On Wednesday, April 27, 2022, 4:08 PM, Amy Cann <acann@putneyschool.org> wrote:
Ragtime tunes actually often go *slower* than flat-out reels.
Their grove isn't a fast
deedlediddledeedlediddledeedlediddledeedlediddledeedlediddledeedlediddle
like note-y Irish, or
diggachukkadiggachukkadiggachukkadiggachukka
like hot southern.
They go more like:
DAda, da, d'da Da - UH!
DAda, da, d'da Da - UH!
DAda, DAAdada, DAda, DAAdada,
dadada DA d'da DA - UH!
SO -- do NOT do dances that are sinuous and connected and snake-y spaghetti-y.
They will feel weird and pointless.
Instead, try dances that have that 1 - 2 - 3 - UH!
built right in.
Long lines forward and back.
Allemande 1/2 way to form a line and balance the line.
Petronella type turns.
Balance and box the gnat.
That kind of stuff, where your body makes shapes on the floor that are
sharp four-beat lines that reverse and turn around and stop/start on a
dime.
Steve Zakon's ZigZag has the right idea, but the zigzag thing happens
in the B, I think, and Beaumont needs it in the A. The B is where the
more connected-y stuff is, where you want the swings.
On 4/27/22, Laur via Contra Callers
<contracallers@lists.sharedweight.net> wrote:
> A local band here plays Beaumont Rag As a part of their routine dance set.
> It’s a popular band.
> I’ve never experienced a contra dance The band has chosen to play for a
> dance work. It doesn’t work for the dancers and it’s agonizing for the
> caller.
> Can anyone suggest a dance that could fit? At this point I’m planning to
> request they don’t include the tune.
> I know there’s an English dance written to match but not interested in that
> for this set.
> Laurie
>
> Sent from Yahoo Mail for iPhone
>