My tentative name (assuming the composition doesn't already exist) is Vallimont's Silver Hammer. The dance came out of a conversation with the talented musician Julie Vallimont (just got permission to use the name) about closing sets; and how callers like dances that end with swings but bands often have something that builds to a big hit at the A to B transition in the music.--On Mon, May 9, 2016 at 1:52 PM, Jerome Grisanti <jerome.grisanti@gmail.com> wrote:Luke,I don't recognize it, but it looks fun.Just curious ... did you have a particular tune in mind that shaped your desire for the balance at the top of the B sections?--JeromeJerome Grisanti
660-528-0858
http://www.jeromegrisanti.com"Whatever you do, or dream you can, begin it. Boldness has genius and power and magic in it." --Johann Wolfgang von GoetheOn Mon, May 9, 2016 at 12:46 PM, Luke Donforth via Callers <callers@lists.sharedweight.net> wrote:_______________________________________________Hello all,I was trying to write a nice end-of-evening dance that had a balance at the top of B1, and ended with a partner swing (that wasn't Old Time Elixir #2 or Tica Tica timing...) and came up with this. I think it's new, and it worked well in Montreal recently; but I'd like to know if it already existed:Becket
A1
Circle left 3/4
Neighbor swing
A2
Gents start hey for 4 by left
B1
Right to neighbor (women back to back in middle), balance and box gnat
Pull by right, women allemande left 1 1/2
B2
Partner balance and swing
Slide leftHappy dancing--
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