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        <div>My concern with introducing CC in  triplet is if you do that and then turn around and do it in a contra you have done it twice in one program - and probably very close together.  I wouldn't want to do that</div><div><br></div><div>Mac McKeever</div><div><br></div>
        
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                    On Thursday, February 21, 2019, 12:12:29 AM CST, Chris Page via Callers <callers@lists.sharedweight.net> wrote:
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                <div><div dir="ltr">Like many others, I recommend a triplet or 3-face-3. You're not going<br clear="none">out of your minor set, and not everyone's active all the time.<br clear="none"><br clear="none">I recommend:<br clear="none">Corner Triplet (Linda Leslie)<br clear="none">Melanie's Triplet (Melanie Axel-Lute)<br clear="none">Microchasmic Triplet (Ann Fallon)<br clear="none"><br clear="none">or<br clear="none"><br clear="none">Down by the Riverside (3-face-3 by Melanie Axel-Lute)<br clear="none"><br clear="none">I don't recommend Ted's Triplet #7, because it also includes a proper<br clear="none">right-and-left through, which many people these days are more<br clear="none">unfamiliar with than contra corners.<br clear="none"><br clear="none">-Chris Page<br clear="none">San Diego, CA<br clear="none"><br clear="none">On Wed, Feb 20, 2019 at 1:38 PM Hannah Chamb via Callers<br clear="none"><<a shape="rect" href="mailto:callers@lists.sharedweight.net" rel="nofollow" target="_blank">callers@lists.sharedweight.net</a>> wrote:<br clear="none">><br clear="none">> Hi all, first time posting here!<br clear="none">><br clear="none">> I'm new-ish to calling and I've yet to call contra corners. I think I'm up for the challenge and could teach the figure itself, but I still think it's a tricky one for dancers in all but the most experienced crowds. A few callers I know have advised me to build up to a challenging figure like contra corners over the course of an evening by calling dances that echo the skills the dancers will need later.<br clear="none">><br clear="none">> With that in mind, what dances would you call early in the evening in a mixed-level group that would help "teach" dancers the skills they need to be successful at contra corners?<br clear="none">><br clear="none">> I've been thinking I should include an easy proper-ish dance, and maybe a dance with allemandes outside the minor set... anything else come to mind?<br clear="none">><br clear="none">> Thanks in advance,<br clear="none">> Hannah Chamberlain<br clear="none">> Westbrook, ME<br clear="none">> _______________________________________________<br clear="none">> List Name:  Callers mailing list<br clear="none">> List Address:  <a shape="rect" href="mailto:Callers@lists.sharedweight.net" rel="nofollow" target="_blank">Callers@lists.sharedweight.net</a><br clear="none">> Archives:  <a shape="rect" href="https://www.mail-archive.com/callers@lists.sharedweight.net/" rel="nofollow" target="_blank">https://www.mail-archive.com/callers@lists.sharedweight.net/</a><div class="ydpa118fc58yqt8000178975" id="ydpa118fc58yqtfd11751"><br clear="none">_______________________________________________<br clear="none">List Name:  Callers mailing list<br clear="none">List Address:  <a shape="rect" href="mailto:Callers@lists.sharedweight.net" rel="nofollow" target="_blank">Callers@lists.sharedweight.net</a><br clear="none">Archives:  <a shape="rect" href="https://www.mail-archive.com/callers@lists.sharedweight.net/" rel="nofollow" target="_blank">https://www.mail-archive.com/callers@lists.sharedweight.net/</a><br clear="none"></div></div></div>
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