Getting back to Maia’s original question, I can say that this has happened to me several times.

If it’s a new-to-me group, I’ll access two different programs I’ve called elsewhere. I’ll start with a test dance or two and then decide which program I’ll use after that. If this is a group for whom I have called challenging programs before, it can be very frustrating having to change my program.

My initial reaction is to try to connect with the organizers to find out what they want me to do: Alter my program, proceed as normal, or incorporate newer dancers as best I can. But the bottom line is the overall experience for the dancers; it’s no fun being on the floor dragging people through dances that are too hard! 

A few tricks I employ from the mic: 
• The first dance is always a no-walk through.
• I give plenty of warnings: “The dance after this has contra corners, which will not be taught. If you don’t know it, maybe you’d like to watch OR find an experienced partner.”
 “The next dance after this is a square —you need to be familiar with squares” And then maybe I choose an intermediate square, not a harder one.
• My frustration with the dance level can’t leak through. So I have to teach how to do a roll away; OK, I’ll do it. And maybe I’ll teach it again just to be clear. With humor, I can get through it and help everyone have a good time.
• I remember that this is really the organizer’s issue, and not the dancers’!

If you need to alter your program drastically, the dancers will understand. If they are disappointed, encourage them to talk with the organizers.

At the break, I  approach the organizers to find out how beginners ended up at the dance. I encourage organizers PLEASE to understand how much work goes into planning and preparing a challenging program. Is your dance well-advertised as being challenging, and do you give an explanation about what that means? Do you have a sign at the door saying it’s for advanced dancers? (FYI: “Experienced” doesn’t mean much. You can be newer to dancing and be a spatial wizard who totally breezes through harder choreography). You can set limits and still be welcoming. Remind people that there are dance series geared for all levels in your area and where. Happily offer a refund if newer dancers are overwhelmed.

Flexibility, flexibility, flexibility.

Lisa Greeenleaf



On Apr 17, 2023, at 12:57 PM, Julian Blechner via Contra Callers <contracallers@lists.sharedweight.net> wrote:

I've given this some thought. I've been a dancer in this situation, and heard other organizers ask this question.

I don't like the idea of asking someone to leave. I do think this is antithetical to my values as a dance organizer. 

I don't like the idea of gatekeeping and presuming I know how well a person may succeed not - especially since contra is a team sport.

I also want to raise the idea of economic injustice - many folks carpool, or, in NYC it may be a pain to get to a location - even by mass transit a new person could really need the help of a friend. Especially if it's a person from out of town; having lived in and around NYC for a decade, it can be _daunting_. So I can totally see some experienced dancers wanting to bring a friend, and having them come later is not an option. Forcing them to come later may be easier for folks with financial means, which is why I'm saying this may touch on an issue of economic justice and privilege.

An alternative I might have - and, totally with the benefit of hindsight and reflection:

I think if I'm in this situation in the future, I will do the following:
1. Caution the dancer of the expected skill level.
2. Offer them to sit and enjoy the music for free / donation instead of required entry fee.
3. Recommend that if they're set on trying it out, to do so, but if they're not getting it, come hang out and stay, with fee refunded. (Like a satisfaction guarantee.)

Ideally, if they do stay and sit, some dancers will need breaks and sit with them and make them feel welcome.

In dance,
Julian Blechner



On Sun, Apr 16, 2023, 9:50 PM Maia McCormick via Contra Callers <contracallers@lists.sharedweight.net> wrote:
I attended an advanced dance this afternoon that was intermediate at best, and had a few raw beginners in there, and it got me wondering:

1. As callers, what do you do when a bunch of intermediate and/or beginner dancers show up to an advanced session?
2. As organizers, what do you do to try and keep your advanced sessions... advanced? (Either in messaging or at the dance itself?) Obviously I'm not advocating for kicking anyone out, but if a bunch of newbies show up at an advanced session, both they and the dancers who came for gnarly stuff are going to have a less-than-ideal time.
3. As dancers (/organizers/callers), how do we elevate the dance level of our local communities? I'm talking about increasing familiarity with some of the less common moves (contracorners, left hand chains, etc.) but also about building awareness of the dance and recovery skills, and technical things like giving satisfying weight, swinging correctly, guiding linemates into the next figure, etc.

I welcome any thoughts and musings!

Cheers,
Maia (Brooklyn, NY)
--
Maia McCormick (she/her)
917.279.8194
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