheet_music/march-of-the-marionette-piano.pdf
Jacob
On Sat, Oct 29, 2016 at 12:53 PM, Amy Cann via Callers <
callers(a)lists.sharedweight.net> wrote:
> I try and call the dances of Rich Blazej whenever I can and this one's a
> Halloween favorite, re-done as "Werewolves and Zombies".
>
> *Garfield's Escape* -- circle of couples PLUS ONE EXTRA in the center
> (Garfield)
>
> A1 All into the center EIGHT steps and back, menacing the Garfield
> A2 Circle left, circle right
>
> B1 Women (werewolves) promenade single file to the right, while men
> (zombies) "star" by the right -- each man puts his right hand on right
> shoulder of the man in front - including Garfield.
>
> B2 Caller hollers "Escape!" ("Boo!", or maybe "Braaaiiins") and all men
> run to the outside and swing with a woman in the outer circle. A new
> Garfield remains in the center.
>
> Rich himself named this after Garfield the comic-strip cat, way back when
> he was cynical and funny (the cat, not Rich).
> "The single man remaining at the end of the dance is entitled to a pan of
> lasagna and some fresh kitty litter".
>
> My favorite normal tune for this is the minor jig Coleraine, played at a
> slightly slower lurch-y tempo, but if I'm lucky the band'll do the Alfred
> Hitchcock theme.
>
> Have fun, just thought I'd share -- and I'd love to hear how it goes if
> you do it, and what variations emerge.
>
> Cheers,
> Amy
>
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>
--
jandnbloom(a)gmail.com
http://jacobbloom.net/
What a great suggestion! Thanks Amy.
Here's another: Haunted Woods of Athlone. As Bridge of Athlone, but with a
few Halloween changes:
A1 Forward and Back, and Change with Partner* Zombie Style*
A2 Repeat back to place
B1 Top couple chasse down the center and back 8 steps
B2 Top couple casts off, lines follow down to the bottom *Witches Broom (Or
Gliding Ghost) style.* Top couple make an arch, everyone under the arch and
back to place
C1 Top couple back up the outside while everyone else makes the Haunted
Woods (instead of the Bridge). Top couple runs through the haunted woods to
the bottom.
C2....? Not ever sure of the timing of this dance! But it's usually not
done in distinct phrases.
Enjoy!
On Sat, Oct 29, 2016 at 3:01 PM, via Callers <callers(a)lists.sharedweight.net
> wrote:
> Send Callers mailing list submissions to
> callers(a)lists.sharedweight.net
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://lists.sharedweight.net/listinfo.cgi/callers-
> sharedweight.net
> or, via email, send a message with subject or body 'help' to
> callers-request(a)lists.sharedweight.net
>
> You can reach the person managing the list at
> callers-owner(a)lists.sharedweight.net
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of Callers digest..."
>
>
> Today's Topics:
>
> 1. Calling a Halloween dance tonight? Try this circle mixer...
> (Amy Cann via Callers)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sat, 29 Oct 2016 12:53:42 -0400
> From: Amy Cann via Callers <callers(a)lists.sharedweight.net>
> To: "Caller's discussion list" <callers(a)sharedweight.net>,
> pourparler(a)yahoogroups.com, Lisa Sieverts <lisa(a)lisasieverts.com>,
> Don
> Primrose <limerickfarm(a)gmail.com>, Laurie Indenbaum <
> lri(a)sover.net>,
> Carol Compton <carol(a)bitdance.com>, David Kaynor
> <davidkaynor(a)mac.com>, Dave Bateman <Dave.Bateman23(a)comcast.net>,
> Tod
> Whittemore <todw(a)stephensmtg.net>
> Subject: [Callers] Calling a Halloween dance tonight? Try this circle
> mixer...
> Message-ID:
> <CALZWU+tH+c6FobS2Xa94iedg=FrR-kjR9t41g2R8HzTbYJj5Lg@mail.
> gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> I try and call the dances of Rich Blazej whenever I can and this one's a
> Halloween favorite, re-done as "Werewolves and Zombies".
>
> *Garfield's Escape* -- circle of couples PLUS ONE EXTRA in the center
> (Garfield)
>
> A1 All into the center EIGHT steps and back, menacing the Garfield
> A2 Circle left, circle right
>
> B1 Women (werewolves) promenade single file to the right, while men
> (zombies) "star" by the right -- each man puts his right hand on right
> shoulder of the man in front - including Garfield.
