So something I heard Lisa Heywood do, that worked really well, was to get
everyone to walk single file in a little circle. Then she added the stops
in the waves for the balances. She also made it easier on the dancers by
calling a dances with a complete box circulate in ie you went all the way
round and ended up where you started.
I sometimes call it as "rotate" because that's quicker to say than "box
circulate" and makes as much sense. Some experienced dancers are confused
by this even though I think the terms are meant to be interchangeable, but
I guess it wouldn't matter what you call it if they've never heard of it
before.
Jen
On Mon, 7 Jan 2019 at 08:46, Lenore Frigo via Callers <
callers(a)lists.sharedweight.net> wrote:
> I'm planning to call a dance with a box circulate, for the first time, and
> got to thinking, how do you call it during the dance? Do you use the actual
> word "circulate"? That seems clunky to me.I can think of lots of possible
> alternatives, but was wondering if there's a word that is commonly used.
>
> For context, I'll be calling this for a group that has for the most part
> never done a box circulate. (And while we're at it, if you have any tips
> for teaching the box circulate, I'd be glad to hear those as well!).
>
>
> Thanks so much,
> Lenore Frigo
>
>
> _______________________________________________
> List Name: Callers mailing list
> List Address: Callers(a)lists.sharedweight.net
> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>
I'm planning to call a dance with a box circulate, for the first time, and
got to thinking, how do you call it during the dance? Do you use the actual
word "circulate"? That seems clunky to me.I can think of lots of possible
alternatives, but was wondering if there's a word that is commonly used.
For context, I'll be calling this for a group that has for the most part
never done a box circulate. (And while we're at it, if you have any tips
for teaching the box circulate, I'd be glad to hear those as well!).
Thanks so much,
Lenore Frigo
I have acquired 2 copies of Sets in Order-The American Round Dance handbook
1948-56. Don't really want to throw them away-well, recycle them-but I am
not interested in them Does anyone want them? Willing to mail them to
interested parties. Please contact me off list.
Judy Greenhill
judy(a)relativeharmony.com
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Hello Contra Dancers:
Researchers Jonathan Sivier and Jan Buhrmann are currently conducting a
study on contra dance, in preparation for developing an article that
will introduce contra dancing to a wider audience. Their goal for this
article is to help promote the benefits of this form of dance to those
who aren’t currently familiar with it.
They would like to gather information from as many dancers around the
country as possible, and be able to compare the experiences and dynamics
of contra dancers in different parts of the country. They would greatly
appreciate your participation in a survey on contra dance that asks you
to share your thoughts, feelings, and experiences with contra dancing.
This survey is anonymous, and will only take a few minutes to fill out.
Please click on the link below to take this survey.
Contra Dance Survey
- Copy and paste the following address into your browser:
https://www.surveymonkey.com/r/YYRJCNJ
Sincerely,
Jonathan Sivier and Jan Buhrmann
Jonathan Sivier, University of Illinois, Urbana-Champaign
jsivier(a)illinois.edu / 217-359-8225
Jan Buhrmann, Ph.D.
Department of Sociology, Illinois College
jbuhrman(a)ic.edu / 303-503-0858
While taking today to clean up my dance inventory I took a look at French Four, which goes like this:
French Four
Contra Duple/Improper
Traditional
A1 1s balance, right pull by, cross below 2s, 2s move up
1s balance, right pull by, cross above 2s, 2s move down
A2 1s Balance & Swing
B1 1s down center, turn as a couple, come back
2s cast 1s to second place
B2 All right and left through, twice
If the major set is short and dancers tired, this can be done as a triple minor to give the 2s and 3s even more resting out (but pretty dull for the 3s). So then I wondered what it might take to make it a triplet (because I’m collecting my triplets as part of my inventory review) and came up with this variation in B2.
Triplet variation
All dancers proper
A1 (new) 1s balance, right pull by, cross below 2s, 2s move up
1s balance, right pull by, cross above 2s, 2s move down
A2 1s Balance & Swing
B1 1s down center, turn as a couple, come back
2s cast 1s to second place
B2 Lines of 3 forward and back
Lines of 3 forward, on the way back 3s roll 1s to bottom (left to right)
This variation gives the 3s more to do. What do you think? Is it too odd to have same-roles do the roll away with each other?
\Bob Peterson
bob(a)contracorner.com
