Hi Luke,
I also love dolphin heys!
Earlier this year I made a substitution of a dolphin hey for an ordinary
hey for 3 (with the 1s acting as a unit). That appears as a figure in
several contra dances (e.g. Kittyhawk Hornpipe by Don Armstrong or Nils's
Maggot by Martha Wild, where you end up back where you started, 1s in the
middle, in a line of 4 to go down the hall, so it's forgiving even if you
don't get the hey quite right).
I think it worked well for the crowd at the time, but I haven't determined
how best to teach the dolphin hey to contra dancers. I used a
demonstration. Any suggestions?
Yoyo Zhou
Nice! I love Dolphin heys!
As an aside, I was thinking how great it would be if contra dancers had hey
for 3s in their rep so they could more easily adapt a dance if one of their
hands-four dropped out for some reason. Then the other couple wouldn't
have to go to the bottom. Kind of like when at the end of a 4 x 4 people
do it with just the 4 dancers.
A
On Sun, Jun 12, 2016 at 11:36 PM, Luke Donforth via Callers <
callers(a)lists.sharedweight.net> wrote:
> Hello all,
>
> I'm sharing a link to a pod of dances I recently wrote:
> http://www.madrobincallers.org/2016/06/13/dolphinheys/
> rather than putting all 5 and the descriptions up here. I'll put one at
> the bottom.
>
> I was at the English Country Dance in Brattleboro before the Dawn Dance,
> and Nikki Herbst called a dance with a dolphin hey; and it was such fun I
> decided to write contra dances with it.
>
> For those of you (like recently me) not familiar with a dolphin hey, it's
> 4 people doing a hey for 3; with the 1s acting as a unit and trading leads
> (like a school of fish) when the reach either end and loop back in. For
> instance, at 1:32 in this lovely video of Sapphire Sea:
> https://www.youtube.com/watch?v=g-8LyExynvA
>
> I don't have video of the contra dances (although I have called a couple
> of them at contras and they've worked).
>
> Also, if you just search Dolphin Hey on google, you find:
>
>
> Which, given how much time I've spent navel gazing about the move, I
> admit to thinking is hilarious.
>
> My favorite
> (so far) of the 5 I've written is below. I'm curious if anyone else has
> already ported this move from ECD into contra.
>
> Enjoy:
>
>
> Kinematic Dolphin Vorticity
> Luke Donforth
> Type: Contra
> Formation: Duple-Improper
>
> A1 -----------
> (8) Long lines, forward and back
> (8) 2s hand cast the 1s down through the middle to a line of 4
> 1s turn to face lady 2
> A2 -----------
> (16) Dolphin hey for 3, 1s (gent starting in lead) pass lady 2 by left
> 7 changes, until at gents home side with partner second time
> B1 -----------
> (16) Partner gypsy and swing
> B2 -----------
> (6) Circle Left 3/4
> (10) Swing neighbor
>
> Notes: The dancers will probably get to the partner gypsy a little early.
> They can get a little more gypsy, or swoop wideley on the hey.
>
> Other Notes: The title comes from Carol Ormand’s Kinematic Vorticity,
> which has the same A1 and B2.
>
> --
> Luke Donforth
> calling.luke(a)gmail.com
> <Luke.Donev(a)gmail.com>
>
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>
Hello all,
I'm sharing a link to a pod of dances I recently wrote:
http://www.madrobincallers.org/2016/06/13/dolphinheys/
rather than putting all 5 and the descriptions up here. I'll put one at the
bottom.
I was at the English Country Dance in Brattleboro before the Dawn Dance,
and Nikki Herbst called a dance with a dolphin hey; and it was such fun I
decided to write contra dances with it.
For those of you (like recently me) not familiar with a dolphin hey, it's 4
people doing a hey for 3; with the 1s acting as a unit and trading leads
(like a school of fish) when the reach either end and loop back in. For
instance, at 1:32 in this lovely video of Sapphire Sea:
https://www.youtube.com/watch?v=g-8LyExynvA
I don't have video of the contra dances (although I have called a couple
of them at contras and they've worked).
Also, if you just search Dolphin Hey on google, you find:
Which, given how much time I've spent navel gazing about the move, I admit
to thinking is hilarious.
My favorite
(so far) of the 5 I've written is below. I'm curious if anyone else has
already ported this move from ECD into contra.
Enjoy:
Kinematic Dolphin Vorticity
Luke Donforth
Type: Contra
Formation: Duple-Improper
A1 -----------
(8) Long lines, forward and back
(8) 2s hand cast the 1s down through the middle to a line of 4
1s turn to face lady 2
A2 -----------
(16) Dolphin hey for 3, 1s (gent starting in lead) pass lady 2 by left
7 changes, until at gents home side with partner second time
B1 -----------
(16) Partner gypsy and swing
B2 -----------
(6) Circle Left 3/4
(10) Swing neighbor
Notes: The dancers will probably get to the partner gypsy a little early.
