"Roll in the Hey" by Roger Diggle
 

> To: callers@sharedweight.net
> Date: Tue, 8 Dec 2015 10:01:52 -0800
> Subject: Re: [Callers] Contras with a Hey
> From: callers@lists.sharedweight.net

>
> > *From:* Rich Sbardella via Callers <callers@lists.sharedweight.net>
> > *To:* Caller's discussion list <callers@sharedweight.net>;
> > trad-dance-callers@yahoogroups.com
> > *Sent:* Tuesday, December 8, 2015 12:48 PM
> > *Subject:* [Callers] Contras with a Hey
> >
> > Hello Folks,
> >
> > I am relatively new at calling contras and I am looking for some asy to
> > intermediate contras to introduce the hey to a group that includes many
> > beginners. and/or club square dancers.
> >
> > "Butter" by Gene Hubert is my go to dance, but I am looking for a few
> > more. I like Butter because the flow from ladies chain into a RH hey is
> > great, and because all the other calls are introduced earlier in most
> > evening.
> >
> > I love simple, but different choreography, so I am open to most suggestions.
> >
> > Rich Sbardella
>
> My two favorites for teaching the whole hey to new dancers are
> Flirtation Reel (Tony Parkes) and Carousel (Tom Hinds). In both cases,
> you start and end the hey in the same place, facing the same person
> (neighbor and partner, respectively), then go into a swing with them (by
> way of a gypsy or balance). In Butter, you come out of the hey into the
> progression, which is slightly less easy.
>
> Kalia
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