I was thinking about this more and had a go at writing a CW Becket dance with a connected progression and no role dependency:

Gremlins in the Keyboard (Jeff Kaufman)
Becket

A1

(8) Long lines forward and back while sliding left
(4) Pass through across
(4) Turn alone to face back in

A2

(8) Balance the ring, spin to the right (Petronella)
(8) Balance the ring, spin to the right (Petronella)

B1

(4) Balance neighbor across the set
(4) Pull by right, pull by left with partner along the set
(4) Balance neighbor across the set
(4) Pull by right, pull by left with partner along the set

B2

(2) Turn over your right shoulder
(4) Partner right shoulder round
(10) Partner swing

Jeff

On Tue, Sep 10, 2024 at 9:18 AM Peter Foster via Contra Callers <contracallers@lists.sharedweight.net> wrote:
Here's one, which borrows a fair bit from A Pillar of Weathersfield:

(no name yet)
becket, progressing to the right
A1 Star left, star right
A2 pass through and swing partner, finish facing down
B1 Down the hall, turn as a couple, return and face across
B2 Long lines F&B, promenade across and, in the courtesy
    turn, progress to the next couple, ready to restart
    with the star left

Peter


On 9/09/2024 2:50 am, Luke Donforth via Contra Callers wrote:
Hello all, 

Oftentimes at One Night Gigs, I'll do a mix of circle and longways set dances. With scatter mixers and specialty dances, I can fill an evening. But sometimes I get a group that "wants contras" or is looking to grow their familiarity with the dance form. 

I think Becket dances without lark/robin distinctions and no neighbor swing are AN easy option into "hands-four" contras. There are other ways in, but I'm looking for more Beckets that match that description. For a while I've had "Pluck It" in my box as a friendly option:

Pluck It
Contra/Becket-CW

A1 -----------
(8) Circle Left
(8) Circle Right
A2 -----------
(8) Left hand Star
(8) Right hand Star
B1 -----------
(8) Partner Do-si-do
(8) Partner swing
B2 -----------
(8) Neighbor Do-si-do across set
(8) Long lines, yearn left 

This is, in my opinion, pretty close to the traditional mixer Scatter Shot but done as a keeper in Becket. (It does have a DSD across the set, which in a recent thread was listed as a no-no for some callers. While I wouldn't use that move at a dance weekend, for One Night gigs I think it's accessible and acceptable). You don't have to teach ballroom swing, and if folks want to elbow swing and swap roles with their partner it doesn't really impact the dance (this is a small advantage of Becket over improper for this type of dance; different position on the side is less disorienting than different side of the set). 

What other Becket dances do folks have that don't rely on roles? No larks allemande or robins chain, etc.

On the drive home from my gig last night I came up with this one (which may already exist), written for Naomi who organizes the community dance I was at:

A Pillar of Weathersfield
Contra/Becket-CW

A1 -----------
(8) Balance the ring and spin to the right (petronella)
(8) Balance the ring and spin to the right (petronella)
A2 -----------
(16) Partner balance and swing, end facing down the hall
B1 -----------
(8) Down the hall, four in line (turn as couples)
(8) Return and face across
B2 -----------
(8) Long lines, forward and back
(8) Promenade across the Set, turn as a couple and progress
(Go between the ones you danced with, passing by left shoulder, and the new couple on your right, turn to take hands with new couple)

I'd be curious what else folks have that they use for entry-level contras when you don't have a critical mass of experience for improper dances with neighbor swings.

Thanks!
Luke Donforth
Burlington, VT

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