They can get a little more gypsy, or swoop wideley on the hey.
Other Notes: The title comes from Carol Ormand’s Kinematic Vorticity, which
has the same A1 and B2.
--
Luke Donforth
calling.luke(a)gmail.com
<Luke.Donev(a)gmail.com>
In 2015 I wrote (and called) a dance that may already exist; if it's unique
I'm sure it's only slightly so. Wondering if anyone knows of this sequence
(or very similar one) under a different title.
Thanks!
Jerome Grisanti
Another Equal Turn
By Jerome Grisanti (?)
Improper Contra June 2015
A1
(New) Ladies Allemande Left 1X
Neighbor Swing.
A2
Long Lines,
Men allemande Left 1 1/2
B1
Partner Balance & Swing
B2
Pass the Ocean,
Balance the wave,
Women allemande Left halfway,
Balance the wave, walk forward to next neighbor
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do, or dream you can, begin it. Boldness has genius and power
and magic in it." --Johann Wolfgang von Goethe
Hi All,
Remember that I posted a dance I wrote, which I finished at the WA
State caucus (called "Feelin' the Bern")? I called it at Northwest
Folklife Festival and it went well. There's a 16-count swing at the
end. I got several comments here that that was too long and I should
shorten it and add something else. I left it long. That swing was the
thing I got the most positive feedback about on that dance. There is
video of it on Facebook, courtesy of Matt Fisher, though if you are
not his friend you may not be able to see it.
-Amy
We danced it at Meet Me In St Louis (can't remember which caller) and I
enjoyed it, so countthat as an endorsement.
-Dave
On 6/8/2016 4:45 PM, Mark Hillegonds via Callers wrote:
>
> Looks like Little Green Heron, by Joseph Pimentel.
>
> On Jun 8, 2016 4:40 PM, "Vicki Morrison via Callers"
> <callers(a)lists.sharedweight.net
> <mailto:callers@lists.sharedweight.net>> wrote:
>
> Hello. I saw a video recently from Raindance with Deb Comly
> calling. Anyone know the name and author of this dance? Thanks!
>
> A1 with current neighbors star L; with former neighbors star R
> A2 with current N b&s
> B1 men alle L 1.5; P swing
> B2 circle L 1.25 (till the ones are looking down, twos looking
> up); with P zig left past current neighbors, zag right to greet
> new neighbors
>
> Vicki Morrison
> Tallahassee, FL
>
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net <mailto:Callers@lists.sharedweight.net>
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>
>
> _______________________________________________
> Callers mailing list
> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
Hello. I saw a video recently from Raindance with Deb Comly calling. Anyone know the name and author of this dance? Thanks!
A1 with current neighbors star L; with former neighbors star R
A2 with current N b&sB1 men alle L 1.5; P swing
B2 circle L 1.25 (till the ones are looking down, twos looking up); with P zig left past current neighbors, zag right to greet new neighbors
Vicki MorrisonTallahassee, FL
The gig itself is not on Wednesday, thankfully. That's just when I fly,
and thus my deadline for getting things sorted with the band. The gig
is on Saturday night. The structure is that we're tacking a half hour
of community dances onto the front of a full evening that this band was
already going to be playing. So they'll get plenty of time to shine
doing their own thing, and we'll only to work together for a short set.
There have been some excellent and very helpful tune suggestions. Thank
you all! I've sent the band a list of tunes and links, and will try to
connect by phone later today. They claim to have some "folk and
country" in their repertoire, and perhaps some of these tunes will be
familiar to them. The band's instrumentation is promising -- accordion,
banjo, bass, drums, fiddle, washboard, harmonica and guitar.
Once again, I want to say how much I appreciate these email discussion
lists. It's wonderful to be able to connect with the larger community
of callers, musicians and organizers. I'll keep you all posted as
things progress.
Thank you!
Kalia Kliban
Hi all
I'm posting this to several different callers' lists (ECD,
trad-dance-callers and shared weight) in hopes of some speedy advice.
I'm heading off shortly (Weds. evening, 6/8) for an event that is not a
dance event, but at which I've been asked to lead a short community
dance session on "honky tonk night." The band for this is _not_ a
traditional dance band. They're more of a garage band with bar-band
aspirations. I wrote to them several weeks ago to check in about music,
and when I didn't hear back, wrote again about a week ago. Then again,
and finally heard back right as I was getting ready to leave for the
airport for a weekend gig, from which I've just returned.
Their contact person tells me that sheet music would be useful, which
puts me in the position of trying to figure out a very small assortment
of tunes to send them. We're doing about 1/2 hour of dancing, so at the
most it'll be 3 dances. With 2 jigs and 2 reels I can make this work.
The question is "which ones?" And that's where you all come in. I'm
looking for recommendations for a small assortment of simple, enjoyable
tunes for community dancing. As a non-musican, I have no idea which
tunes are easy to pick up quickly and which aren't, so I'm hoping some
of you can help me out.