>
> B2 Caller hollers "Escape!" ("Boo!", or maybe "Braaaiiins") and all men
> run to the outside and swing with a woman in the outer circle. A new
> Garfield remains in the center.
>
> Rich himself named this after Garfield the comic-strip cat, way back when
> he was cynical and funny (the cat, not Rich).
> "The single man remaining at the end of the dance is entitled to a pan of
> lasagna and some fresh kitty litter".
>
> My favorite normal tune for this is the minor jig Coleraine, played at a
> slightly slower lurch-y tempo, but if I'm lucky the band'll do the Alfred
> Hitchcock theme.
>
> Have fun, just thought I'd share -- and I'd love to hear how it goes if you
> do it, and what variations emerge.
>
> Cheers,
> Amy
>
I try and call the dances of Rich Blazej whenever I can and this one's a
Halloween favorite, re-done as "Werewolves and Zombies".
*Garfield's Escape* -- circle of couples PLUS ONE EXTRA in the center
(Garfield)
A1 All into the center EIGHT steps and back, menacing the Garfield
A2 Circle left, circle right
B1 Women (werewolves) promenade single file to the right, while men
(zombies) "star" by the right -- each man puts his right hand on right
shoulder of the man in front - including Garfield.
B2 Caller hollers "Escape!" ("Boo!", or maybe "Braaaiiins") and all men
run to the outside and swing with a woman in the outer circle. A new
Garfield remains in the center.
Rich himself named this after Garfield the comic-strip cat, way back when
he was cynical and funny (the cat, not Rich).
"The single man remaining at the end of the dance is entitled to a pan of
lasagna and some fresh kitty litter".
My favorite normal tune for this is the minor jig Coleraine, played at a
slightly slower lurch-y tempo, but if I'm lucky the band'll do the Alfred
Hitchcock theme.
Have fun, just thought I'd share -- and I'd love to hear how it goes if you
do it, and what variations emerge.
Cheers,
Amy
Ron Blechner wrote:
> Can the book have a digital version with embedded hyperlinks to relevant videos?
It sounds like a great idea, but I’m not sure it’s practical. We’ve been trying to create a digital version of the contra book, but the call charts keep blowing up. If anyone can suggest ways to go digital (not our specialty), feel free.
I’m also concerned that the links may go bad, even though YouTube videos have been pretty steadily available so far. I do plan to mention relevant videos by name of dance and/or caller so readers can do their own searches.
Tony Parkes
Billerica, Mass.
www.hands4.com<http://www.hands4.com>
Can the book have a digital version with embedded hyperlinks to relevant
videos?
Ron Blechner
On Oct 28, 2016 1:51 PM, "Tony Parkes via Callers" <
callers(a)lists.sharedweight.net> wrote:
> Richard Hart wrote:
>
>
>
> *> *How about an answer to the question, Can contra callers who don't
> sing call squares, if so, how?
>
>
>
> The answer seems obvious to me, but that’s because I grew up with an
> eclectic assortment of squares in various styles, some of which involve no
> singing at all. Some square dance communities do singing calls exclusively;
> in others, the squares are done to fiddle tunes but in a chanting style in
> which every word is pitched to a note of the musical scale. If one’s
> background is in such a tradition, it can be hard to imagine calling a
> square without singing.
>
>
>
> I enjoy playing around with the harmony when I call. But it’s not
> necessary at all for effective calling. In fact, if you’re not comfortable
> doing it, it can get in the way.
>
>
>
> It’s quite possible to use either a patter or prompting style, or a
> combination of both, without singing a note. Ted Sannella, as he was the
> first to admit, was not a singer. He avoided singing calls for the most
> part; when he did one, such as Life on the Ocean Wave, it was obvious that
> he was uncomfortable and he had trouble finding the pitches. Yet he was one
> of the most successful and influential phrased-square callers of the 20th
> century. He simply spoke his calls rather than singing or harmonizing.
>
>
>
> If you look at YouTube videos of callers doing traditional squares
> (Eastern, Southern or Western), you can see that most of them don’t try to
> pitch their voices to the music. Some have a more shouting style, some are
> mellower, but nearly all are effective in their own way.
>
>
>
> Tony Parkes
>
> Billerica, Mass.
>
> www.hands4.com
>
>
>
>
>
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>