Kalia Kliban
While we're at it, I've got one as well:
Too Many Joshes <http://contra.maiamccormick.com/dances.html#toomanyjoshes>
(improper)
*Starts with a wavy line of gents in the center*
*A1:* gents bal. L then R, allemande L 3/4
neighbor swing
*A2:* ladies allemande R 1 1/2
partner swing
*B1:* gents chain by L (to N)
circle L 3/4
*B2:* gents chain by R (to N)
gents allemande R 1 1/4 to a long wave (taking L with a new gent)
*Notes: Written late Feb. 2016 for Michal Richardson (in reference to the
state of our local dance), and workshopped at NEFFA ‘16. The parameters I
was given was that the dance have a lot of action for the gents, and be as
confusing and counter-intuitive as possible–I hope I’ve managed this while
achieving flow at the same time. The chain in B1 looks like a typical
gents’ chain (gents begin and end on the left), while in B2, the gents do a
typical “ladies’ chain”, beginning and ending on the RIGHT.*
*Starts with a wavy line of gents in the center*
*A1*: gents bal. L then R, allemande L 3/4
neighbor swing
*A2*: ladies allemande R 1 1/2
partner swing
*B1*: gents chain by L (to N)
circle L 3/4
*B2*: gents chain by R (to N)
gents allemande R 1 1/4 to a long wave (taking L with a new gent)
*Notes: Written late Feb. 2016 for Michal Richardson (in reference to the
state of our local dance), and workshopped at NEFFA ‘16. The parameters I
was given was that the dance have a lot of action for the gents, and be as
confusing and counter-intuitive as possible–I hope I’ve managed this while
achieving flow at the same time. The chain in B1 looks like a typical
gents’ chain (gents begin and end on the left), while in B2, the gents do a
typical “ladies’ chain”, beginning and ending on the RIGHT.*
*Starts with a wavy line of gents in the center*
*A1*: gents bal. L then R, allemande L 3/4
neighbor swing
*A2*: ladies allemande R 1 1/2
partner swing
*B1*: gents chain by L (to N)
circle L 3/4
*B2*: gents chain by R (to N)
gents allemande R 1 1/4 to a long wave (taking L with a new gent)
*Notes: Written late Feb. 2016 for Michal Richardson (in reference to the
state of our local dance), and workshopped at NEFFA ‘16. The parameters I
was given was that the dance have a lot of action for the gents, and be as
confusing and counter-intuitive as possible–I hope I’ve managed this while
achieving flow at the same time. The chain in B1 looks like a typical
gents’ chain (gents begin and end on the left), while in B2, the gents do a
typical “ladies’ chain”, beginning and ending on the RIGHT.**Starts with a
wavy line of gents in the center*
*A1*: gents bal. L then R, allemande L 3/4
neighbor swing
*A2*: ladies allemande R 1 1/2
partner swing
*B1*: gents chain by L (to N)
circle L 3/4
*B2*: gents chain by R (to N)
gents allemande R 1 1/4 to a long wave (taking L with a new gent)
*Notes: Written late Feb. 2016 for Michal Richardson (in reference to the
state of our local dance), and workshopped at NEFFA ‘16. The parameters I
was given was that the dance have a lot of action for the gents, and be as
confusing and counter-intuitive as possible–I hope I’ve managed this while
achieving flow at the same time. The chain in B1 looks like a typical
gents’ chain (gents begin and end on the left), while in B2, the gents do a
typical “ladies’ chain”, beginning and ending on the RIGHT.*
*Starts with a wavy line of gents in the center*
*A1*: gents bal. L then R, allemande L 3/4
neighbor swing
*A2*: ladies allemande R 1 1/2
partner swing
*B1*: gents chain by L (to N)
circle L 3/4
*B2*: gents chain by R (to N)
gents allemande R 1 1/4 to a long wave (taking L with a new gent)
*Notes: Written late Feb. 2016 for Michal Richardson (in reference to the
state of our local dance), and workshopped at NEFFA ‘16. The parameters I
was given was that the dance have a lot of action for the gents, and be as
confusing and counter-intuitive as possible–I hope I’ve managed this while
achieving flow at the same time. The chain in B1 looks like a typical
gents’ chain (gents begin and end on the left), while in B2, the gents do a
typical “ladies’ chain”, beginning and ending on the RIGHT.*
On Tue, Jun 7, 2016 at 11:57 AM, Ron Blechner via Callers <
callers(a)lists.sharedweight.net> wrote:
> I was overdue actually publishing my Gents right-hand chain dances. I
> wrote a bunch, settled on 5 that I liked, have called 2 of them so far:
>
> http://contradances.tumblr.com/post/145541215310/gents-right-hand-chains
>
> _______________________________________________
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> Callers(a)lists.sharedweight.net
> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
>
>